The characterization of neustonic plastic found in the Los Angeles River was completed in this study. 3 water samples were collected from the river on April 30, 2011 in Long Beach, CA using a 0.5 mm manta trawl. The plastic was separated from organic material, divided into 3 class sizes (0.5 mm, 1.4 mm, and 2.44 mm), and identified and sized under a microscope. Plastic was found in all three samples and categorized into seven categories. Paper, plastic, and styrofoam were present in all three samples. Styrofoam contributed the greatest percentage of the plastic found among the samples. Plastic film had the largest mean size.

This paper is about my experience walking through Los Angeles County. My principal motivations were to explore what it means to be a pedestrian in an urban landscape that generally does not recognize walkers and to give value to often overlooked spaces. The paper includes a brief history of the Los Angeles region, methodology, an analysis of some other art projects that have been done about walking, and a vignette of the experience.

ABSTRACT Punk moved from a marginal subculture to an underground counter-culture -- hardcore punk -- which shared musical culture and sense of a communal identity. Local punk scenes grew, in part due to attention from mass media. New kids in the scene brought new tensions and attracted the attention of authorities. Two police incidents signaled a shift in the punks' view of themselves. I examine two punk scenes from 1975 to 1985 in Los Angeles, USA and Ljubljana, Yugoslavia by looking at newspapers, television programs, fanzines, music, and clothing. I show that a loosely connected group of individuals, self-identified as punk, became increasingly similar as the parent cultures put increasing pressure on punks.

It was the best of cities, it was the worst of cities, it was a place of giddying boom, it was a place of economic despair, it was a utopia, it was a dystopic no-topia, it was the world centre of fantasies, and the world centre of nightmares, a town where some struck it rich while others lost themselves in their desires for wealth, in short, the place was so far unlike the present place, that some of the noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. This thesis is constructed of fragmented stories but not in the classic sense as there is no over-arching narrative, no beginning, middle and end, no synthetic conclusion. Rather this thesis is similar to Los Angeles itself; it is a multi-faceted exploration of competing themes that have birthed a city of fictions, a centre of fantasy, a place that shapes our collective memories, even for those of us who grew up in far-off places. Los Angeles has searched for a down-town core, a collective identity, a dominant narrative and these attempts are explored through different themes – the story of film noir, the development of the Los Angeles Aqueduct, the redevelopment of Bunker Hill, the violence and upheavals of the riots. I have explored how the city has tried to re-brand itself, Through these prisms, and how these attempts have shaped its development and history. It is said that Los Angeles has an architecture of absence, with its superficiality and lack of depth, and as a visual metaphor, this can represent the giddy changes happening in the field of architecture, where hyper-realism trumps facts. This idea of Los Angeles as a mirror should not surprise: it has long been a world centre for myth-making, an epicenter of fiction, cinema, architecture, et cetera, spewing out seductive, grotesquely exaggerated reflections of North America itself.

Thesis (Ph. D.)--University of Hawaii at Manoa, 2005. / Includes bibliographical references (leaves 399-413).

Thesis (Ph. D.)--University of Oregon, 2001. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 187-200). Also available for download via the World Wide Web; free to University of Oregon users.

Thesis (Ph. D.)--University of California, San Diego, 2002. / Vita. Includes bibliographical references (leaves 347-362).

Thesis (Ph. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 135-141). Also available on the Internet.

Thesis (D. Min.)--Ashland Theological Seminary, 2008. / Abstract . Description based on microfiche version record. Includes bibliographical references (leaves 229-236).

Thesis (Ph. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 135-141). Also available on the Internet.