Würzburg, Universiẗat, Diss., 2003.

Zugl.: Basel, Univ., Diss., 2007

No description available.

Nesse projeto apresentamos o desenvolvimento da proposta de estudo sobre o processo de cristianização dos espaços, tendo como objeto central de análise a coleção de lamparinas escavadas no sítio arqueológico de Apollonia-Arsuf, Israel. Constata-se que as lamparinas concernentes ao período de dominação romana na Palestina encontram-se mutiladas na parte relativa às cenas figurativas do paganismo. Artefatos cujo período de atividade estende-se do século I ao século III d.C.. O conhecimento e análise da citada coleção, tanto nos níveis formal quanto imagético, contribui para uma caracterização e maior conhecimento do paradoxo que circunda nosso objeto. A investigação permite questionamentos sobre a construção do orbis romanorum e as relações estabelecidas dentro desse âmbito. / In this project I present the development of the research about the process of early Christianization in Roman Palestine via the analysis of Roman-period discus lamps retrieved from the archaeological site of Apollonia-Arsuf (Israel). It appears that the discus lamps that came from Roman Apollonia, of the late 1st to 3rd century AD, had the usual pagan and erotic moulded figurative scenes on the upper body intentionally broken away. The knowledge and analysis of this assemblage of hundreds of lamps, both through form and imagery contributes to a better understanding and characterization of the paradox that surrounds our subject of study. The research thus allows questions about the construction of orbis Romanorum and the relations established within this framework.

Nesse projeto apresentamos o desenvolvimento da proposta de estudo sobre o processo de cristianização dos espaços, tendo como objeto central de análise a coleção de lamparinas escavadas no sítio arqueológico de Apollonia-Arsuf, Israel. Constata-se que as lamparinas concernentes ao período de dominação romana na Palestina encontram-se mutiladas na parte relativa às cenas figurativas do paganismo. Artefatos cujo período de atividade estende-se do século I ao século III d.C.. O conhecimento e análise da citada coleção, tanto nos níveis formal quanto imagético, contribui para uma caracterização e maior conhecimento do paradoxo que circunda nosso objeto. A investigação permite questionamentos sobre a construção do orbis romanorum e as relações estabelecidas dentro desse âmbito. / In this project I present the development of the research about the process of early Christianization in Roman Palestine via the analysis of Roman-period discus lamps retrieved from the archaeological site of Apollonia-Arsuf (Israel). It appears that the discus lamps that came from Roman Apollonia, of the late 1st to 3rd century AD, had the usual pagan and erotic moulded figurative scenes on the upper body intentionally broken away. The knowledge and analysis of this assemblage of hundreds of lamps, both through form and imagery contributes to a better understanding and characterization of the paradox that surrounds our subject of study. The research thus allows questions about the construction of orbis Romanorum and the relations established within this framework.

No description available.

No description available.

No description available.

Colonie grecque, Apollonia d’Illyrie (Albanie), a connu à l’époque romaine des phases de construction et d’aménagement importantes. En témoigne le centre monumental qui a fait l’objet de fouilles et de dégagements sous la direction du français Léon Rey au début du XXe siècle. Après la seconde guerre mondiale, les équipes albanaises ont poursuivi les recherches archéologiques et ont réalisé les restaurations et les présentations actuelles. Le centre monumental est organisé autour de deux édifices principaux, l’odéon et le monument des agonothètes. Ces lieux d’assemblée attestent du caractère public de ce secteur de la ville comme le fait un arc de triomphe légèrement postérieur. Des boutiques témoignent d’une fonction commerciale annexe. L’aspect religieux est illustré par un temple ionique, entouré d’un portique, associé à un bâtiment nommé usuellement "prytanée", et par un petit sanctuaire. Enfin, un édifice de plan carré peut être soit une bibliothèque soit un Augusteum. Après l’analyse des vestiges accessibles et de la documentation, une approche des fonctions des différents monuments et les renvois aux éléments comparatifs des hypothèses de restitutions sont proposées puis transposées en images de synthèse. Elles sont ensuite assemblées en une vision globale du centre monumental romain, dans son état du début du IIIe siècle ap. J.-C. Dans l’attente de l’achèvement des recherches sur l’agora, localisée à quelques centaines de mètres, cet ensemble pourrait être un complexe architectural dédié au culte impérial dont l’importance aurait attiré, dans le courant du IIe siècle, le bouleuterion que prudemment on désigne encore comme "monument des agonothètes". / During the Roman period, “Apollonia of Illyria”, a greek settlement in Albania, knew several phases of construction and development. This is demonstrated by the study of the monumental center which was the object of excavations supervised by a French archaeologist Léon Rey at the beginning of the XXth century. After World War II, Albanian teams pursued the researches. They realized the restorations and the current presentations. The monumental center is organized around two main buildings, the Odeon and the “monument of Agonothetes”. These meeting places give evidence of the public character of this part of the city, just like the existence of a triumphal arch built later on. Shops also prove the commercial function of this place. Then, the religious function is illustrated by an ionic temple surrounded by a portico associated with a building named “prytaneum’ and by a small sanctuary. Finally, a square building is either a library or an “augusteum”. After an analysis of the visible vestiges and documentation, a report on the functions of the various monuments and a presentation of the comparative elements, the hypothesis of reconstructions will be proposed and transposed into computer-generated images. They will be assembled in a global vision of the roman monumental center at the beginning of the third century. Researches concerning the agora, localized a few hundred meters further, are not achieved yet but this place could be an architectural complex dedicated to imperial cult. During the second century, its importance could have attracted the bouleuterion that remains, for the moment, named as “monument of Agonothetes”. / Kolonia greke e Apolonisë së Ilirisë, në Shqipëri, ka njohur faza të rëndësishme ndërtimi dhe riorganizimi urban në periudhën romake. Këtë e dëshmon qendra monumentale që ka qenë pikësynimi i gërmimeve dhe zbulimeve të kryera nën drejtimin e francezit Leon Rei, në fillim të shekullit të XX. Pas Luftës së II Botërore, ekipet shqiptare kanë vazhduar nxjerrjen në dritë të saj, si dhe kanë realizuar restaurimet dhe pamjet që shohim sot. Qendra monumentale është organizuar rreth dy godinave kryesore, odeoni dhe monumenti i Agonotetëve. Këto vende mbledhjesh dëshmojnë për karakterin publik të kësaj zone të qytetit, ashtu si dhe një hark triumfi pak më i vonshëm. Dyqanet dëshmojnë për një funksion tregtar aneks. Aspekti religjioz ilustrohet me praninë e një tempulli jonik, të rrethuar me një portik, dhe që lidhet me një godinë të ashtuquajtur prytaneum, si dhe me një faltore e vogël. Së fundmi, një ndërtesë në formë katrore mund të jetë ndoshta një bibliotekë apo augusteum. Në përfundim të studimit të rrënojave të dukshme dhe të dokumentacionit përkatës, parashtrohet trajtimi i funksioneve të monumenteve të ndryshme dhe i elementeve krahasuese të rimëkëmbjes hipotetike të tyre, që më tej transformohen në paraqitjet e informatizuara. Më pas, të gjithë elementët janë bashkuar në një pamje gjithëpërfshirëse të qendrës monumentale romake, ashtu siç paraqitej ajo në fillimin e shek. III të e. sonë. Në pritje të përfundimit të kërkimeve në agora, e cila gjendet vetëm disa qindra metra larg, ky ansambël duket të ketë qenë një kompleks arkitekturor që i kushtohej kultit perandorak, rëndësia e të cilit do të tërhiqte përgjatë shek. II të e. sonë buleterionin, që ende në mënyrë të kujdesshme emërtohet si “monumenti i Agonotetëve”.

Dès sa découverte en 1962, le Papyrus de Derveni, le plus ancien manuscrit d'Europe, n'a pas cessé de soulever des interrogations majeures relatives à la transmission, à l'interprétation et à la fonction des textes orphiques. Le Papyrus de Derveni nous fournit aussi un témoignage de premier ordre quant à l'influence de la philosophie présocratique sur les doctrines orphiques. Cette thèse est la première édition critique française du Papyrus de Derveni. Celle-ci comprend un apparat critique complet ainsi que des notes au texte. Ce travail de recherche propose aussi une étude monographique du Papyrus de Derveni. Nous avons porté une attention toute particulière à l'analyse du poème orphique, aux techniques exégétiques employées et aux thématiques philosophiques de l'écrit contenu dans le Papyrus de Derveni. Nous avons, en outre, comparé les doctrines cosmologiques et philosophiques proposées par son auteur avec les théories d'Héraclite d’Éphèse, d'Anaxagore de Clazomènes, de Diogène d'Apollonie et Archélaos d’Athènes. / Since his discovery in 1962, the Derveni Papyrus, the most ancient manuscript of Europe, has rase full of major questions about the transmission, the interpretation and the function of the orphic texts. The Derveni Papyrus offers us an emblematic testimony about the influence of Presocratic Philosophy on the orphic doctrines. This thesis is the first french critical edition of the Derveni Papyrus with a critical apparatus and notes on the text. This research paper also provides a monographic study of this document. We especially focused our attention on the orphic poem quoted by the author of the Derveni Papyrus, on the exegetical technics he employed and on the philosophical doctrines he proposed. We particularly compared the cosmological and philosophical theories of the Derveni Papyrus author with that of Heraclitus of Ephesus, Anaxagoras of Clazomenae, Diogenes of Apollonia and Archelaus of Athens.