Made available in DSpace on 2016-06-02T19:25:24Z (GMT). No. of bitstreams: 1 1621.pdf: 15453602 bytes, checksum: bc6d5cc193c26b40d5217d4bbe3daee1 (MD5) Previous issue date: 2007-04-27 / Financiadora de Estudos e Projetos / The present work aims to analyze the recent growing process of the city of São Carlos - SP and its social relations net in terms of urban occupation, which has been under substantial changes since the end of the 20th century, especially after the implementation of private horizontal residential areas in the suburbs of the city. These transformations are intrinsically connected to the changes in use and meaning of the central areas and its implications for the municeps. As it is possible to observe along the work, the concept of mixed land-use has different meanings. For some authors downtown, which has started to be occupied by commerce and service industry, has also been struck by the incidence of social conflicts found in mid-size cities, due to problems stemming from unwanted interactions, traffic, heterogeneity, violence, fear and unpredictability of the streets, thus changing both the public and private spaces, especially those earlier linked to the activities of the wealthiest social classes. For other authors, on the other hand, the mixed land-use in central areas presents positive features, such as the increase in cooperation and sociability, thanks to the creation of a net of relations among the inhabitants, which tends to boost the trust of the population. In order to make an analysis of these transformations possible, we have used interviews carried out with dwellers, workers and home help of two private residential areas in the city of São Carlos: Parque Faber I and Parque Fehr , chosen according to their particularities, which will be exposed in this study. Besides, we have included an ethnography of Parque Faber I , as well as pictures taken in these places, because they bring to light aspects not always explicit in the interviews. It is important to highlight that we consider the interpretation of marketing material on this new dwelling concept relevant so as to analyze the sales appeal of entrepreneurs and construction firms involved in the projects of the private residential areas. The consequences of such transformations in the urban fabric affect directly the life of its inhabitants, who tend to occupy the urban land in a more segregated way, in an attempt to get rid of the problems arisen by the swelling of downtown. This attitude also creates new conflicts and inequalities around unique sociabilities, such as those found in private horizontal residential areas, object of this research. / O presente trabalho visa a analisar o processo de crescimento recente do município de São Carlos - SP e a trama de suas relações sociais em termos da ocupação urbana, que a partir do final do século XX passou por mudanças substantivas, sobretudo com a implementação de condomínios horizontais fechados nas regiões periféricas da cidade. Essas transformações estão intrinsecamente ligadas às mudanças de uso e à refuncionalização dos espaços centrais. Como veremos ao longo do trabalho, o conceito de uso misto do solo apresenta distintos significados. Para alguns autores, o centro, que passa a ser ocupado pelos setores de comércio e prestação de serviços, é atingido pela incidência de conflitos sociais que aparecem nas cidades médias, em decorrência de problemas provenientes de interações indesejadas, trânsito, heterogeneidade, violência, medo e imprevisibilidade das ruas, modificando-se assim o espaço público e o privado, especialmente aqueles ligados outrora às atividades das classes sociais de maior poder aquisitivo. Já para outros autores, o uso misto do solo nas áreas centrais apresenta características positivas, dentre elas o aumento da cooperação e da sociabilidade, graças à criação de uma rede de relações entre os munícipes, que tende a aumentar a confiança da população. Para viabilizar uma análise destas transformações, utilizamos entrevistas realizadas com moradores, funcionários e prestadores de serviços de dois condomínios da cidade de São Carlos: o Parque Faber I e o Parque Fehr, escolhidos de acordo com as suas particularidades, que serão expostas neste trabalho. Ademais, uma etnografia realizada especificamente no Parque Faber I , assim como fotos tiradas nestes ambientes, trazem à luz aspectos nem sempre explícitos nas entrevistas. Vale ressaltar que, para uma análise dos apelos de venda existentes entre os empreendedores e construtoras envolvidos nos projetos dos condomínios, consideramos relevante a interpretação do material publicitário referente a este novo conceito de moradia. As conseqüências de tais modificações no tecido urbano incidem diretamente na vida de seus habitantes, que tendem a exercer uma ocupação mais segregada do solo urbano, visando livrarem-se dos problemas criados pelo inchaço do centro da cidade, ao mesmo tempo em que esta atitude cria novos conflitos e desigualdades em torno de sociabilidades singulares, tais como aquelas observadas nos condomínios horizontais fechados, objeto dessa investigação.

Ce projet de maîtrise présente le modèle stratigraphique et géomorphologique du glissement de Saint-Barnabé-Nord, survenu le 10 décembre 2005, et la caractérisation géotechnique des matériaux y étant impliqués. Il s’agit d’un étalement latéral survenu dans des argiles silteuses surconsolidées (OCR entre 1.5 et 3.2) de la mer de Champlain dont la résistance au cisaillement non drainée est plus élevée que 100kPa. L’étude de cet étalement latéral a démontré la nécessité de l’utilisation du concept de rupture progressive afin d’éclaircir la compréhension des étalements latéraux. La vérification de l’applicabilité du modèle de Bernander et al. (1988 et 1989) et Bernander (2000), utilisant la rupture progressive, sur un étalement latéral a donc été réalisée avec le cas du glissement de Saint-Barnabé-Nord. Cette modélisation a permis d’analyser le risque d’une rupture locale causée par une force d’extension ou par un déplacement, pouvant être induit par le fluage ou l’érosion, qui expliquerait la formation des premiers horsts et grabens, typiques aux étalements latéraux. / This study presents the stratigraphic and geomorphologic model of the Saint-Barnabé-Nord slide, which occurred on December 10th 2005, and the geotechnical characterization of the material involved in this slide. This lateral spread occurred in a Champlain sea silty clay deposit that is over consolidated (OCR varies between 1.5 and 3.2) and has a shear strength over 100kPa. The study of this slide demonstrates the necessity of the use of a progressive failure concept to get a better understanding of lateral spreads. The applicability of Bernander et al. (1988 and 1989) and Bernander (2000) progressive failure analysis was shown for a lateral spread with the case of the Saint-Barnabé-Nord slide. The modelisation enabled to analyze de risk of a local failure induced by an extension force or by a deformation, caused by creep or erosion, which could explain the formation of the first horsts and grabens typical of lateral spreads.

A utilização de processos seriais na criação das oito canções do LP "Clara Crocodilo" de Arrigo Barnabé é investigada na presente pesquisa. O procedimento analítico utilizado demonstra que as oito canções são seriais, sendo que seis são dodecafônicas, confirmando que o compositor utiliza sistematicamente a técnica composocional serial, integrando-a à música popular urbana brasileira. Observa-se, também, que a utilização dos processos seriais relaciona-se diretamente com o conteúdo sociológico das letras, onde a marginália da cidade de São Paulo na década de 70 é retratada. Conclui-se também que os processos seriais são utilizados em "Clara Crocodilo" como afronta ao tonalismo; no texto poético, o ser humano é retratado em sua forma distorcida e desintegrada. / The use of serial procedures in the eight sdongs of the LP "Clara Crocodilo" by Arrigo Barnabé is surveyed in this thesis. An analytical study demonstrates thet the eight songs are serial, six being twelve-tone. This fact confirms the position of the composer as one who employs serial compositional techniques in Brazilian urban popular music. Furthermore, it is demonstrated that the use of serial procedures is directly related to the sociological content of the lyrics, in wich the underground of the city of São Paulo in the Seventies is portrayed. This investigations demonstrates that the serial procedures used in "Clara Crocodilo" represent an affront to tonality, indicating the distortion and desintegration of the tonal center; in the same way, the lyrics portray human beings in their distorted and disintegrated state.

La fondation d’une Église locale par un apôtre constitue un élément important dans les relations interecclésiales. Une telle fondation peut cependant être l’objet de contestation, en particulier si le statut apostolique de la figure fondatrice n’est pas manifeste dans le Nouveau Testament. Une Église peut donc être amenée à se construire un passé apostolique, notamment par l'écriture de vies d’apôtre, qui peuvent souligner tant le statut apostolique de la figure que son caractère fondateur pour l’Église. La comparaison des modalités par lesquelles les Églises de Crète et de Chypre construisent leurs passés apostoliques à travers les figures de Tite et de Barnabé est l’objet du présent travail, lequel s’attache également à analyser les enjeux ecclésiaux et politiques de ces constructions et à étudier la réception de celles-ci par les Églises extérieures à ces îles. Après avoir présenté les données bibliques sur Tite et sur Barnabé puis avoir étudié la réception de ces figures dans le christianisme des cinq premiers s., cette thèse analyse le rapport que les Églises de Crète et de Chypre entretiennent avec elles. Elle s’intéresse d’abord aux écrits chypriotes et crétois composés à partir du Ve s. à leur sujet, puis aux textes qui les mentionnent de manière incidente, avant d’étudier les dévotions envers ces figures et les emplois identitaires de celles-ci, notamment durant les périodes franque et vénitienne. Ce travail examine enfin la réception des traditions sur Tite et sur Barnabé en dehors de leurs îles, dans la littérature de l’Empire byzantin et des mondes copte, syriaque et arménien. / The foundation of a local Church by an apostle is a major component in inter-ecclesial relationships. However, such foundation could be an object of dispute, especially if the apostolic status of the founder is not obvious in the New Testament. That is why a Church could be brought to build an apostolic past, notably by the production of apostle' lives, which can emphasize both the apostolic status of the figure and its founding feature of the church. The aim of this study is to compare how the Churches of Crete and Cyprus build their apostolic past through the figures of Titus and Barnabas. This work also analyzes the ecclesial and politic stakes of theses constructs and their reception by the Churches outside Crete and Cyprus. After presenting the New Testament datas about Titus and Barnabas, this thesis studies the reception of these figures in the Christianity in the first five centuries. Then it analyzes the relationship between these figures and the Churches of Crete and Cyprus. To do it, it interests first to the writings composed about them from the 5th century, then to the Cretan and Cypriot texts which mention them in an indirect way. Then, it intends to study the devotional practices toward these figures and their identity uses, especially during the periods of Frankish and Venetian rule. Finally, this work examines the reception of Cretan and Cypriot traditions regarding Titus and Barnabas outside their respective island, in the hagiographical and not hagiographical literature of the Byzantine Empire and of the Coptic, Syriac and Armenisch worlds.

A utilização de processos seriais na criação das oito canções do LP "Clara Crocodilo" de Arrigo Barnabé é investigada na presente pesquisa. O procedimento analítico utilizado demonstra que as oito canções são seriais, sendo que seis são dodecafônicas, confirmando que o compositor utiliza sistematicamente a técnica composocional serial, integrando-a à música popular urbana brasileira. Observa-se, também, que a utilização dos processos seriais relaciona-se diretamente com o conteúdo sociológico das letras, onde a marginália da cidade de São Paulo na década de 70 é retratada. Conclui-se também que os processos seriais são utilizados em "Clara Crocodilo" como afronta ao tonalismo; no texto poético, o ser humano é retratado em sua forma distorcida e desintegrada. / The use of serial procedures in the eight sdongs of the LP "Clara Crocodilo" by Arrigo Barnabé is surveyed in this thesis. An analytical study demonstrates thet the eight songs are serial, six being twelve-tone. This fact confirms the position of the composer as one who employs serial compositional techniques in Brazilian urban popular music. Furthermore, it is demonstrated that the use of serial procedures is directly related to the sociological content of the lyrics, in wich the underground of the city of São Paulo in the Seventies is portrayed. This investigations demonstrates that the serial procedures used in "Clara Crocodilo" represent an affront to tonality, indicating the distortion and desintegration of the tonal center; in the same way, the lyrics portray human beings in their distorted and disintegrated state.

Made available in DSpace on 2013-08-07T18:59:58Z (GMT). No. of bitstreams: 1 000447924-Texto+Parcial-0.pdf: 4596406 bytes, checksum: 0fa06bcf623fb7b9ecbd94d32c4e2b81 (MD5) Previous issue date: 2013 / This work aims to analyzes the LP Clara Crocodilo, Arrigo Barnabé (1980). The LP, which marked the called Vanguard Paulista, brings tales to music with serial techniques, chronicling the daily lives of lonely and insecure urban characters. The work is evaluated on his creative process, considering the trajectory of Arrigo Barnabé and the historical context of development of the eight compositions that make up this album. This study is a dialogue between history and music. The analysis includes poetic and musical texts in search of connections to the contingent of social change in Brazil between 1970 and 1980 decades. / O trabalho busca analisar o LP Clara Crocodilo, de Arrigo Barnabé (1980). O LP, que marcou a chamada Vanguarda Paulista, traz contos musicados com técnicas seriais, narrando o cotidiano de personagens urbanos solitários e inseguros. A obra é avaliada em seu processo de criação, considerando a trajetória de Arrigo Barnabé e o contexto histórico de elaboração das oito composições que fazem parte deste álbum. O estudo é um diálogo entre história e música. A análise contempla textos poético e musical em busca de conexões com o contingente de mudanças sociais no Brasil entre 1970 e 1980.

A utilização de processos seriais na criação das oito canções do LP "Clara Crocodilo" de Arrigo Barnabé é investigada na presente pesquisa. O procedimento analítico utilizado demonstra que as oito canções são seriais, sendo que seis são dodecafônicas, confirmando que o compositor utiliza sistematicamente a técnica composocional serial, integrando-a à música popular urbana brasileira. Observa-se, também, que a utilização dos processos seriais relaciona-se diretamente com o conteúdo sociológico das letras, onde a marginália da cidade de São Paulo na década de 70 é retratada. Conclui-se também que os processos seriais são utilizados em "Clara Crocodilo" como afronta ao tonalismo; no texto poético, o ser humano é retratado em sua forma distorcida e desintegrada. / The use of serial procedures in the eight sdongs of the LP "Clara Crocodilo" by Arrigo Barnabé is surveyed in this thesis. An analytical study demonstrates thet the eight songs are serial, six being twelve-tone. This fact confirms the position of the composer as one who employs serial compositional techniques in Brazilian urban popular music. Furthermore, it is demonstrated that the use of serial procedures is directly related to the sociological content of the lyrics, in wich the underground of the city of São Paulo in the Seventies is portrayed. This investigations demonstrates that the serial procedures used in "Clara Crocodilo" represent an affront to tonality, indicating the distortion and desintegration of the tonal center; in the same way, the lyrics portray human beings in their distorted and disintegrated state.