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<p>  </p> <p>ABSTRACT</p> <p>This thesis examines Portuguese-U.S. relations in a global context from the early years of the Cold War to the start of Portugal’s Colonial Wars. Portuguese and U.S. policymakers came together pursuing varying levels of Western integration to resist the spread of Communism internationally, cooperating to different extents in emerging international organizations such as NATO, and the United Nations. This shared desire for Communist containment which brought the two nations together was frequently undermined by their contradictory ambitions with respect to decolonization, with U.S. desires for nationalist self-determination across the third world running contrary to Portuguese imperial ambitions from Western Africa to Southern China. These contradictory agendas undermined the bilateral relationship and are examined here in how they manifested in both countries’ foreign policies and actions undertaken in post-war international organizations.</p>

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On November 4, 1956, Soviet forces brutally suppressed the Hungarian Revolution in Budapest. Although Nikita Khrushchev had attempted to "repair" the Soviet Union's image by denouncing Stalin's crimes, the Soviet invasion of Hungary damaged the Soviet Union's legitimacy in the international community. This thesis examines the popular and religious press' coverage of the 1956 Hungarian Revolution. By publishing anticommunist editorials and letters to the editor, the popular press furthered the phenomenon known as Cold War Consensus. Historians have looked at Cold War Consensus as a conscious political project created by a number of individuals and institutions. This thesis emphasizes the role of the popular and religious press as agents in the solidification of the Cold War Consensus. Most notable was the popular and religious press' use of the victimization narrative. By portraying the Hungarian freedom fighters as victims of the Soviet system, the popular and religious press condemned the Soviet Union's actions while extolling "American values" such as democracy, freedom, and charity. The popular and religious press' treatment of Soviet brutality also built a sensationalized image of Hungarian refugees. The emphasis on Soviet savagery and narrative centered on incoming Hungarian refugees as heroes strengthened anticommunist rhetoric that was typical during the 1950s. / History

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At its greatest extent, the Roman empire represented one of the largest continuous areas of land to have been ruled by a single central administration in the classical period. While the extent of the empire may be determined from both the extensive body of literary evidence from the Roman world, and also from the physi- cal remains of great public works stretching from Britain to Arabia, the processes by which the Romans were able to apprehend larger spaces remain infrequently studied in modern scholarship. It is often assumed that Roman spatial awareness came from cartographic representations and that the imperial Roman administration must have possessed detailed scale maps of both individual regions and of the empire as a whole. In the first part of the present study, it is demonstrated that Roman spatial understanding may not have relied very extensively on cartography, and that any maps produced in the Roman world were designed to serve very different purposes from those that we might associate with maps today. Instead, it is argued that the extensive construction projects that defined the character of the imperial world would have pro- vided a means by which the larger physical spaces of the empire could be understood. However, as transformations began to occur within the built environment between the late-third and late-sixth centuries, spatial processes would have necessarily started to change. In the second part of the present study, it is suggested that attitudes toward the built environment would have led to changes in the physical arrangement of rural and urban spaces in late antiquity; furthermore the eventual dissolution of the constructed landscape that defined the Roman empire would have resulted in new approaches to the apprehension of larger spaces, approaches in which cartographic expression may have played a more central role.

My work is a socio-historical study of the institution of the gymnasium in Egypt, of its evolution and role in the assertion of certain aspects of ‘Greek identity’ in Ptolemaic and early Roman times. It is divided into four sections. (1) Attention is devoted to the study of the gymnasium itself, as institution, analysing its diffusion, foundation, internal organisation and the role played by associations which were hosted therein. The constitution and the characteristics of the governing body (with special attention to the role of the gymnasiarchs) and the financial matters relevant to the gymnasium allow one to draw conclusions on its legal status and social role: it is shown how the gymnasium of Egypt operated in a completely different way from the traditional one which is normally assumed for the Greek poleis, especially of mainland Greece and above all Athens. A possible model of influence is suggested. (2) Starting from the rules of admission into the gymnasium and from the treatment of the outsiders, the social status and social composition of the members of the gymnasium are object of enquiry, focusing on the links with the army and the public administration. It is argued that the gymnasial community should be considered as a complex reality, formed by different components belonging to various levels of the social strata. (3) Educational, religious and recreational activities carried out in the premises of the gymnasium or strictly connected to it are taken into account to give an idea of the ‘daily life’ of the institution and of the ‘behaviour’ of its people, which was likely to be the result of a feeling of ‘shared identity’. (4) The concluding section draws the attention to the issue of identity of the people of the gymnasium more clearly: relation with the ‘others’ and idea of Greekness the people of the gymnasium had about themselves (influenced by the rulers’ policies), access to gymnasia, onomastics, elite classes, mixed marriages, reception of Egyptian burial methods and cults, advantage of ‘going Greek’. It is argued that, although having in the gymnasium the key-element for the assertion of their identity and status of Hellenes, the ‘Greeks’ of Egypt displayed complex patterns of mixed identities and were thoroughly embedded in the social, cultural, religious, and administrative environment of Egypt.

This dissertation investigates the role of the printing press in the global Iberian Monarchy of the Union of Crowns (1581-1640), when the Portuguese empire was annexed to Spain’s. I argue that the book printer Pedro Craesbeeck and the authors and editors who published works treating America, Africa, and Asia at his Lisbon house used the printing press to attempt to alter the Iberian Monarchy’s commercial and political composition. Pedro Craesbeeck reconfigured the printing industry of Iberian Europe by building a global publishing hub in Lisbon that attracted editorial projects from all over the monarchy while drawing business away from competitors in cities like Madrid, Antwerp, and Seville. Writers and publishers symbolically rearranged the two Iberian empires’ lines of administration, tying Spanish America to Lisbon and Portuguese Asia to Madrid through a variety of textual and material operations. These agents of the Iberian book trade wielded the printing press as a mechanism to ‘re-compose’ the global monarchy they inhabited, exploiting the flexibility of a multi-territorial, multi-jurisdictional state while working within and around the limitations imposed by the institutions of Church and Crown. Pedro Craesbeeck’s press gives us stories of global linkages and disconnections forged in productive tension. This thesis makes a crucial contribution to studies of early modern globalization, which have tended to focus on tracking connections and circulations rather than dynamics of reconfiguration and redistribution. The dissertation also problematizes longstanding views of the printing press as a top-down tool of the Habsburg monarchs by showing that this technology enabled subjects to participate in the monarchy’s construction according to their individual designs. The dissertation makes these claims by closely analyzing the textual and material contents of printed histories, hagiographies, treatises, reports, and poetry in Spanish and Portuguese alongside archival documentation in those languages and Latin, as well as large sets of bibliographical data. Among the canonical works that occupy a prominent place in the dissertation are Mateo Alemán’s Segunda parte de la vida de Guzmán de Alfarache, Inca Garcilaso de la Vega’s La Florida del Inca and Comentarios reales, Luís de Camões’s Os lusíadas, Fernão Mendes Pinto’s Peregrinaçam, and Diogo do Couto’s Décadas da Ásia. I also bring to light a range of little-known works: a hagiography of an ascetic in New Spain, a treatise on the corruption of the Caribbean pearl trade, and a discourse on the short-lived Portuguese takeover of Pegu (current-day Bago, Myanmar), to name a few. By building a corpus of study out of Pedro Craesbeeck’s press, I put into dialogue texts rarely read together due to linguistic and national disciplinary divides. The categories of Spanish, Portuguese, peninsular, and colonial literature, history, and culture dissolve, giving way to a global Iberian perspective.

Aging as a physical, aesthetic and intellectual process gained, after muhdath poetry, a position of prominence in Classical Arabic poetry and poetics. Despite its relevance to the development of subgenres such as that of shayb (white hair) and zuhd (ascetic poetry), Arabic verse on aging received little attention by major contemporary critics. This study focuses on the verses on aging penned by the Andalusian poet Abu Ishaq al-Ilbiri and the Sicilian 'Abd al-Jabbar Ibn Hamdis in the XI and XII centuries, arguing for the creative processes through which these two poets reworked the motif of old age, together with other poetic subgenres, fashioning a 'poetics of aging.' By means of such a poetics, al-Ilbiri and Ibn Hamdis voiced their apprehension for the end of their lives, and at once, for the end of Islam's political supremacy in their homelands. Both al-Ilbiri and Ibn Hamdis, as they aged, became more and more preoccupied with the political decline of Islam in Muslim Spain and Sicily. They addressed the prominent political figures of their times, inciting them to a restore Maghribi Islam to its former glory. At the same time, they devoted a significant part of their overall production to subgenres such as the elegiac and the ascetic, in which they reflected upon their physical decay and advocated a withdrawal from worldly pursuits. My study questions this apparent contrast. It is my contention that al-Ilbiri's and Ibn Hamdis's poetics of aging does not imply of personal withdrawal from public life. Such a poetics should instead be read as part and parcel with their public verses of tahrid (public instigation). In what follows I illustrate how al-Ilbiri and Ibn Hamdis combined verses on physical decline, elegies and ascetic verses, in order to convey their late-life reflections as two first-hand witnesses to the end of Islam's social and political cohesion in the Muslim West. Emerging from these verses is a fascinating combination of a political documentation for later Maghribi Muslim history and a quasi-autobiographical voicing of the anxieties these poets experienced living at both the temporal and spatial margins. / Near Eastern Languages and Civilizations

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