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Thesis (Ph. D.)--University of Wisconsin--Madison, 1982. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 283-288).

Thesis (Ph.D.)--University of Nebraska-Lincoln, 2006. / Title from title screen (site viewed on Jan 23, 2007). PDF text: 188 p. ; 3.26Mb. UMI publication number: AAT 3214726. Includes bibliographical references. Also available in microfilm and microfiche format.

Thesis (Ph. D.)--University of Queensland, 2001. / Includes bibliographical references.

This study of atomic-bomb literature on Hiroshima will be through a critical lens, largely through postcolonial theory and reader-response criticism. It will be a discussion on the social and political implications behind the popularization of certain works. The discussed texts will not necessarily be written by the Japanese or by survivors of the atomic bomb: in the first case, I will be examining authorial intent and its relation to the intended reader responses from the implied American audience to study perpetuations of propaganda after the war. This paper will also be examining the interlingual translatability of psychological and physical trauma surrounding the atomic bomb and will be exploring the capacities of language to express an emotional and often sensitive topic.

This thesis explores Ralston Crawford’s canvases painted after witnessing the events of Operation Crossroads at the Bikini Atoll in 1946. Commissioned by Fortune, the artist provides the viewer with a unique and captivating view of the destruction wrought by atomic weaponry. Through a careful look at Crawford’s relationship with Fortune, Edith Halpert’s Downtown Gallery, and Crawford’s artistic contemporaries, this thesis positions the paintings within the art historical and cultural context of the mid-twentieth century and asserts their importance to the history of the Atomic Age. The thesis traces Crawford’s artistic development and his use of an Americanized Cubist language. In addition, the thesis looks closely at the rich cultural fabric of the postwar era and evaluates Crawford’s position in the American Art scene. / text

Varlam Shalamov's Atomnaia poema addresses a primordial "wish to split" at the core of nature and within the human heart. This wish to split is informed by Shalamov's Gulag experience as well as his reflections on Auschwitz and the atomic bombings of Hiroshima and Nagasaki. Whereas Lucretius interprets an atomic tendency to swerve as an indication of free will, Atomnaia poema posits an atomic proclivity to split, that is, to self-destruct and destroy others. Atomnaia poema weighs the role of science, "its verses and its faith," in this destruction. Neither a treatise nor didactic counsel, Atomnaia poema is a conversation between physics and poetry, human and world, held in a "third language" whose rhyme and rhythm carry an emotional impact rather than a cognitive load. Splitting its own elements as it grieves the splitting atom, Shalamov pursues "Ovid's epiphany," releasing what is "housed in a single verse."

京都大学 / 0048 / 新制・課程博士 / 博士(人間・環境学) / 甲第22020号 / 人博第910号 / 2019||人博||910(吉田南総合図書館) / 京都大学大学院人間・環境学研究科共生文明学専攻 / (主査)教授 岡 真理, 准教授 齋藤 嘉臣, 教授 土屋 由香, 教授 和泉 真澄 / 学位規則第4条第1項該当 / Doctor of Human and Environmental Studies / Kyoto University / DGAM

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The blast loading on a structure is a function of the incident blast wave characteristics, that is, overpressure and dynamic pressure. But the most damaging effect to the guy cable from a nuclear explosion would be the dynamic pressure caused by the high winds which follow the chock front. This dynamic pressure reaches its maximum value very rapidly, almost zero time after the passage of the shock front, and then decays exponentially as shown by equation (17). The work of this thesis has been the investigation of a guy cable under blast loading by correcting the tension during each small time interval. The results from this procedure are considerably smaller than those in the analytical work of Mr. D. A. Ball. From this point of view, we know that the tension of the cable in such a problem can not be considered as constant. / Master of Science