Texte remanié de: Proefschrift. / Résumé en anglais. Bibliogr. p. 670-719.

Thèse de doctorat : Sciences de l'éducation : Lyon 2 : 2001. / Titre provenant de l'écran-titre. Bibliogr.

Thesis (Ph.D)--University of Chicago, 1902. / Double pagination. Appendices: I. Habeas corpus bills passed by either House, 1861-1862 (p. 268-277); II. The habeas corpus act of March 3, 1863 (p. 278-283) "Reprinted from the Bulletin of the University of Wisconsin, History series, vol. 1, no. 3." Reproduction of the original from the Library of Congress. Reproduced courtesy of World Microfilms Publications. Bibliography: p. 284-285.

Thesis--Gothenburg. / Summary in English. Includes bibliographical references (leaves 159-165).

Abraham is the original patriarch. How does his leadership compare with a modern day popular culture patriarch with his roots in advertising, the shopkeeper Stig, star of the ICA advertising? The essay compares the leadership and masculinity of two male leaders from different backgrounds and settings, and discusses similiarities and differences

Decades before Freud revealed his revolutionary dream theory, Americans became fascinated with the reported dreams of their greatest hero, Abraham Lincoln. Immediately following Lincoln’s assassination, accounts of his dreams and visions were recorded and made public by those who were close to him during his presidency. This thesis evaluates the three most famous dreams and visions that have been ascribed to Lincoln, as their legitimacy is often doubted. Five additional dreams that are more easily documented are also discussed, and, when taken together, they reveal a significant aspect of Lincoln’s worldview and reflect the complicated nature of belief systems in America during the nineteenth century. Nineteenth century Americans were largely on their own to interpret the meaning of their dreams, and they ultimately came to conclusions that were based within their fundamental worldview. This thesis shows that Lincoln’s dreams are a valuable source for determining his worldview, which was essentially a form of fatalism. While many argued that his recurring dream that preceded important events in the Civil War and a dream about his own funeral in the White House were either evidence of his belief in spiritualism or some divine prophecy, Lincoln’s response to those dreams reveals his true nature. This analysis helps us examine Lincoln’s interior as well as showing how a pre- Freudian culture responded to the dreams of a national hero.

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This study analyses the poetry which Sutzkever wrote between 1935 and 1954, emphasising the themes of the poetic word and the poet's role. During this formative period Sutzkever established his complex of images, and laid the foundation for the often hermetic later poetry. The earlier work is characterised by tension between the aesthetic and the ethical, the ikh and the world. The earliest manifests both strands, combining Romantic individualism with awareness of the social nature of poetry. In 'Valdiks' (1940), nature imagery develops into an inner language expressing an aesthetic vision, giving way in the war years to doubts, but also to a conviction of the poet's ethical task ('Di festung', 1945). In Israel Sutzkever achieved new confidence in his poetic identity, which he expressed through Jewish and biblical imagery ('In fayer-vogn', 1952). The African environment gave him a sense of freedom and renewed nature inspiration, and he explored new imagery of paganism, sensuality and myth ('Helfandn bay nakht', 1950-1954). The poeme 'Ode tsu der toyb' (1954) is the climax of the first period, resolving the conflict between aesthetic and ethical, past and present, and pointing the way towards the mature aestheticism of the later work. The study focusses on significant aspects of this process. Sutzkever's constant underlying theme is the nature of poetry itself. He investigates this through permanent images which develop specific symbolic connotations and become a metapoetic language. The resolution of the conflict between the aesthetic and the ethical lies in Sutzkever's belief in the equivalence of the spiritual and the corporeal, in the power of the word, and in the unbreakable goldene keyt of birth, death and renewal. The later aestheticism is foreshadowed in this period by the idea of the essence of poetry as the ineffable silence which the poet struggles to reach through the word.

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No description available.