Jessie Ackerman was the second world missionary for the Woman’s Christian Temperance Union. Her fascinating life sheds light on the most important issues facing women during this time period. Most WCTU women have been dismissed by twentieth century scholars as being religiously fanatical and conservative. They have been overshadowed by suffragists and other women that we consider more radical by today’s standards. Only in recent years have some feminist historians begun to reexamine the contributions WCTU women made to the suffrage movement and to feminism. The research for this thesis relies heavily on primary sources including Ackerman’s personal papers found in Sherrod Library’s Archives of Appalachia, her three published books,Australia From a Woman’s Point of View, What Women Have Done With the Vote, and The World Through a Woman’s Eyes. Also consulted were issues of the WCTU’s official journal, The Union Signal, from 1887 through 1892.

This project used primary historical documents from the Jessie A. Ackermann collection at ETSU's Archives of Appalachia, other books and documents from the temperance period, and recent scholarship on the subjects of temperance, suffrage, and women travelers and civilizers. As the second world missionary for the Woman's Christian Temperance Union, Ackermann traveled in order to establish WCT Unions and worked as a civilizer, feminist, and reporter of the conditions of women and the disadvantaged throughout the world.

This study investigates the first Woman's Department at a World's Fair in the Deep South. It documents conflicts and reconciliations and the reassessments that post-bellum women made during the World's Industrial and Cotton Centennial Exposition in New Orleans, the region's foremost but atypical city. It traces local women's resistance to the appointment of northern abolitionist and suffragist, Julia Ward Howe, for this “New South” event of 1884-1885. It also notes their increasing receptivity to national causes that Susan B. Anthony, Frances E. Willard, and others brought to the South, sometimes for the first time. This dissertation assesses the historical forces that goaded New Orleans women, from the comfort of their familiar city, to consider radical notions that would later strengthen them in civic roles. It asserts that, although these women were skilled and capable, they had previously lacked cohesive force and public strategies. It concludes that as local women competed and interacted with women from across the country, including those from pioneering western territories, they began to embrace progressive ideas and actions that, without the Woman's Department at the Exposition, might have taken years to drift southward. This is a chronological tale of the journey late-nineteenth-century women made together in New Orleans. It attempts to capture their look, sound, and language from their own writings and from journalists' interpretations of their ideals, values, and emotions. In the potent forum for exchange that the Woman's Department provided, participants and visitors questioned and revised false notions and stereotypes. They influenced each other and formed alliances. Although individuals spoke mainly for themselves, common themes emerged regarding education, jobs, benevolence, and even suffrage. Most women were aware that they were in a defining moment, and this study chronicles how New Orleans women seized the opportunity and created a legacy for themselves and their city. As the Exposition sought to (re)assert agrarian and industrial prowess after turbulent times, a shift occurred in the trajectory of women's public and political lives in New Orleans and, perhaps, the South more broadly. By 1885, southerners were ready to insinuate their voices into the national debate on women's issues.

At the World's Industrial and Cotton Centennial Exposition, the Woman's Department offered women of all regions of the country an opportunity to exhibit what they considered "woman's work." As women came together and attempted sectional reconciliation, controversy persisted, especially over the selection of northern suffragist Julia Ward Howe, author of the "Battle Hymn of the Republic," as the Department's president. However, during the course of the event, which lasted from December 16, 1884 to May 31, 1885, New Orleanians and other southern women learned skills and strategies from participants and famous women visitors, and these southerners insinuated their voices into the national debate on late-nineteenth-century women's issues.