Master of Science / Department of Architecture / David R. Seamon / This thesis provides an overview of some key researchers and research topics in the field of environment-behavior studies (EBS), an interdisciplinary field that examines ways in which the natural and human-made environments contribute to human well-being. A key aim of environment-behavior studies is to better understand clients’ and users’ environmental needs, and to design the physical environment accordingly. Specifically, this thesis highlights two key research questions: (1) What are environment-behavior studies and why are they relevant to architecture and environmental design? and (2) How can environment-behavior studies be drawn upon practically to generate more effective architectural and environmental design? To provide answers to these two questions, the thesis first introduces five “pioneers” in environment-behavior studies— psychologist Roger Barker, anthropologist Edward Hall, psychologist Robert Sommer, urban designer Kevin Lynch, and architect Christopher Alexander—and reviews their major work. This discussion provides a general understanding as to what environment-behavior studies involve and how they have design significance. Next the thesis overviews three major theories developed in environment-behavior studies: (1) territoriality theory; (2) cognitive-mapping theory; and (3) prospect-refuge theory. Each of these theories is overviewed, and pragmatic examples are provided to indicate each theory’s value for architecture and environmental design.

Master of Landscape Architecture / Department of Landscape Architecture, Regional and Community Planning / Jason Brody / The Mid America Regional Council, (MARC) is the official metropolitan planning organization for the Greater Kansas City region. MARC received a 4.25 million dollar grant from the US Department of Housing and Urban Development in 2010 to advance the region’s vision of sustainability through vibrant, green, and connected centers and corridors. From which the CSP (Creating Sustainable Places) initiative was established. Responding to this initiative, eight grant funded Kansas State University students worked in a Rock Island Corridor group. This group showed and described ways of achieving MARC’s and the US Department of Housing and Urban Development’s goals through the development of Master’s Reports. Reports include design ideas and proposals which MARC and city planning departments might not have developed otherwise. Student collaboration between public and city planning departments informed the development of student ideas. Green trail systems and tourism specifically addresses how the quality of life in the Kansas City Metro Area could be enhanced with the implementation of a cultural trail network. This network would provide access to the Rock Island Corridor, create greenspaces, and establish mixed-use housing districts for potential home and business owners. The Greater Kansas City region population is increasing. Trails, parks, and mixed-use buildings for residents in KC could improve the quality of life for future residents. Adding greenspaces, pedestrian mobility, and entertainment districts in which to find region specific activities could help attract people to redeveloping areas. Green trail systems and tourism’s project area is located between the Sprint Center and the Truman Sports Complex. To resolve problems and dilemmas within this region of Kansas City, a routing plan of a cultural trail network is outlined. This cultural trail features new trail heads, cultural centers, and proposed zoning overlays for park developments and mixed-use housing districts. The trail network created connects the Sprint Center and Truman Sports Complex in Kansas City, Missouri as a tourism link. Tourism destinations and historic sites add to the economic success of KC. Sites are connected to in the routing plan for the cultural trail. This proposal shows one approach for creating sustainable centers in KC.

Master of Science / Department of Electrical and Computer Engineering / Medhat M. Morcos / The inclusion of Selective Coordination in the NEC since the 2002 revision and the expansion of applications for which coordination of Over-current Protective Devices is required have resulted changes in design approaches for electrical engineers. In order to meet the requirements of the NEC regarding Selective Coordination for secondary power systems within buildings, often, upstream protective devices need to be held-in to a short-circuit condition, thus increasing the Arc Flash Energy. Electrical engineers must understand the many aspects of Selective Coordination when approaching a project from the very beginning. Decisions made by the engineer regarding Selective Coordination will have influence on project cost, project timeline, robustness of the electrical equipment, and safety of personnel working near or on the electrical equipment. The main objectives of this report are to convey an understanding of the following: recent changes in requirements for Selective Coordination, implications of short-circuit analysis, impacts of selectively coordinated systems on Arc Flash Energy, risks surrounding Arc Flash Hazards, and design processes regarding Selective Coordination.

Whole document restricted, see Access Instructions file below for details of how to access the print copy. / How meaning is articulated, suggested or repressed in transition processes is an inherently social phenomenon. The history of theorising about ornament bears evidence to this as much as do current practices of ornamentation. From myths, as narratives of meaning, to ‘mere ornament’ – the various signifying practices (and forms of life within which they take place) determine how meaning changes. People will perceive such change differently, depending on their perspectives and circumstances and, under certain conditions, change can be conceived of as loss. This thesis, in its theoretical part, explores issues pertaining to meaning and ornament in epistemology, philosophy, sociology, semiotics, aesthetics and psychoanalysis. In its practical part it seeks to make connections with signifying practices involving ornament in the life-worlds of users, the use of ornament in public buildings, bicultural relationships involving appropriation or misappropriation, and the education of designers in New Zealand. For that, data derived from four empirical research projects are presented and theorised. In the fourth part, theories and practices are brought together to shed light on struggles with ornamental meaning in the past and in the present. Theories, with their classification of myths, symbols and ornament, ignore wide ranges of signifying practices and privilege some form of significations at the expense of others. Because of their separation from the language- games and forms of life of ornamental practice, they often fail to grasp issues that are important to non-theorists. All the research projects demonstrated that the large majority of participants like and relate to ornament. They also showed, however, that Pakeha traditions of ornament are not only perceived to have suffered the same historical rupture as those in the West but also that the theoretical discreditation upon which they were based was used as a tool of oppression when applied to Maori art. Attempts to explain bicultural practices of appropriation or misappropriation without reference to the history of colonisation and present power configurations must fail. Whether or not a cultural image retains or loses its meaning depends on factors such as knowledge, understanding, relationality and co-operation. If culture is, however, treated as a resource for commodification – as it is by the culture industries – cultural elements are subjected to rules inherent in marketing and capitalist economies and their meaning is deliberately changed. Those who ought to be able to deal competently with these issues (designers and other cultural intermediaries) receive little in their education to prepare them for the ornamental strategies and tactics of their future clients. The academic environment is still largely determined by modernist agendas, and ornament as a topic and as practice – continues to be repressed. If a meaningful ornamental language and practice relevant to Aotearoa is to be shared, created, and sustained the divisions between theory and the life-world need to be interrogated; the distance through an assumed superiority of Pakeha to Maori history, culture and people relinquished; and a type of conversation must commence that takes seriously the Treaty of Waitangi as the founding document of this country. The partnership concept of this document facilitates conversation about differential positions and rules and can ‘take us out of our old selves by the power of strangeness, to aid us in becoming new beings’ (Rorty, 1980: 289).

Whole document restricted, see Access Instructions file below for details of how to access the print copy. / How meaning is articulated, suggested or repressed in transition processes is an inherently social phenomenon. The history of theorising about ornament bears evidence to this as much as do current practices of ornamentation. From myths, as narratives of meaning, to ‘mere ornament’ – the various signifying practices (and forms of life within which they take place) determine how meaning changes. People will perceive such change differently, depending on their perspectives and circumstances and, under certain conditions, change can be conceived of as loss. This thesis, in its theoretical part, explores issues pertaining to meaning and ornament in epistemology, philosophy, sociology, semiotics, aesthetics and psychoanalysis. In its practical part it seeks to make connections with signifying practices involving ornament in the life-worlds of users, the use of ornament in public buildings, bicultural relationships involving appropriation or misappropriation, and the education of designers in New Zealand. For that, data derived from four empirical research projects are presented and theorised. In the fourth part, theories and practices are brought together to shed light on struggles with ornamental meaning in the past and in the present. Theories, with their classification of myths, symbols and ornament, ignore wide ranges of signifying practices and privilege some form of significations at the expense of others. Because of their separation from the language- games and forms of life of ornamental practice, they often fail to grasp issues that are important to non-theorists. All the research projects demonstrated that the large majority of participants like and relate to ornament. They also showed, however, that Pakeha traditions of ornament are not only perceived to have suffered the same historical rupture as those in the West but also that the theoretical discreditation upon which they were based was used as a tool of oppression when applied to Maori art. Attempts to explain bicultural practices of appropriation or misappropriation without reference to the history of colonisation and present power configurations must fail. Whether or not a cultural image retains or loses its meaning depends on factors such as knowledge, understanding, relationality and co-operation. If culture is, however, treated as a resource for commodification – as it is by the culture industries – cultural elements are subjected to rules inherent in marketing and capitalist economies and their meaning is deliberately changed. Those who ought to be able to deal competently with these issues (designers and other cultural intermediaries) receive little in their education to prepare them for the ornamental strategies and tactics of their future clients. The academic environment is still largely determined by modernist agendas, and ornament as a topic and as practice – continues to be repressed. If a meaningful ornamental language and practice relevant to Aotearoa is to be shared, created, and sustained the divisions between theory and the life-world need to be interrogated; the distance through an assumed superiority of Pakeha to Maori history, culture and people relinquished; and a type of conversation must commence that takes seriously the Treaty of Waitangi as the founding document of this country. The partnership concept of this document facilitates conversation about differential positions and rules and can ‘take us out of our old selves by the power of strangeness, to aid us in becoming new beings’ (Rorty, 1980: 289).

Whole document restricted, see Access Instructions file below for details of how to access the print copy. / How meaning is articulated, suggested or repressed in transition processes is an inherently social phenomenon. The history of theorising about ornament bears evidence to this as much as do current practices of ornamentation. From myths, as narratives of meaning, to ‘mere ornament’ – the various signifying practices (and forms of life within which they take place) determine how meaning changes. People will perceive such change differently, depending on their perspectives and circumstances and, under certain conditions, change can be conceived of as loss. This thesis, in its theoretical part, explores issues pertaining to meaning and ornament in epistemology, philosophy, sociology, semiotics, aesthetics and psychoanalysis. In its practical part it seeks to make connections with signifying practices involving ornament in the life-worlds of users, the use of ornament in public buildings, bicultural relationships involving appropriation or misappropriation, and the education of designers in New Zealand. For that, data derived from four empirical research projects are presented and theorised. In the fourth part, theories and practices are brought together to shed light on struggles with ornamental meaning in the past and in the present. Theories, with their classification of myths, symbols and ornament, ignore wide ranges of signifying practices and privilege some form of significations at the expense of others. Because of their separation from the language- games and forms of life of ornamental practice, they often fail to grasp issues that are important to non-theorists. All the research projects demonstrated that the large majority of participants like and relate to ornament. They also showed, however, that Pakeha traditions of ornament are not only perceived to have suffered the same historical rupture as those in the West but also that the theoretical discreditation upon which they were based was used as a tool of oppression when applied to Maori art. Attempts to explain bicultural practices of appropriation or misappropriation without reference to the history of colonisation and present power configurations must fail. Whether or not a cultural image retains or loses its meaning depends on factors such as knowledge, understanding, relationality and co-operation. If culture is, however, treated as a resource for commodification – as it is by the culture industries – cultural elements are subjected to rules inherent in marketing and capitalist economies and their meaning is deliberately changed. Those who ought to be able to deal competently with these issues (designers and other cultural intermediaries) receive little in their education to prepare them for the ornamental strategies and tactics of their future clients. The academic environment is still largely determined by modernist agendas, and ornament as a topic and as practice – continues to be repressed. If a meaningful ornamental language and practice relevant to Aotearoa is to be shared, created, and sustained the divisions between theory and the life-world need to be interrogated; the distance through an assumed superiority of Pakeha to Maori history, culture and people relinquished; and a type of conversation must commence that takes seriously the Treaty of Waitangi as the founding document of this country. The partnership concept of this document facilitates conversation about differential positions and rules and can ‘take us out of our old selves by the power of strangeness, to aid us in becoming new beings’ (Rorty, 1980: 289).

Whole document restricted, see Access Instructions file below for details of how to access the print copy. / How meaning is articulated, suggested or repressed in transition processes is an inherently social phenomenon. The history of theorising about ornament bears evidence to this as much as do current practices of ornamentation. From myths, as narratives of meaning, to ‘mere ornament’ – the various signifying practices (and forms of life within which they take place) determine how meaning changes. People will perceive such change differently, depending on their perspectives and circumstances and, under certain conditions, change can be conceived of as loss. This thesis, in its theoretical part, explores issues pertaining to meaning and ornament in epistemology, philosophy, sociology, semiotics, aesthetics and psychoanalysis. In its practical part it seeks to make connections with signifying practices involving ornament in the life-worlds of users, the use of ornament in public buildings, bicultural relationships involving appropriation or misappropriation, and the education of designers in New Zealand. For that, data derived from four empirical research projects are presented and theorised. In the fourth part, theories and practices are brought together to shed light on struggles with ornamental meaning in the past and in the present. Theories, with their classification of myths, symbols and ornament, ignore wide ranges of signifying practices and privilege some form of significations at the expense of others. Because of their separation from the language- games and forms of life of ornamental practice, they often fail to grasp issues that are important to non-theorists. All the research projects demonstrated that the large majority of participants like and relate to ornament. They also showed, however, that Pakeha traditions of ornament are not only perceived to have suffered the same historical rupture as those in the West but also that the theoretical discreditation upon which they were based was used as a tool of oppression when applied to Maori art. Attempts to explain bicultural practices of appropriation or misappropriation without reference to the history of colonisation and present power configurations must fail. Whether or not a cultural image retains or loses its meaning depends on factors such as knowledge, understanding, relationality and co-operation. If culture is, however, treated as a resource for commodification – as it is by the culture industries – cultural elements are subjected to rules inherent in marketing and capitalist economies and their meaning is deliberately changed. Those who ought to be able to deal competently with these issues (designers and other cultural intermediaries) receive little in their education to prepare them for the ornamental strategies and tactics of their future clients. The academic environment is still largely determined by modernist agendas, and ornament as a topic and as practice – continues to be repressed. If a meaningful ornamental language and practice relevant to Aotearoa is to be shared, created, and sustained the divisions between theory and the life-world need to be interrogated; the distance through an assumed superiority of Pakeha to Maori history, culture and people relinquished; and a type of conversation must commence that takes seriously the Treaty of Waitangi as the founding document of this country. The partnership concept of this document facilitates conversation about differential positions and rules and can ‘take us out of our old selves by the power of strangeness, to aid us in becoming new beings’ (Rorty, 1980: 289).

Master of Science / Department of Architecture / David Seamon / This thesis draws on observations of user behaviors in Kansas State University’s North Quadrangle to propose a plaza design for a site within the quadrangle adjacent to Cardwell Hall. As a practical method for conducting environment-behavior research, the thesis gathered observations of moving and resting behaviors to understand the North Quadrangle’s current usages. The observations of moving behaviors provided evidence for identifying potential spaces within the North Quadrangle where a plaza might be designed and built. In turn, observations of resting behaviors provided an understanding of sitting and standing behaviors in the North Quadrangle plaza. In terms of research related to plaza behavior and design, the most significant work drawn upon was William Whyte’s The Social Life of Small Urban Spaces (Whyte, 1980). According to Whyte, a plaza is sociable if large numbers of people are drawn to it informally in the course of their everyday activities and movements. In this regard, the design aim of the proposed plaza is to promote sociability within the North Quadrangle by attracting pedestrians traversing the North Quadrangle’s busiest pathways and thus drawing them into the plaza. More specifically, to promote plaza sociability, the design makes use of the three most important plaza-design factors identified by Whyte: (1) location; (2) street-plaza relationship; and (3) seating. In other words, first, the plaza should be located near large pools of potential users; second, the plaza should be designed as an extension of the most heavily trafficked pathways; and third, the plaza should incorporate sitting opportunities for users via seating that is physically and socially comfortable. The behavioral observations and guidance provided by the literature review have been used to generate twelve design guidelines on which the proposed plaza design is based. The presentation of final plaza design incorporates explanations of these twelve guidelines followed by illustrated design schemes.

Master of Architecture / Department of Architecture / Gary J. Coates / Buildings account for a large part of total U.S. energy consumption and generate far more greenhouse gas emissions than any other sector of the economy. The purpose of this thesis is to demonstrate how buildings can be designed in a way that helps to mitigate global environmental problems, while resolving local urban design, architecture and social issues. This purpose was achieved by designing a zero-energy garage apartment for a site located along an alley in Manhattan, Kansas. The methodology for the design was to: identify a client; define project goals and design criteria; determine solar and geothermal renewable energy system requirements; design the garage apartment by employing energy efficient strategies relating to bioregional design and passive solar design; identify eco-friendly materials obtainable within a 500-mile radius of the site; and identify energy-efficient construction methods. The energy performance of the garage apartment was constantly monitored using eQUEST and Energy-10 simulation softwares. Operational definitions: Garage apartment- a building behind the main building[superscript]1, which is part of the same plot as the main building. It is also called a 'backhouse', 'granny flat' or a 'rear house'. Zero-energy house- for this thesis, a grid connected self-standing zero-energy house, which results in zero utility bills throughout the year.

Master of Science / Department of Architectural Engineering and Construction Science / Fred L. Hasler / This paper discusses photopic and scotopic vision of the human eye and the implications that could result in the design process of the lighting industry. The incorporation of scotopic vision in lighting effects the perceived illumination in all settings; but these affects and benefits are seen more prevalently at night, as this is when scotopic vision is utilized by the eye the most. The paper will begin with an overview of the eye including discussions of exactly what photopic and scotopic vision are, as well as how the eye works. This will lay a foundation for the paper to help the reader better comprehend and understand the remainder of the content. After the groundwork has been laid, the factors that affect how the eye perceives light will be discussed. These factors include pupil size and color of the light. A discussion of the basis for current lighting industry design and how light levels are measured will follow. Once these topics have been fully explored, there will be a discussion of the changes that could occur in the lighting industry if scotopic vision is taken into account. Increased energy efficiency would result if the scotopic vision is incorporated, resulting from the decrease in needed total lumen output. There have been a few applications that have utilized the effects of the scotopic vision in their design, these cases will be presented. Following the case study discussions, will be a discussion of a survey conducted by myself on the change-out of high pressure sodium (HPS) fixtures to LED fixtures in the downtown Poyntz Avenue area of Manhattan, KS. After all studies have been reviewed, conclusions and correlations among them will be explored. Following this analysis, suggestions will be given to improve the way lighting is designed in the industry.