Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-04-17T15:09:07Z No. of bitstreams: 1 DIS_DANIELA_LANGER_FERREIRA_PARCIAL.pdf: 1052249 bytes, checksum: fe2e24d46cbb80ecb8301c9b902cf994 (MD5) / Made available in DSpace on 2017-04-17T15:09:07Z (GMT). No. of bitstreams: 1 DIS_DANIELA_LANGER_FERREIRA_PARCIAL.pdf: 1052249 bytes, checksum: fe2e24d46cbb80ecb8301c9b902cf994 (MD5) Previous issue date: 2016-02-29 / This dissertation falls within the area of concentration in Creative Writing and is divided into two parts: the first, a work of fiction and the second, a reflective essay. Narrated in first person, the novel Antonia in the City accompanies the journey of Antonia, the protagonist, after her life changed as result of her oldest sister's su-icide. The character sees herself helpless in a large urban center, in need of solv-ing the bureaucratic issues related to her death and, at the same time, she tries to unravel the reasons that led to the tragic death of her sister. The essay follows issues related to the creative process, and proposes a reflection on the metaphor of water, a recurring element in Antonia in the City. To do so, the theories of Gaston Bachelard on the imaginary of water are used. / Esta disserta??o se inscreve na ?rea de concentra??o em Escrita Criativa e ? dividida em duas partes: na primeira, uma obra de fic??o e na segunda, um ensaio reflexivo. Narrada em primeira pessoa, a novela Antonia na cidade acompanha a jornada de Antonia, protagonista, ap?s ter a sua vida alterada em consequ?ncia do suic?dio de sua irm? mais velha. A personagem se v? desamparada em um grande centro urbano, precisando resolver as quest?es burocr?ticas relacionadas ? morte e, ao mesmo tempo, tentando desvendar os motivos que ocasionaram a morte tr?gica da irm?. O ensaio acompanha as quest?es relativas ao processo criativo, al?m de propor a reflex?o sobre a met?fora da ?gua, elemento recorrente em Antonia na cidade. Para tanto, utiliza das teorias de Gaston Bachelard sobre o imagin?rio da ?gua.

Submitted by PPG Letras (letraspg@pucrs.br) on 2018-05-02T18:39:27Z No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5) / Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2018-05-11T14:47:53Z (GMT) No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5) / Made available in DSpace on 2018-05-11T15:02:45Z (GMT). No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5) Previous issue date: 2018-02-28 / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / This dissertation proposes a reading about Opisanie ?wiata, a book by the Brazilian writer Veronica Stigger, using theories of art and literature. In its first part, I deal with the displacement of words and images from other forms and sources into the interior of a fictional narrative. In this part, the displacement is seen as an operation of artistic and literary creation, capable of overcoming these and other barriers. For this, I use texts of the author herself and critics that elucidate this gesture in the works of Marcel Duchamp, Kurt Schwitters and Veronica Stigger. Then, in the second part of this work, I turn to a story from the narrative, derived from the thought of Walter Benjamin, to think of it from the various forms of narration that are experimented by Stigger in her prose. In this way, it worthy nothing that all the displacements observed in this narrative and the different forms of narration experienced by the writer are seen, in the company of works by other narrators, as pieces assembled in a collage. Finally, the last chapter presents a conversation with the author in which I look for information that deals with her work as a whole and that corroborates the discussion presented in the previous chapters. / Esta disserta??o prop?e uma leitura acerca de Opisanie ?wiata, livro da escritora brasileira Veronica Stigger, recorrendo a teorias da arte e da literatura. Em sua primeira parte, trato do deslocamento de palavras e imagens oriundas de outras formas e fontes para o interior de uma narrativa ficcional. Nessa parte, o deslocamento ? visto como uma opera??o de cria??o art?stica e liter?ria, capaz de ultrapassar essas e outras barreiras. Para isso, me valho de textos da pr?pria autora e de cr?ticos que elucidam esse gesto nas obras de Marcel Duchamp, Kurt Schwitters e Veronica Stigger. Ap?s, na segunda parte deste trabalho, recorro a uma hist?ria da narrativa, oriunda do pensamento de Walter Benjamin, para pens?-la a partir das diversas formas de narrar que s?o experimentadas por Stigger em sua prosa. Dessa forma, ? poss?vel notar que todos os deslocamentos observados nessa narrativa e as diferentes formas de narrar experimentadas pela escritora s?o vistas, na companhia de obras de outros narradores, como cacos reunidos em uma colagem. Por fim, o ?ltimo cap?tulo apresenta uma conversa com a autora na qual busco informa??es que tratem do trabalho dela como um todo e que corroborem para a discuss?o apresentada nos cap?tulos anteriores.

Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2015-08-07T21:43:49Z No. of bitstreams: 1 Wilton Mota de Miranda Junior.pdf: 773899 bytes, checksum: f90d4b465e4cb5dd986806328d8ae172 (MD5) / Made available in DSpace on 2015-08-07T21:43:49Z (GMT). No. of bitstreams: 1 Wilton Mota de Miranda Junior.pdf: 773899 bytes, checksum: f90d4b465e4cb5dd986806328d8ae172 (MD5) Previous issue date: 2013-05-08 / In this work we made a theoric-critical investigation about the Milton Hatoum?s fiction (1952 - ), considering the showing of urban spaces in his novels. The city, in the amazonense?s novels, start from this straight relationship with memory and identity of people that are participant of the narration?s construction and consequently of the representation of the city. This representation it made by the sight and the experiences from of each narrators that read the city and spread it in language. We elect for compound this work the novels Relato de um Certo Oriente (1989), Dois Irm?os (2000), and Cinzas do Norte (2005), deleting the novel ?rf?os do Eldorado (2008) and the tales A cidade Ilhada (2010), because that three books are enough for answering well to our goal, and that in Milton Hatoum?s other books are consolidated the representation?s form of this urban spaces. Using this situations we it is going appreciate and discussed the main questions relational to the city, bringing many referential studies about this thematic, articulating them in a free tour by theories, directing this discussions to the Hatoum?s work. / No presente estudo realizamos uma investiga??o te?rico-cr?tica sobre a obra ficcional de Milton Hatoum (1952 ? ), tendo em vista a representa??o dos espa?os urbanos presentes em seus romances. A cidade, nos romances do amazonense, surge a partir da sua estreita rela??o com a mem?ria e identidade dos indiv?duos que participam da constru??o narrativa e consequentemente da representa??o da urbe, ou seja, essa representa??o se realiza a partir do olhar e das viv?ncias de cada um de seus narradores que leem a cidade e a dissipam em forma de linguagem. Foram eleitos para compor o corpus de tal empreendimento os romances Relato de um certo Oriente (1989), Dois Irm?os (2000) e Cinzas do Norte (2005), excluindo-se a novela ?rf?os do Eldorado (2008) e a colet?nea de contos A Cidade Ilhada (2010), por entender que os tr?s romances j? respondem satisfatoriamente ao que se prop?e a nossa an?lise, e que nas demais obras Milton Hatoum consolida a forma de representa??o desses espa?os urbanos. A partir dessas considera??es ser?o apreciadas e discutidas as principais quest?es relacionadas ? cidade, trazendo um emaranhado de estudos referenciais sobre essa tem?tica, articulando-os em um livre passeio pelas teorias, direcionando tais discuss?es ? obra de Hatoum.

Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-10-24T13:14:04Z No. of bitstreams: 1 TES_MOEMA_VILELA_PEREIRA_PARCIAL.pdf: 9263620 bytes, checksum: 7cdee2140d395b3add7bd1429ffc3285 (MD5) / Made available in DSpace on 2017-10-24T13:14:04Z (GMT). No. of bitstreams: 1 TES_MOEMA_VILELA_PEREIRA_PARCIAL.pdf: 9263620 bytes, checksum: 7cdee2140d395b3add7bd1429ffc3285 (MD5) Previous issue date: 2017-01-25 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / This Thesis comprehends one book and two booklets of fiction, followed by four essays on and built on Creative Writing. The works investigate forms of short fiction as well as less central issues of literary theory and creation: the fictional works and the essays discuss short-short story and minifiction, gestures and the notes of a writer. The longest essay examines the contemporary theorization about minifiction, relating Hispanic American authors, to trace and problematize options for terminology, genre relations, formal, structural, and pragmatic characteristics. It also observes the consequence produced by the theoretical perspectives chosen to address these mentioned forms. On the other hand, the essays on notes and gestures develop examples for a theoretical-critical proposal within Creative Writing; the first case affiliated to the personal essay, a contemporary descendant of Montaigne, and the latter to the writing manual, teaching aspiring writers technical artifices and analyzing its different effects based on concrete cases. This Thesis presents artistic Creative Writing and theoretical Creative Writing works, for examining different possibilities within this relatively new research area in Brazil at PhD level, and the intersections of theory, criticism and creation. / Esta tese compreende um livro e dois livretos de fic??o, acompanhados de quatro ensaios sobre e a partir da Escrita Criativa, que investigam formas de extens?o curta, bem como problem?ticas menos centrais da teoria liter?ria e da cria??o: a fic??o e os ensaios tratam do miniconto e da minificc?o, dos gestos e das anota??es de um escritor. O ensaio mais longo observa a teoriza??o contempor?nea sobre a minificc?o, relacionando autores hispano?americanos para tra?ar e problematizar op??es de terminologia, rela??es geol?gicas, caracter?sticas formais, estruturais e pragm?ticas, e tamb?m a consequ?ncia das perspectivas te?ricas escolhidas para abordar essas formas, enquanto os ensaios sobre notas e gestos desenvolvem exemplos mais singulares de um material te?rico-cr?tico de Escrita Criativa, sendo o primeiro caso filiado ao ensaio pessoal, descendente contempor?neo de Montaigne, e o ultimo ao manual de escrita, ensinando aos aspirantes a escritores artimanhas t?cnicas e analisando seus diferentes efeitos a partir de casos concretos. Para examinar diferentes possibilidades de trabalho acad?mico em n?vel de doutorado nesta ?rea de concentra??o rec?m-criada no Brasil, a tese apresenta obras de Escrita Criativa art?sticas e te?ricas, no transito entre teoria, critica e cria??o.

Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2017-07-13T00:34:13Z No. of bitstreams: 1 Disserta??o final 2016 Jo?o Daniel Guimar?es Oliveira.pdf: 655013 bytes, checksum: d0a2de9f4bcda190e3f62f17cf4803e7 (MD5) / Made available in DSpace on 2017-07-13T00:34:13Z (GMT). No. of bitstreams: 1 Disserta??o final 2016 Jo?o Daniel Guimar?es Oliveira.pdf: 655013 bytes, checksum: d0a2de9f4bcda190e3f62f17cf4803e7 (MD5) Previous issue date: 2015-12-16 / This study performs a reading of Pornopop?ia (2009), the romance wrote by Reinaldo Moraes, borned in S?o Paulo. In my analysis, I try to identify the manifestations of street smarts and cynicism present in Zeca figure, the protagonist. In the erotic and irresponsible adventure of romance, this guy of metropolis finds himself at the mercy of consumerism and moral vacuum. The individualism and the hero's hedonism, mostly geared toward to the enjoyment, are the result of the logic of a society where the consumer is not a subject but its object. Zeca integrates a particular line of characters that possibly originated in Spain with so-called picaresque novels. Such a line had in Manuel Antonio de Almeida a pioneer in Brazil, with the book Mem?rias de um sargento de mil?cias, in which the author, though inheriting characteristics of the Spanish rogue, absorbs the folk style of local historical figures like Peter Malasartes, creating, so in Leonardo (protagonist of Mem?rias), the prototype of the Brazilian trickster. While in the first chapter i select some individuals who, given their representation throughout history, would be formative parts for the creation of Zeca, in the second i choose for bringing literary examples listed as examples of the types listed in the previous chapter, as well as notabilizam themselves while Reinaldo Moraes' precursors. In the third chapter I dwell on the text and develop my reading from three directions: the Zeca relations with pleasure, with morality and with the void. Therefore, reflect, in this dissertation, on the possible belonging of this character, given its sharp bend to the marginal and peripheral zone. / O presente trabalho realiza uma leitura da Pornopop?ia (2009), romance do escritor paulista Reinaldo Moraes. Em minha an?lise, busco identificar as manifesta??es da malandragem e do cinismo presentes na figura de Zeca, o protagonista. Na aventura er?tica e irrespons?vel do romance, esse indiv?duo da urbe se v? ? merc? do consumismo e do vazio moral. O individualismo e o hedonismo do her?i, majoritariamente voltados para o gozo, s?o frutos da l?gica de uma sociedade para a qual o consumidor n?o ? o sujeito, mas seu objeto. Zeca integra uma linha particular de personagens que possivelmente originou-se na Espanha com os chamados romances picarescos. Tal linha teve em Manuel Antonio de Almeida seu pioneirismo aqui no Brasil, com a obra Mem?rias de um sargento de mil?cias, na qual o autor, embora herdando caracter?sticas do p?caro espanhol, absorve o estilo folcl?rico de figuras hist?ricas locais como Pedro Malasartes, criando, assim, em Leonardo (protagonista das Mem?rias), o prot?tipo do malandro brasileiro. Enquanto no primeiro cap?tulo elenco alguns sujeitos que, dada a sua representatividade ao longo da hist?ria, seriam pe?as formativas para a cria??o de Zeca, no segundo opto por trazer exemplos liter?rios que figuram como exemplos dos tipos listados no cap?tulo anterior, bem como notabilizam-se enquanto precursores de Reinaldo Moraes. No terceiro cap?tulo me debru?o sobre o texto e desenvolvo minha leitura a partir de tr?s dire??es: as rela??es de Zeca com o prazer, com a moral e com o vazio. Assim sendo, reflito, nesta disserta??o, acerca do poss?vel pertencimento desta personagem, tendo em vista sua n?tida curvatura para a zona marginal e perif?rica.