This project investigated the relations between recalled job-satisfaction, ability, and task demands in Vietnam era helicopter aviators. It attempted to detect and describe factors present in a dangerous combat environment which may influence some individuals to enjoy and take satisfaction at being exposed to, creating, and participating in the dangerous and life threatening violence involved in helicopter combat. Participants were 30 pilots and crew members retired from the 335th Assault Helicopter Company who were all actively involved in combat in Vietnam from 1968 to 1970. This study found that developing a love of war is correlated with anger during combat. The love of war is not correlated with PTSD processes nor is it correlated with specific personality dimensions. The love of war research is a new area. The questions were used to operationalize the love of war represent a significant limitation. This method of operationalizing the love of war concept does not make fine discriminations has questionable content validity. To facilitate accuracy in discriminating between participants when conducting future research in the area, researchers could benefit from constructing a measure with greater content validity.

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Analyzing the effect of military expenditure on economic growth has been an essential task for U.S economists. This thesis analyzed macroeconomic components for the last 70 years by estimating the ordinary least squares (OLS) regression model and vector autoregressive model. To interpret the empirical analysis, historical analysis of the Korean War, the Vietnam War, and the Wars in the Middle East, was made. One found the negative effect of military spending during wartime on the economic growth of the United States. This thesis suggests that the policymakers and military commanders should focus on shortening the state of war to minimize economic damage to the United States. / Includes bibliography. / Thesis (M.S.)--Florida Atlantic University, 2020. / FAU Electronic Theses and Dissertations Collection

Over the past 15 years, mental health professionals have seen an increasing number of Vietnam combat veterans suffering from stress disorders resulting from the trauma of combat and continued exposure to life threatening situations. Prior to 1980, professional repudiation of and hostility toward Vietnam veterans and toward a clinical reality of Post Traumatic Stress Disorder was common while nondiagnosis and nontreatment was prevalent

This dissertation is a cultural history of total war (ch’ongnyŏkchŏn) mobilization in South Korea from the 1946 outbreak of mass uprisings in the U.S.-occupied southern provinces to the withdrawal of Republic of Korea Army (ROKA) troops from the Vietnam War in 1973. It focuses more specifically on the role of cultural production in programs of anticommunist pacification in postcolonial South Korea. Following the collapse of the Japanese Empire and the division of the Korean peninsula in 1945, U.S. and South Korean elites confronted popular insurgencies in Taegu (1946), Cheju Island (1948-49), and South Chŏlla Province (1948). Acknowledging the mass character of these rebellions, anticommunist ideologues emphasized the importance of campaigns—variously referred to as culture war (munhwajŏn), thought war (sasangjŏn), or psychological warfare (simnijŏn)—targeting the home front (hubang) as a refuge for communist subversion. Cultural production would remain a central element of war mobilization in the subsequent Korean War (1950-1953) and Vietnam War (1965-1973), as well as in the militarized village development schemes of the 1950s and 1960s. In exploring the cultural dimension of unending war in divided Korea, this dissertation draws on a wide variety of documentary media, including roundtables, war correspondence, reportage, travelogues, ethnographies, memoirs, diaries, realist literature, illustrations, photographs, and oral histories, among other such sources. These genres, often sponsored or otherwise influenced by the state, functioned to investigate the historical causes of insurgency and propose suitable modes of prevention. From the mid-1940s to the mid-1970s, such investigations evolved, moving from a post-liberation fixation on repatriated “war victims” (chŏnjaemin) to studies of other displaced groups purportedly vulnerable to communist subversion: refugees, POWs, vagrants, juvenile delinquents, peasants, lepers, and, in the Vietnam War, National Liberation Front (NLF) recruits. In South Korea, documentary media was emblematic of a Cold War “exhibitionary complex” founded upon claims to a pure reality unmediated by ideology. This study argues that the peculiar conditions of divided Korea ensured that anticommunist exhibitions did not just broadcast the messages of power but served in themselves to display and facilitate punishment. I further argue that the functional nature of embedded texts—as mechanisms of identification and surveillance as well as representation—lies behind their value as historical sources. This dissertation also argues for a conception of South Korean militarism (kunsajuŭi) capable of integrating such artifacts of literary, mass, and popular culture. Building on and departing from the foundations of South Korean anticommunist ideology in the 1940s and 1950s, the Park Chung Hee regime (1961-1979) offered a vision of the North Korean enemy as invisibly embedded in the socioeconomic contradictions of the home front. The Park-era discourse of “indirect invasion” (kanjŏp ch’imnyak) projected the masses as a hotbed of potential subversion, encouraging new forms of civilian participation in the militarized development schemes of the 1960s. The participation of non-state actors—whether as philanthropists, entrepreneurs, educators, proselytizers, performers, writers, or artists—in the reproduction and justification of war at home and in South Vietnam throughout the 1960s is one critical aspect of South Korean militarism overlooked in existing studies. This total mobilization of an emergent civil society into war and militarized development, however, produced unintended consequences, obstructing reporters’ attempts to represent the Vietnam War and incentivizing the exploitation of labor export programs and support initiatives aimed at the home front. These contradictions helped fuel the re-emergence, in late 1960s and early 1970s South Korea, of documentary writing as a vehicle of anti-capitalist critique rather than state propaganda.

In 1967 and 1968, members of the Youth International Party, also known as Yippies, created several mass street demonstrations to protest President Lyndon Baines Johnson’s handling of the United States’ military involvement in the war in Vietnam. The Yippies were a loose network of hippies, anti-war activists, and left-wing radicals committed to cultural and political change. This dissertation investigates how the Yippies used avant-garde theories of theatre and performance in their year of demonstrating against the Johnson administration. The Yippies receive little attention in most histories of American performance, and theatre remains on the margins of political and social histories of the 1960s; therefore this dissertation places performance and political archives side by side to create a new historical narrative of the Yippies and performance. The Yippies created their own networked participatory street performance form by drawing on the political philosophy of the New Left student movement, the organizational strategies of the anti-war movement, and the countercultural values of the hippies. They modified this performance form, which they termed “revolutionary actiontheater,” with performance theories drawn from New York’s avant-garde art world, the concept of guerrilla theatre outlined by R. G. Davis of the San Francisco Mime Troupe, and the notion of Theater of Cruelty created by Antonin Artaud. Using performance theory and cultural history as primary methodologies, this project traces the Yippies’ adoption of revolutionary action-theater with three examples: the 1967 “March on the Pentagon” where future Yippie leaders performed an exorcism ritual at the Pentagon; the 1968 “Grand Central Station Yip-In” event that advertised for the Yippie movement; and the 1968 “Festival of Life” at the National Democratic Convention in Chicago where the Yippies nominated a pig as presidential candidate. The final chapter on the recent phenomenon of flash mobs argues that the Yippies’ legacy lives on in this participatory street performance form, and suggests that revolutionary action-theater can still serve as a model for political action. / text

These original data for this research were documented in the clinical diary records of an army psychiatrist on deployment in Vietnam during 1969–70. This study is unique due to the original battlefield diagnosis data used for foundation comparison analysis and longitudinal retrospective case control paired measurement. In battlefield psychiatric assessment diagnostic data recorded in Vietnam during 1969–70 of 119 Australian military servicemen (Experimental group) who presented battlefield trauma exposure reactions were examined. The research case controls (Control group) are 275 Australian Vietnam veterans selected from data at the Australian War Memorial Research Centre. Case control identified participants did not present with medical symptoms in 1969-70 and presented the same demographic profile as the Experimental group population. This research examined whether initial psychiatric illnesses initiated by battlefield trauma exposure in 1969-70 by a cohort of Vietnam veterans would have long term pernicious effects on their physical and psychological health, relationships and employment status. This research compared, PTSD, delayed onset PTSD, severity of combat exposure and depressive symptoms, quality of dyads, general health and quality of life. The analysis of specific demographic variables determined the means, standard deviations, and medians for those continuous variables for both groups from 1969-70 (n=394) and 2006-07 (n=97). The 2006-07 Experimental group (n=21) represents 17.65% and the Control group (n=76) represents 28.15% of the original groups selected and matched from 1969-70 data. These participants completed a battery of psychometric questionnaires and a follow up telephone interview. Demographic variables were evaluated for inclusion as covariates. These demographic variables were correlated with combat exposure and the presentation of PTSD in 1969-70 and 2006-07. PTSD identified in 2006-07 was modelled as a latent variable with three manifest indicators (re-experiencing, hyper-arousal and avoidance). Categorical variables were determined by frequency tables for respective group participants. Group differences in continuous variables were analysed by t-test or the Wilcoxon signed rank sum test accounting for non-normal distributions. Categorical variables, chi-square tests or Fisher's Exact Tests were performed when assumptions of chi-square tests were violated. Research participants from 1969-70 and 2006-07 did not indicate a significant difference in demographic, categorical or continuous variables. Initial 1969-70 battlefield psychiatric diagnosis TSD did indicate of a causal link to delayed onset PTSD in research participants in 2006-07. The PTSD (2006-07 diagnosis) indicated a descriptive difference, 64 of the 76 Control met the diagnostic criteria, while 19 of the 21 Experimental met the criteria. A significant difference was identified in the 2006-07 presence and severity of depression, two symptoms (intrusion and avoidance) of PTSD and the reported combat exposure. The prevalence of delayed onset PTSD was also highlighted. Obtaining original battlefield psychiatric diagnoses is rare. Comparison with an identifiable Control group after 35 years informs knowledge of how military personnel cope with battlefield exposure. Specifically concluding that; battlefield exposures during 1969-70 for the majority of the research participants have impacted detrimentally on their psychological and physical health, relationships, employment and ongoing overall wellbeing to this day. Delayed onset PTSD is the principal indicator of this current state for these veterans. / Thesis (Ph.D.) - University of Adelaide, School of Population Health and Clinical Practice, 2008

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The materials of war, defined as what soldiers carry into battle and off the battlefield, have much to offer as a means of identifying and analyzing the culture of those combatants. The Vietnam War is extremely rich in culture when considered against the changing political and social climate of the United States during the 1960s and 70s. Determining the meaning of the materials carried by Vietnam War soldiers can help identify why a soldier is fighting, what the soldier’s fears are, explain certain actions or inactions in a given situation, or describe the values and moral beliefs that governed that soldier’s conduct. “Carry,” as a word, often refers to something physical that can be seen, touched, smelled, or heard, but there is also the mental material, which does not exist in the physical space, that soldiers collect in their experiences prior to, during, and after battle. War changes the individual soldier, and by analyzing what he or she took (both physical and mental), attempts at self-preservation or defense mechanisms to harden the body and mind from the harsh realities of war are revealed. In the same respect, what the soldiers brought home is also a means of preservation; preserving those memories of their experiences adds validity and meaning to their experiences. An approach employing aspects of psychology, sociology, and cultural theory demonstrates that any cookie-cutter answer or characterization of Vietnam veterans is unstable at best, and that a much more complex picture develops from a multidisciplinary analysis of the soldiers who fought the war in Vietnam.

This dissertation undertakes a comparative study of certain works of literature concerning Vietnamese and American troops during the United States’ involvement in Southeast Asia in the 1960s and 1970s. My assumption was that during war it is possible to conclude that enemy forces behave in the same manner in order to reach the identical goal, that of victory over the ‘other’ side. I sought to ascertain how under the selfsame conditions they could be considered as enemies. Divided only by the 17th Parallel: A Study of Similarities Between American and Vietnamese Soldiers in Selected Works By close reading of six texts, three from Vietnamese and three from American perspectives, I have attempted to extract their similar views from each in order to create a context in which the likeness of each side is demonstrated. This was achieved by exploring four themes: those of landscape, time, conflict and ghosts. It was discovered that the protagonists’ behaviour was the same and that rather than being the others’ adversary their true enemies were found within their own ranks. The results indicate that a wider perspective should be adopted on war than one which regards it as a simplistic binary consisting of two opposing sides. Contrary to any supposition that enemies must remain separated, there is more than enough evidence for one to conclude that they actually occupied mutual psychological territory. Key Terms: Landscape, time, ghosts, psychological damage, Reader Response, CSR, PTSD, New Historicism, dehumanisation, conditions of war, 1954 Geneva Agreement, ideology, war literature. / English Literature / M.A. (English Literature)