Thesis (Ph. D.)--Guo li Taiwan da xue, 1975. / Cover title. Reproduced from typescript ; on double leaves. Includes bibliographical references (p. 321-328).

Thesis (Ph. D.)--University of Oregon, 1999. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 329-354). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9957574.

Thesis (Ph. D.)--Guo li Taiwan da xue, 1975. / Cover title. Reproduced from typescript ; on double leaves. Bibliography: p.321-328.

Made available in DSpace on 2014-06-12T15:58:05Z (GMT). No. of bitstreams: 2 arquivo3251_1.pdf: 1485897 bytes, checksum: a6e5020f5dace59c3225a284eff5f121 (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2011 / O desenvolvimento de projetos de software resulta, de forma indiscriminada, em sucesso ou fracasso junto ao cliente ou ao próprio fornecedor. Tradicionalmente, o sucesso deste tipo de projeto envolve critérios, como: entrega do produto dentro de custos estimados e no prazo acordado, bem como satisfação dos requisitos definidos pelo cliente. A academia, ao longo dos anos, tem cientificamente contribuído para melhoria do processo de desenvolvimento de software. Estudos mostram que atividades inadequadas ao processo de engenharia de requisitos é um fator crítico para o sucesso dos projetos de software. A engenharia de requisitos enfrenta diversos desafios e problemas no que concerne ao entendimento das reais necessidades de clientes além de obter o correto mapeamento destas mediante modelos, diagramas e especificações de requisitos que serão posteriormente utilizadas pelas equipes de desenvolvimento de software. A fase de elicitação de requisitos é considerada como uma das etapas mais críticas de todo este processo de desenvolvimento de sistemas de software. Amparada neste contexto, esta dissertação apresenta uma pesquisa empírica realizada com Engenheiros de Requisitos, objetivando uma melhor compreensão da importância e dificuldades existentes durante a fase de elicitação de requisitos. Assim, a contribuição desta pesquisa legitima-se na apresentação das principais características e perfil necessário, que envolve um bom elicitador de requisitos, como também auxiliar gerentes de projeto durante a seleção do perfil mais adequado dentro de sua equipe para executar a tarefa de elicitação, obtendo, por conseguinte, os melhores resultados para o projeto de software.

Ng Chui-yin, Christine. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 148-156). / Abstracts in English and Chinese. / Abstract --- p.i / Acknowledgement --- p.vi / Contents --- p.vii / "Introduction: History, Fiction, and Narrative" --- p.1 / History and Narrative in Traditional Historical Narrative --- p.4 / A Rethinking of the Relationship between History and Narrative --- p.6 / Historical Narrative in a Postcolonial Context --- p.21 / Historical Novel Writing and Postcolonial Counter Discourse --- p.26 / Chapter Chapter One: --- Resistance to Solitude: Garcia Marquez's Vision of a New World in One Hundred Years of Solitude / Imperial Historical Narratives and Latin America --- p.35 / Magical Realism and Historical Representation of Latin America --- p.44 / "Solitude, Family History and the Problem of Identity" --- p.59 / Conclusion --- p.71 / Chapter Chapter Two: --- Midnight's Children and Hybridity / Imperial Historical Narratives and India --- p.74 / Metafictional Writing and Historical Novel Writing --- p.80 / Hybridity of Indian Cultural Identity --- p.91 / Conclusion --- p.101 / Chapter Chapter Three: --- Non-resistance to National Historical Narratives: Xi Xi's Flying Carpet / "British Colonial Narratives, Chinese National Narratives and Hong Kong" --- p.102 / Fairy-tale Realism and an Alternative Historical Representation --- p.112 / The Representation of the HongkongnesśؤHeterogeneity and All-inclusiveness --- p.119 / Conclusion --- p.129 / Conclusion: Postcolonial Counter Discourse in Historical Novel Writing --- p.131 / Notes --- p.141 / Work Cited --- p.148

No description available.

Orientador: Mauricy Matos Martin / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-17T10:26:29Z (GMT). No. of bitstreams: 1 Almeida_AlexandreZamith_D.pdf: 6012522 bytes, checksum: 99e58d9ea116d2a98a993274a748f8fe (MD5) Previous issue date: 2010 / Resumo: Esta tese trata das multiplicidades inerentes à manifestação musical, decorrentes de seus fatores de performance. Após a observação das aberturas enquanto ambiguidades presentes em toda mensagem artística e da performance enquanto momento integralizador da obra musical, este trabalho acata Klavierstück XI de Karlheinz Stockhausen como objeto de estudo, por ser representativa da estética da obra aberta e potencializar as variáveis e imprevisibilidades de performance. A obra é investigada a partir de seu projeto composicional, por meio da consideração do pensamento musical de Stockhausen que determinou aspectos que caracterizam a sua multiplicidade, com ênfase nos interesses do compositor por novas concepções de forma e de tempo musical. A partir desta investigação, Klavierstück XI é observada no contexto das práticas interpretativas, com o intuito de reconhecer que tipo de estímulo oferece a estas práticas. A tese apresenta ainda estratégias de estudo técnico-instrumental da obra, com vistas a proporcionar uma postura interpretativa mais condizente com o complexo jogo de itinerários e conexões proposto pela partitura. Por fim, busca-se conclusões sobre se obras tais como Klavierstück XI inauguram novas multiplicidades interpretativas ou se reconhecem, exploram e potencializam aspectos há muito tempo latentes na manifestação musical ocidental / Abstract: This thesis addresses the multiplicity inherent in the musical manifestation and result of their performance factors. After the observation of the openings as ambiguities inherent in any artistic message and the performance as the defining moment of a musical work, Klavierstück XI by Karlheinz Stockhausen has been chosen as the object of study, because it is a representative work of the aesthetics of open work, with emphasis in the variables and unpredictability of performance. The work was investigated from its compositional design taking in consideration the musical thought of Stockhausen which determined features of the multiplicity of performance related to the interests of the composer in new conceptions of form and musical time. From this research, Klavierstück XI is observed in the context of performance practices. The thesis also presents strategies for a technicalinstrumental work, with a view to providing an interpretative approach more in line with the complex set of routes and connections proposed by the score. Finally, we seek to conclusions about whether such works as Klavierstück XI inaugurate new interpretive multiplicities or explore and enhance features that are implicit in the music for a long time / Doutorado / Doutor em Música

D'origine nomade, ils avaient conquis les territoires du nord-ouest de la Chine, allant d'une partie au sud de la Mongolie Intérieure au nord du Qinghai, à l'ouest du Gansu, la région du Ningxia et une partie ouest du Shaanxi. Une fois installés dans cette vaste région, ils se développèrent rapidement, tant sur le plan culturel que sur le plan économique, et fondèrent en 1038 leur royaume. À partir de cette date, ils créèrent leur propre langue et écriture, en partie à base du chinois classique, et renforcèrent leurs relations avec leurs puissants voisins frontaliers, à savoir : au sud-est de leur territoire les Song du Nord, au nord les Liao, au nord-ouest les Ouïghours et enfin au sud-ouest les tribus Tibétaines. Ils avaient adopté le Bouddhisme en tant que religion d'État et pratiquèrent, avec ferveur, les pratiques bouddhiques. De parts et d'autres du royaume, des grands centres d'activités bouddhistes, ainsi que des temples furent mis en place, afin d'y entreprendre des traductions de volumes du Grand canon bouddhique chinois, qu'ils avaient en partie obtenu des Song du Nord, vers leur propre langue. De ces textes traduits en langue de Xi Xia, de nombreux volumes furent découverts au cours des deux précédents siècles. La recherche sur Xi Xia et ses sources textuelles, notamment bouddhiques, sont autant d'indices de la richesse culturelle et linguistique de cette nation éphémère de la Chine antique, qui a pourtant participé au grand développement des traductions bouddhiques et de l'imprimerie. / As nomadic people, they conquered the northwest territories of China, from south of Inner Mongolia to north of Qinghai, to west of Gansu, all of the region of Ningxia and a west part of Shaanxi. Once they had settled in this vast region, they quickly developed on both economical and cultural aspects, and founded their kingdom in 1038. From this moment, they created their own language and writing system, mostly from the Chinese language, and enhanced their relationships with their mighty neighbors outside their borders, such as North Song dynasty in the southwest part, the Liao in the north part, the Uyghur in the northwest part and the Tibetan tribes in the southwest part. They adopted Buddhism as religion of the State. During all the regencies, they indulged themselves in practicing Buddhist activities. Within the Xi Xia kingdom, many Buddhist centers and temples emerged, from which translations of the Great Buddhist Canon, mostly obtained from North Song Court, were made towards their own language. From these texts written in Xi Xia language, many of them were excavated or just found during the last couple centuries. The research on Xi Xia and its textual resources, Buddhist texts among others, are as much as evidence there should be to reveal the cultural and language wealth of this ephemeral State of ancient China, which however took part in the huge development of translating and printing Buddhist texts.

This thesis examines the struggle between King Louis XI and the great feudal houses of the fifteenth century such as Burgundy, Brittany, Anjou, Armagnac, Bourbon, and Foix. It attempts to provide a detailed narrative based on the primary sources and the excellent studies on individual feudal princes produced by a number of French historians, supplemented by a critical analysis of the traditional view of Louis XI as the "vainquer de la grande féodalité."

Chan Ching Yee Rose. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. / Includes bibliographical references (leaves 133-136). / Abstracts in English and Chinese. / Abstract --- p.i / 內容提要 --- p.iii / Acknowledgements --- p.iv / Contents --- p.v / Chapter Chapter One: --- The Location of Hong Kong and Hongkong Yan --- p.1 / Chapter Chapter Two: --- Hongkong Yan on a Flying Carpet: The Duality of Chineseness and Foreignness --- p.29 / Chapter Chapter Three: --- The Splitting of Stereotype in The Evergreen Tea House --- p.56 / Chapter Chapter Four: --- Decadence and Unhomeliness in Hong Kong: The Unwalled City --- p.83 / Chapter Chapter Five: --- The Hybridity of Two “Winds´ح： The Essence of Hongkongness --- p.109 / Bibliography --- p.133