Spelling suggestions: "subject:"annat"" "subject:"annan""
1 |
Du mauvais goût : Annie Ernauxs Bildungsaufstieg als literatur- und gesellschaftskritische Selbszerstörung : eine Untersuchung ihres Werks mithilfe textlinguistischer, psychologischer und soziologischer Kriterien /Kuhl, Heike Ina. January 2001 (has links)
Diss.--Lett.--Freiburg Univ., 1997. / Bibliogr. p. 291-301. Notes bibliogr.
|
2 |
Annie Adams Fields : the spirit of Charles Street /Roman, Judith A. January 1990 (has links)
Texte remanié de: Th. Ph. D.--Indiana university, 1984. / Thèse soutenue sous le titre "The Spirit of Charles Street" Bibliogr. p. 176-186. Index.
|
3 |
Writing "au-dessous de la littérature" Annie Ernaux /Berger, Maureen Mahany. January 2004 (has links)
Thesis (M.A.)--Miami University, Dept. of French and Italian, 2004. / Title from first page of PDF document. Includes bibliographical references (p. 50-52).
|
4 |
Doe nooit wat je moeder zegt : Annie M. G. Schmidt, de geschiedenis van haar schrijverschap /Linders-Nouwens, Joke, January 1999 (has links)
Texte remanié de: Proefschrift--Utrecht--Universiteit. / Bibliogr. p. 385-414. Notes bibliogr.
|
5 |
Création d'un ethos de l'authenticité dans L'événement, d'Annie ErnauxDeschênes, Daniel January 2002 (has links)
Using a methodology informed by rhetorical and pragmatic concepts, this thesis examines Annie Ernaux's L'evenement with a view to determining how an ethos of authenticity is created in and by the text. We begin by studying how critics of her earlier work helped construct a certain image of the author and by identifying the characteristics of Ernaux writing: all these elements contribute to the creation of an ethos prealable (a prior ethos) which conditions the reading of L'evenement. In the second chapter, we analyze certain stylistic aspects of Ernaux's writing in L'evenement (verb tenses, choice of words, syntax) which indicate that she tries to be as authentic as possible while telling her story. In the third and final chapter, we examine Ernaux's comments---in the text itself---on the writing of L'evenement. These comments constitute the author's attempt to articulate directly an ethos of authenticity that the reader will find convincing.
|
6 |
Création d'un ethos de l'authenticité dans L'événement, d'Annie ErnauxDeschênes, Daniel January 2002 (has links)
No description available.
|
7 |
Writing “Au-Dessous de la Littérature” : Annie ErnauxBerger, Maureen Mahany 06 August 2004 (has links)
No description available.
|
8 |
Växer lööfen ut i vår igen? : En studie om hur Aftonbladet och Expressen framställde Annie Lööf under januari 2013Thollén, Daniel January 2013 (has links)
No description available.
|
9 |
Marginalization of atheism in Victorian Britain the trials of Annie Besant and Charles Bradlaugh /Conrad, Nickolas G. January 2009 (has links) (PDF)
Thesis (M.A. in history)--Washington State University, May 2009. / Title from PDF title page (viewed on June 8, 2009). "Department of History." Includes bibliographical references (p. 142-147).
|
10 |
Annie Dillard, it's about time : an analysis of Annie Dillard's concept of the relationship of time and eternity in her nonfiction proseShively, Kay M. January 2000 (has links)
Although Annie Dillard has frequently written about the subject of time, no serious study of her treatment of this subject has been published. The purpose of this study was to open the conversation, particularly in the light of her recent book, For the Time Being.Dillard's strongest interest in time is in the relationship between the temporal, time here and now, and the eternal, generally located sometime in the future, somewhere other than here. Since Dillard has repeatedly alluded to this subject in her previous nonfiction books, one may trace the development of her concept of time and eternity from earlier works such as Pilgrim at Tinker Creek, Teaching a Stone To Talk, and Holy the Firm, to its current expression in For the Time Being. She places her questions about time and eternity in a distinctly down-to-earth spirituality informed by modern science and sharpened by pungent humor.Beginning with an analysis of the influence on Dillard's writing of Romantics such as Wordsworth and Transcendentalists such as Thoreau but more particularly Emerson, as well as ancient Judaic thought, this study focuses on how Dillard blends with these theinfluence of twentieth century Christian theologian-philosophers such as Alfred North Whitehead and Teilhard de Chardin to form an eclectic spirituality that is distinctly her own.Though Dillard has often been called a mystic, her spiritual quest is intensely practical and purposeful: by cracking open the mystery of time she intends to discover nothing less than the secrets of God. This study concludes that Dillard is calling readers to recognize that the spiritually alive person can transcend the barriers of the temporal, experience the eternal in the present, and participate with God in the redemption of the universe. / Department of English
|
Page generated in 0.0408 seconds