Polymers is a class of molecules which can have many different structures due to a large number of degrees of freedom. Many biopolymers, e.g. DNA, but also synthetic macromolecules have special structural features due to their backbone stiffness. Since such structural properties are important for e.g. the biological function, a lot of effort has been put into the investigation of the configurational properties of semi-stiff molecules. A theoretical treatment of these systems is often accompanied by computer simulations. The main idea is to compare theoretically derived models with experimental results for real polymers. Using Monte Carlo simulations, I have investigated how this computational technique can build a bridge between theoretical models and experimentally observed phenomena. The effort was mainly directed to develop sampling techniques, for efficiently exploring the configurational space of semi-stiff chains in a wide range of structures. The work was concentrated on compact conformations, since they, as is well known from previous studies, are difficult to sample using conventional methods. In my studies I have shown that the simple and, at a first glance, time consuming method of bead-by-bead regrow as a way of changing the configuration of a semi-stiff chain gave very promising and encouraging results when combined with modern simulation techniques, like Entropic Sampling with the Wang-Landau algorithm. The resulting simulation package was also suitable for parallelization which resulted in a further speed-up of the calculations. In addition to the more elaborate sampling methods, I also investigated external conditions to induce compaction of a semi-stiff polymer. In the case of a polyampholyte the condensing agent could be a multivalent salt, creating effective attraction between the loops of the chain, while for neutral polymers, an external field and the geometry of the confining volume can induce a compaction.

Farewell in the Garden is a Qing dynasty (1644-1911) copy of a parting gift painted by Wen Zhengming (1470-1559) for his student Wang Chong (1494-1533) to mark the occasion of Wang Chong’s visit before he left to write the civil service examination. In addition to this painting, three other versions bearing similar poetic inscriptions exist. These four paintings present an intriguing riddle and oppourtunity to consider copies as works worthy of scholarly attention. The compelling scene of farewell between teacher and student who both failed the examinations numerous times resonated with audiences who empathized with their disappointments. A longing to serve in the government is visible when these paintings are considered in relation to earlier literati art. The sketch-like traces of a ledge that is in all of the copies except Farewell in the Garden, hint to the visual possibility of this scene being situated on a shore. Wen Zhengming, through his subtle lines, alludes to this powerful site of parting which is frequently depicted in literati landscape painting and associated with scholar officials and men of merit. This thesis situates Farewell in the Garden and its copies within the wider tradition of literati painting through the theme of service. Government service, as a Confucian ideal, and as a recurring theme in literati painting, transforms in appearance over time, reflecting political, economic, and philosophical shifts. In the Ming dynasty, the ideal of service is manifest and demonstrated in the continued pursuit to serve in office, and the garden, reminiscent of the locations depicted in literati painting, becomes a suitable setting for this enactment. I argue that this parting scene of Wen Zhengming and Wang Chong came to implicitly represent the commitment to serve in government. The cogent Confucian ideal demonstrated by teacher and student is the unyielding determination to serve, and it is this very sentiment or quality in the copies of the farewell painting – the tenacious endeavour to be of service – that is at once consoling and persuasive. / Arts, Faculty of / Art History, Visual Art and Theory, Department of / Graduate

京都大学 / 0048 / 新制・課程博士 / 博士(工学) / 甲第20698号 / 工博第4395号 / 新制||工||1683(附属図書館) / 京都大学大学院工学研究科建築学専攻 / (主査)教授 竹山 聖, 教授 山岸 常人, 准教授 田路 貴浩, 教授 三浦 研 / 学位規則第4条第1項該当 / Doctor of Philosophy (Engineering) / Kyoto University / DFAM

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本論文凡分五章，首章緒論，綜述南北朝代之背景與其文學發展的狀況，以見其對庾 信行誼與作品之影響。 次章評傳，介紹庾信之鄉里世系與生平事蹟，于其先世又著╲重仕宦之系統，以見其 生長背。景而其個人生平又配合作品之創作，分為三期。並述及家庭、交遊、思想、 學殖，以與其作品互相印證。然後引述其文學創作在多方面的成就。 第三章庾信辭賦之分篇研究，除劃分前後兩期外，各篇又就其結構內容與主要特色， 加以分析比較，以見其創作技巧與特殊表現。 第四章庾信辭賦之特色與比較，再就其十五篇賦，加以綜合分析比較，以探討庾信寫 作之一貫特色與不同的改變，由此更反復印證其生平與作品的息息相關。以期於庾信 作品有更完整之認識與瞭解。 末章結論，主要在評分介庾信于文學史上的地位與影響。首節與徐陵並論，以見南朝 文壇之風氣。次節與王褒並提，以見北方文壇受南人的影響。末節則說明庾信于後世 文學之重影響。

Sericulture has been a part of Chinese culture since ancient times. The silk dress was a symbol of the social privileges of the educated elite and the court. On the other hand, silk production and silk processing were also part of the everyday life of common villagers. For Chinese society, silk was an important material both economically and culturally. This diploma thesis analyzes how various aspects of life in Tang society, which were connected to silk, are portrayed in the works of the middle Tang poets Wang Jian 王建 (cca. 751-830) and Bai Juyi 白居易 (772-846). This paper identifies various themes and describes meanings that silk as a literary motif helps to express.

論文(哲學碩士)--香港中文大學硏究院中國語言及文學學部,1994. / 參考文獻: leaves 383-410 / 許子濱. / Chapter 第一章： --- 緒言 / Chapter 1. --- 研究主旨 --- p.001-002 / 註釋 --- p.003 / Chapter 2. --- 本文所據王逸《楚辭章句》版本述略 --- p.004-014 / 註釋 --- p.015-018 / 附圖 --- p.019-020 / Chapter 第二章： --- 王逸生平及學術考 --- p.021-063 / 註釋 --- p.064-071 / 附圖 --- p.72 / Chapter 第三章： --- 兩漢屈原論平議 --- p.073-117 / 註釋 --- p.118-126 / Chapter 第四章： --- 王逸以「忠信之篤、仁義之厚」說屈志考略 --- p.127-151 / 註釋 --- p.152-153 / Chapter 第五章： --- 「同姓無相去之義」考辨 / Chapter 一、 --- 王逸述屈原世系及官職考 --- p.154-166 / 註釋 --- p.167-170 / 附圖 --- p.171 / Chapter 二、 --- 釋「同姓」 --- p.172-192 / 註釋 --- p.193-196 / Chapter 三、 --- 「同姓無相去之義」說彙考 / Chapter 1. --- 王逸以降言《楚辭》者「同姓無相去 之義」說輯述 --- p.197-196 / 註釋 --- p.220-224 / Chapter 2. --- 駁「同姓無相去之義」說輯述 --- p.225-230 / 註釋 --- p.231 / Chapter 3. --- 當代有關屈原「同姓」問題論爭辨疑 --- p.232-254 / 註釋 --- p.255-256 / Chapter 四、 --- 「同姓無相去之義」源流考 --- p.257-308 / 註釋 --- p.309-317 / Chapter 五、 --- 「異姓有去國之義」論 --- p.318-326 / 註釋 --- p.327-329 / Chapter 六、 --- 據「同姓無相去之義」定《楚辭章句》 / 序文作者辨謬 --- p.330-334 / 註釋 --- p.335 / Chapter 第六章： --- 屈原待放及放逐考 --- p.366-354 / Chapter 1. --- 待放 / Chapter 2. --- 放逐 / Chapter 3. --- 居夷與水死 / 註釋 --- p.355-357 / 附圖 --- p.358-359 / Chapter 第七章： --- 屈原精合真人考 --- p.360-375 / 註釋 --- p.376-378 / 附圖 --- p.379 / Chapter 第八章： --- 結語 --- p.380-381 / 註釋 --- p.380-382 / 參考書目及論文目錄 --- p.383-410 / 附錄：《楚辭章句》序文作者新說駁議 --- p.411-443 / 註釋 --- p.444-453

梁建輝. / 稿本(據電腦打印本複印) / Thesis (M.A.)--香港中文大學硏究院中國語文學部. / Gao ben (Ju dian nao da yin ben fu yin) / Includes bibliographical references (leaves 305-323). / Liang Jianhui. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo yu wen xue bu. / Chapter 第一章 --- 緒論 --- p.1-26 / Chapter 第一節 --- 硏究本題的目的 --- p.1-11 / Chapter 第二節 --- 硏究本題的困難 --- p.11-15 / Chapter 第三節 --- 硏究本題的方法 --- p.15-18 / 注釋 --- p.19-26 / Chapter 第二章 --- 王充、劉勰論文的基本前提 --- p.27-78 / Chapter 第一節 --- 「文」的意義 --- p.27-54 / 注釋 --- p.55-60 / Chapter 第二節 --- 「文」的功能 --- p.61-76 / 注釋 --- p.77-78 / Chapter 第三章 --- 王充、劉勰的文體論 --- p.79-155 / Chapter 第一節 --- 論「武頌」 --- p.79-105 / 注釋 --- p.106-110 / Chapter 第二節 --- 論「史傳」 --- p.111-123 / 注釋 --- p.124-126 / Chapter 第三節 --- 論「諸子」 --- p.127-135 / 注釋 --- p.136-139 / Chapter 第四節 --- 論「論¨®Ơ」 --- p.140-153 / 注釋 --- p.154-155 / Chapter 第四章 --- 王充、劉勰的創作論 --- p.156-245 / Chapter 第一節 --- 論「模擬」 --- p.156-178 / 注釋 --- p.179-183 / Chapter 第二節 --- 論「言意」 --- p.184-193 / 注釋 --- p.194 / Chapter 第三節 --- 論「夸飾」 --- p.195-220 / 注釋 --- p.221-227 / Chapter 第四節 --- 論「繁簡」 --- p.228-242 / 注釋 --- p.243-245 / Chapter 第五章 --- 王充、劉勰的批評論 --- p.246-297 / Chapter 第一節 --- 論「奇」 --- p.246-267 / 注釋 --- p.268-272 / Chapter 第二節 --- 論「古」、「今」 --- p.273-292 / 注釋 --- p.293-297 / Chapter 第六章 --- 結語 --- p.298-304 / Chapter 第一節 --- 綜論王充、劉勰論文觀點的異同 --- p.298-301 / Chapter 第二節 --- 對漢魏六朝文論發展的一些假設 --- p.301-303 / 注釋 --- p.304 / 參考書目 --- p.305-323

樊善標. / 稿本(電腦打印本) / Thesis (M.A.)--香港中文大學硏究院中國語文學部. / Gao ben (dian nao da yin ben) / Includes bibliographical references (p. 351-364). / Fan Shanbiao. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo yu wen xue bu. / 目綠 --- p.1 / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 王筠《¨®Ơ文》學之淵源 --- p.1 / Chapter 第二節 --- 王筠與《¨®Ơ文》訂段學 --- p.10 / Chapter 第二章 --- 訂段氏校勘本文之誤（上） --- p.26 / Chapter 第一節 --- 引言 --- p.26 / Chapter 第二節 --- 正篆、重文類 --- p.29 / Chapter 第一小節 --- 删篆之誤（附未删正篆重文之誤> --- p.29 / Chapter 1. --- 同部、異部重文 --- p.29 / Chapter 2. --- 累增字 --- p.40 / Chapter 3. --- 《說文》分據《詩》異文收字 --- p.44 / Chapter 4. --- 其他 --- p.51 / Chapter 5. --- 附未删正篆重文之誤 --- p.54 / Chapter 第二小節 --- 補篆之誤（附補重文之誤） --- p.67 / Chapter 1. --- 疏於審證 --- p.67 / Chapter 2. --- 不明說解例 --- p.72 / Chapter 3. --- 附補重文之誤 --- p.77 / Chapter 第三小節 --- 字形之誤 --- p.89 / Chapter 1. --- 未用金石材料 --- p.89 / Chapter 2. --- 不察字形取意 --- p.101 / Chapter 3. --- 不辨材料是非 --- p.111 / Chapter 4. --- 師心改字 --- p.117 / Chapter 第三章 --- 訂段氏校勘本文之誤（下） --- p.127 / Chapter 第一節 --- 說解類 --- p.127 / Chapter 第一小節 --- 誤校之類型 --- p.127 / Chapter 1. --- 誤改說形聲之語 --- p.127 / Chapter 甲 --- 删省聲 --- p.127 / Chapter 乙 --- 改形聲為會意 --- p.137 / Chapter 丙 --- 其他 --- p.141 / Chapter 2. --- 誤改讀若 --- p.143 / Chapter 3. --- 其他 --- p.149 / Chapter 第二小節 --- 誤校之原因 --- p.162 / Chapter 1. --- 不識被¨®Ơ解字義 --- p.162 / Chapter 2. --- 不知「一曰」多出後人 --- p.169 / Chapter 3. --- 不知非字者不出說解之例 --- p.178 / Chapter 4. --- 不明說解用意 --- p.189 / Chapter 5. --- 取證之誤 --- p.198 / Chapter 第四章 --- 訂段氏注釋之誤 --- p.213 / Chapter 第一節 --- 引言 --- p.214 / Chapter 第二節 --- 誤注之類型 --- p.214 / Chapter 第一小節 --- 誤釋字義及說解 --- p.214 / Chapter 第二小節 --- 誤立通例 --- p.235 / Chapter 1. --- 說解必用本字 --- p.235 / Chapter 2. --- 複舉字 --- p.250 / Chapter 第三小節 --- 引證及推理之誤 --- p.273 / Chapter 第四小節 --- 轉注義例及句讀之誤 --- p.299 / Chapter 第三節 --- 補充《¨®Ơ文注》 --- p.321 / Chapter 第五章 --- 結論 --- p.332 / Chapter 附錄一： --- 《¨®Ơ文釋例》删「一曰」統計 --- p.343 / Chapter 附錄二： --- 《說文》「非字之形」出於說解统計 --- p.346 / 參考書目 --- p.351