Thesis (Ph. D.)--University of Virginia, 1979. / Includes bibliographical references (p. 229-243) and index.

Thesis (Ph. D.)--University of California, San Diego and University of California, Irvine, 2006. / Title from first page of PDF file (viewed September 5, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 253-272).

Thesis (Ph.D.)--Ohio University, August, 2008. / Abstract only has been uploaded to OhioLINK. Includes bibliographical references (leaves 151-160)

Thesis (MA)--Technischen Universität Carolo-Wilhelmina zu Braunschweig, 2006. / Cover title. Downloaded from the Internet, 4/9/2007. "Dokument Nr. V73758."--Cover. "Magisterarbeit zur Erlangung des Magistergrades (M.A.) am Fachbereich für Geistes- und Erziehungswissenschaften". Includes bibliographical references (p. 167-176)

Thesis (MA)--Technischen Universität Carolo-Wilhelmina zu Braunschweig, 2006. / Title from PDF cover (viewed on 5 October, 2007 ). "Magisterarbeit zur Erlangung des Magistergrades (M.A.) am Fachbereich für Geistes- und Erziehungswissenschaften".

This thesis examines four plays by Shakespeare to illustrate the theme of men's downfall as caused by the women they love. One play from each type of relationship was chosen: Coriolanus for mothers who exert disastrous influence on their sons; King Lear for daughters responsible for their fathers' downfall; Cymbeline for the injurious effect of a wife on her husband, and is significant because the moral dissolution comes through her great virtue rather than through her character faults; and Troilus and Cressida for lovers who are not bound either by blood or legal ties.

This revision of Shakespeare's The Comedy of Errors is in no way intended to take the place of a serious study of the original work. It is, rather, a revision to make the play a suitable stage vehicle for high school and college drama groups which would otherwise shun it because of the language difficulties involved.

A study of the character of Iago from Shakespeare's Othello. Traces the trends of interpretations, schools of thought, and major influences in interpretations of Iago as manifested in a survey of the writings of Shakespearean critics of the eighteenth, nineteenth, and twentieth centuries. The emphasis of the study shall be on twentieth-century criticism, with possible established patterns of interpretation and their relation to or deviation from the patterns of the two previous centuries.

Four teleplays illustrating the hijinks within a college production of Twelfth Night. Mixed signals, crossed love and drama ensues.

Thesis (M.F.A.)--West Virginia University, 2002. / Title from document title page. Document formatted into pages; contains [iv], 57 p. Includes abstract. Includes bibliographical references (p. 53).