In 1940 the Museum of Modern Art, New York, (MoMA) became the first major American art museum to establish a curatorial department dedicated exclusively to photography. From the perspective of the photographers, curators, and critics who had sought institutional legitimacy for the medium, the founding of the Department of Photographs was a watershed event, marking the moment when photography finally came to be recognized as a museum subject equal to painting and sculpture. Although the department has since had a pervasive influence on the field and the history of photography, surprisingly little scholarship has addressed its contentious formation. This dissertation seeks to fill this significant gap in the literature by examining the department's inception and the six years Beaumont Newhall served as its curator.Of particular concern are the ideological battles waged over how photography would be presented at MoMA by Newhall, his wife Nancy--who served as acting curator when her husband enlisted in the army during World War II--and the department's co-founder and key advisor, Ansel Adams. As acolytes of the photographer and gallerist Alfred Stieglitz, who himself had long fought for the recognition of photography as a medium of art, the Newhalls and Adams took aesthetic quality as their guiding metric, asserting that in order to raise the profile of photographers, educate the public, and improve standards of taste, the museum should show only the very best work ever created--the "heavy cream" of photographic production. Their vision for photography at the museum was counterbalanced by that of the photographer Edward Steichen and many prominent writers and critics, who argued that MoMA should treat photography as a broad-ranging cultural phenomenon and means of communication, rather than merely as a medium of self expression. The debate between these two camps illustrates the considerable philosophical, interpretive, and museological challenges raised by photography's introduction into the museum, issues that remain as contentious as ever.

Dieser Vortrag befasst sich mit der Prozesskette bei der Entwicklung spinnenartiger Laufroboter. Es wird eine Möglichkeit der Abstraktion von der Natur aufgezeigt, sowie dessen Überführung in ein technisches System. Das kinematische Modell wird anschließend in MSC Adams simuliert.

The validity of the traditional arts in contemporary society is often questioned by the wider public. This dissertation argues that one of the ways in which the arts attain value is through their function as political activism. In order to do so, it investigates the characteristics of resistance art. This is followed by a discussion of contemporary opera. While this genre is a minority interest when compared to popular music forms, it is, nevertheless, a form of resistance art that has the potential to fulfill a social and political function. The dissertation focuses on two case studies: John Adam's The Death of Klinghoffer (1990) and Paul Ruders's The Handmaid's Tale (2000), and concludes that contemporary opera can be relevant and effective socio-political critique. / Thesis (M.Mus.)--North-West University, Potchefstroom Campus, 2007.

The music of John Adams (b. 1947) exemplifies a reinvestment in traditional instrumental genres and musical values that began to take place in contemporary music in the late 1970s and early '80s. His Harmonielehre for orchestra (1984-85) meets many of the conditions of the symphonic genre, including its scoring for full orchestral forces, its multi-movement structure, its presentation of contrary, dialectical melodic gestures, and its dramatic thematic and harmonic conflict. It is thus ironic that Adams would title his composition after a treatise written by Arnold Schoenberg, a figure whose break from the musical past inspired many of the complex and experimental musical models that arose between the publication of his own Harmonielehre (1911, rev. 1922) and that of Adams. But to conclude that Adams' composition is a statement about tonality is perhaps over-simplistic. Examination of the two works reveals more similarities between the composers' artistic philosophies than differences. This dissertation is an attempt to expose these similarities in order to discover the motivations behind Adams' curious decision to title his composition after Schoenberg's treatise, and to gain a deeper understanding of the artistic priorities shared by both composers that arises from the interrelationship between their respective Harmonielehren. Adams' title is partly a marker of the types of Romantic-era stylizations that pervade his score. But I argue that the relationship between the two Harmonielehren is not merely cursory. Prevalent themes within Schoenberg's prose can inform the analysis and interpretation of Adams' composition. Adams draws on Schoenberg's treatise as a signifier of his creative identification, one that both complements and departs from the creative model presented in Schoenberg's text. Both Harmonielehren confront the aesthetic expectations of their individual times and places, but while Schoenberg centers his creative identification in a discourse of restless inquiry into new materials and models of musical expression, Adams seemingly subscribes to Schoenberg's presentation of composition as craft, as the working-with and fitting-together-of the pre-existing sound vocabularies of music.

The theoretical part of this thesis aims to summarize the knowledge of anthropological measurements, national anthropological research, and scoliosis from the available sources of information. The research part of the thesis consists in measurements of height, weight and Adams' angle of 540 primary school pupils in Hoštka and Štětí. The resulting data are compared with national anthropological research of 2001. The measured values are further statistically analyzed and confronted with the data in scientific literature. Key words: anthropological measurements, growth spurt, BMI, scoliosis, Adams' angle

Thesis advisor: Cynthia L. Lyerly / This thesis analyzes the evolution of Abigail Adams's republican thought throughout the course of her life. The transition from a traditional wife of a local lawyer to an articulate and well-informed First Lady can be traced along with the increasing personal hardships she faced in light of the events of the American Revolution and the founding of the United States. Her unique relationship to men leading the Revolution and her own intellectual curiosity led her to a sophisticated understanding of republicanism and a unique interpretation of women's important contributions to the new nation. / Thesis (BA) — Boston College, 2007. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: History. / Discipline: College Honors Program.

Thesis advisor: Alan Rogers / Thesis advisor: Brendan McConville / The Massachusetts Constitution is the oldest active constitution in the world — it has been in effect for 228 years. While the state has amended the original document many times since its passage, its essential provisions, which have remained largely unaltered, are undoubtedly the work of a single man — John Adams. John Adams, routinely neglected among scholars, is essential to the development of American political thought. The purpose of this study is to put a magnifying glass on two important aspects of John Adams's life and give them the detailed study that they deserve: his legal career and its impact on the Massachusetts Constitution. The link between his legal career and his political theory is crucial to understanding that document. To write about John Adams's political thought without understanding the two-decade long legal career that drove so much of it leaves one with only a shallow understanding of how that thought developed. It was through the study of numerous legal authors along with his reflection and experiences as an attorney that Adams came to understand how vital the law was for a nation. Indeed, for Adams, law was the basis for good government itself, "to the end that it may be a government of laws and not of men." / Thesis (BA) — Boston College, 2008. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: History. / Discipline: History Honors Program. / Discipline: College Honors Program.

Thesis advisor: Alan Rogers / The following narrative traces the political lives of James Sullivan, Christopher Gore, Rufus King and John Quincy Adams, four Massachusetts men who were actively involved in the creation of state and national policy during the formative years of the new republic. Their years of public service bridged the critical period between the Revolution and the period of Democratic- Republican dominance. Because they knew each other so well, corresponded with one another on a regular basis, and held so many different state and national government posts, their lives provide an ideal vehicle to explore and better understand the changes that were taking place in post-Revolutionary Massachusetts. Their stories help trace the evolution of Massachusetts from a Federalist stronghold into a legitimate multi-party state firmly committed to the national union. The primary figure in this study is Sullivan, the oldest of the four men, who was the state's highest ranking Republican leader during much of the Federalist Era. A staunch opponent of the Federalist assumption that government should be in the hands of the natural gentry and ruling class, he spent his adult life promoting equal access to power. After serving as a member of the Massachusetts Provincial Congress from 1774 to 1776, Sullivan was an active participant in the creation of the new state government. He later served as attorney general for seventeen years, from 1790 to 1807, through several Federalist administrations and served as a member of state legislature for many years. He also was a member of the Supreme Judicial Court and, in the final years of his life, governor of the Commonwealth. Because he participated in or observed firsthand the most significant political events of his day, his words also help trace, as few others could, the gradual transformation of Massachusetts from a one party state to a multi-party state. His election as governor in 1807 was clear evidence of the growing strength of the Republican Party in Massachusetts and of the extent to which the emerging national consensus had grown. Christopher Gore, whose stature and perspective were more deeply rooted in the colonial past, stood in stark personal as well as political contrast to Sullivan. As a conservative Federalist who often served as spokesman for his party during this period, Gore was a major player in the Massachusetts legal community and government between the American Revolution and early years of the nineteenth century. He stubbornly adhered to the aristocratic belief that the government should only be managed by the propertied class and traditional ruling elite. Where Sullivan was a sentimental moralist who hated everything British, Gore was the stern and unyielding spokesman for the merchant class who seemingly admired everything British. Where Sullivan's father had emigrated from Ireland, the victim of oppressive Penal Laws, Gore's father was a Tory, who fled Boston with the British in March 1776. Though Gore himself supported the Revolution, he was never able to shed, or indeed temper, his attachment to Great Britain in later years. As perhaps the most passionate defender of everything British in the years after the Revolution, Gore's habits and customs reflected the old deferential order and embodied everything Sullivan opposed. Despite their personal and political differences, Sullivan and Gore shared a close personal friend. Rufus King was a longtime confidant of both men, corresponding with each of them over many years. Though King's habits and background were more similar to those of Gore than Sullivan, he was less rooted in the colonial past than his conservative friend. Though an ardent Federalist, he was respected by men on both sides of the political aisle and served not only as a bridge between the two parties, but as a bridge between the two branches of his own party. It is because he enjoyed such a close personal relationship with Sullivan and Gore, and corresponded with both men on a regular basis, that King provides a unique vehicle to explore the differences between the two parties during this critical period in Massachusetts political history. The fourth subject of this study is John Quincy Adams. The fiercely independent one-time Federalist, who, though born many years after Gore, King, and Sullivan, became active in politics at a very young age and crossed political paths with all three men on a regular basis. Although born a member of the second generation of political leaders, Quincy Adams identified with the first generation of Revolutionary leaders. He matured early and took part in every critical debate that took place after the ratification of the Constitution. From the beginning, Quincy Adams charted an independent course and played a critical role in the growth of the Republican Party. John Quincy Adams is particularly relevant to this study because his political transformation reflected the change in attitude that was taking place in Massachusetts and the country in the early years of the nineteenth century. He represented a commitment to the interests of union over sectional concerns. A strong and independent unionist throughout his life, Quincy Adams eventually came to represent a new global nationalism. In many respects, Quincy Adams was the `transition man' in post- Revolutionary America. The son of a colonial who was very much a product of the deferential society of the eighteenth century, young Adams came to embrace the principle of majority rule. His elevation to the highest political posts in the country marked the final stage in America's transition from colony to union to nation. James Sullivan, Christopher Gore and Rufus King each played significant roles in the establishment of constitutional government in Massachusetts and in the United States. Though he was considered a member of the so-called Hancock faction, a group viewed as primarily anti-Constitutionalist, Sullivan was an independent thinker. He would call for greater legal safeguards for the benefit of the more vulnerable and for the end of the practice of multiple office holding which had long been a tool of the ruling elite to maintain power and influence.   A vocal proponent of the national government before King, Gore and Hancock, Sullivan had long recognized the importance of strengthening the central government. His embrace of participatory government and of law aimed at protecting all classes of people naturally appealed to a wider audience would continue to contribute to the democratization of Massachusetts politics. With a new national government in place and a new political era begun, Sullivan, King, Gore, and soon Quincy Adams, were uniquely positioned to play significant, if competing, roles in the coming struggle. This narrative differs from other secondary works on post-colonial Massachusetts in several respects. Firstly, the significant role played by Sullivan in the growth of Republicanism in Massachusetts has been largely overlooked by historians. His persistent calls for equal access to power stood in stark contrast to the views of the Federalists who dominated Massachusetts government in the years after the American Revolution. His active participation in regional politics both during and after the Revolution helped the people of Massachusetts in their transition from colony to state. Furthermore, he was one of the first Massachusetts political leaders to insist on placing the new central government on a sound financial footing. Indeed, his call for a strengthened and sufficiently financed national government predated the efforts of Massachusetts Federalists, including King and Gore. He was, I contend, one of the first political leaders of either party to be considered a true `nationalist.' While Quincy Adams' support for Jefferson's Embargo and his conversion to Republicanism have been well documented, this work explores the link between Sullivan and Quincy Adams, and details the critically important role they played in the national debate over how to respond to British aggression towards American shipping and American sailors. Though Gordon Wood and other historians point to the Embargo as the single biggest failure of Jefferson and his Republican supporters, I contend the opposite is true. The Embargo highlighted the central difference between the two parties, and though it provided Federalists with a temporary victory, it also sowed the seeds of their defeat. The Embargo enabled men like Sullivan and Quincy Adams to clarify one of the central issues of the post-Revolutionary period, ... national honor. Though Paul Goodman correctly points out that Republicanism tapped into the growing sense of nationalism in the country, I carry the discussion further and detail the growing disconnect between the Federalist Party and the American people. Quincy Adams, in particular, articulated the need to announce to the world that the United States would not submit to foreign aggression. Furthermore, his call for a stronger and expanded union, even if it meant a loss of power and prestige for Massachusetts, would soon strike a chord with a growing majority of Americans. Quincy Adams personified the shift in the national mood and represented a new national perspective. When John Quincy Adams left the Federalist Party, many Americans left with him. / Thesis (PhD) — Boston College, 2011. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: History.

Thesis advisor: David Quigley / This dissertation argues that George Washington's Farewell Address established the foundational principles of U.S. foreign policy and was the central text through which citizens of the Early Republic came to understand the connections between the nation's domestic and foreign ambitions. In the eyes of most Americans, the Declaration of Independence affirmed their ideals and the Constitution established their government, but it was Washington's principles that would ensure the nation's maturation into a world power. The Address became deeply embedded in the popular consciousness through annual readings on Washington's birthday, frequent discussion of its principles in the press, and as an integral component of the civic education of the nation's youth. Ordinary Americans far removed from the nation's capital and from complicated debates over particular foreign policies and their implications could still express an informed opinion on the wisdom of those policies based on their understanding of the Farewell. "Addressing America" goes beyond this popular story to illuminate how the Farewell shaped the fundamental disagreement over the conduct of U.S. foreign policy from 1796 to 1852. When Washington issued his valedictory he intended it as a flexible and pragmatic statement of the general principles that should guide the construction of foreign policies aimed at protecting American interests. An essential part of Washington's wisdom was the recognition that the nation's interests would change over time, and thus so too would its foreign policies. Five years later, incoming President Thomas Jefferson summarized his approach to foreign policy in his inaugural address of 1801 by promising "peace, commerce, and honest friendship with all nations, entangling alliances with none." This phrase was universally seen as an allusion to the Farewell Address and it immediately entered the popular lexicon as a way of pithily describing the nation's core foreign policy principles. Over time "entangling alliances with none" became associated directly with Washington. More than just a case of misattribution, the linking of this phrase to the Farewell permanently altered the meaning of the Address for most Americans; instead of a flexible statement of general principles, it became a rigid prescription for a permanent foreign policy of virtual isolation from the rest of the world. In the fifty years after Jefferson's inaugural, the overarching narrative of American foreign policy is the conflict between these competing interpretations of the Farewell Address and how these differences in principle produced a varied understanding of both U.S. foreign policy and America's place in the world. This dissertation is the first work of historical scholarship to conduct a sustained examination of the ways that Washington's Farewell Address was understood over time by early Americans and how it fundamentally shaped their view of the United States and its place in the world. / Thesis (PhD) — Boston College, 2010. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: History.

This thesis explores the historical imaginations exhibited by the key political architects of the Northern Ireland Peace Process: Gerry Adams, John Hume and David Trimble. It compares and contrasts ways in which each has engaged the ideological resource of history throughout their respective biographies, exploring the various visions of history, both Irish and otherwise, that have intrigued them, and the environments and experiences that moulded their view of the past. Exploiting a wide range of archival sources, along with original interviews and conversations with the ‘peacemakers’ themselves, it considers how Adams, Hume and Trimble learnt about history; how they subsequently imagined and wrote about it, and how they ultimately applied it within their influential political thinking. It is a study of the relationship between historical and political imagination, delivering fresh and revealing intellectual profiles of the ‘peacemakers’. Significantly, it demonstrates how ideas and visions of history, commonly perceived as somehow to blame for conflict in Northern Ireland, were put to positive use by Adams, Hume and Trimble. It therefore considers how visions of history contributed to the ideological evolution of peace and political stability on the island.