A HISTORICAL CASE STUDY OF THE ARIKARA, HIDATSA, AND MANDAN INDIANS AT HAMPTON NORMAL AND AGRICULTURAL INSTITUTE, VIRGINIA, 1878-1911 By Nancy E. Jones-Oltjenbruns, Ph.D. A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. Virginia Commonwealth University, 2012 Director: Maike I. Philipsen, PhD Professor, School of Education Hampton Normal and Agricultural Institute played a role in the education of American Indians. This facet of American Indians education was examined through the lives of Arikara, Hidatsa, and Mandan students from the Fort Berthold Reservation in North Dakota. The Three Affiliated Tribes’ students attended Hampton between 1878 and 1911. The federal government generally viewed American Indians as a problem so efforts were made to assimilate them into the majority culture. Education was a component of that process. The lack of knowledge about the Plains Indians contributed to their selection for this study. Lesser known tribes do not have a prominent place in the scholarship on 19th century Indian education. This study contributes to the literature by providing historical evidence related to the Fort Berthold Reservation students. The majority of teachers who instructed Indian students were non-Indian, but it was important for them to understand the specifics of Indian culture. Early staff at Hampton thought of themselves as civilizers, missionaries, and teachers. When the doors of Hampton opened, it was the role of staff to instruct the African American students in those skills that would allow them to advance in the White world. This was the same mandate regarding American Indians. The staff was instrumental in every aspect of American Indian education. Although Indian students including the Fort Berthold students never gained equal standing with African Americans or Whites on campus, they acquired a level of acceptance by staff and students. Views of Indian students toward staff, their education, school, and fellow students varied. There were members of the Fort Berthold Reservation who appreciated their education at Hampton, while some students did not complete their educational endeavors. Generally, Fort Berthold students learned skills that would be useful upon their return home. The Indian students felt they had an obligation to their people and that education was more than groundwork for their own prosperity. While education could provide a respectable living, the Fort Berthold Reservation students had a responsibility to teach those back on the reservation.

Thesis (Ph. D.)--Johns Hopkins University. / Vita. Includes bibliographical references.

In response to the recent delisting of the bald eagle as an endangered species, the Three Affiliated Tribes of the Fort Berthold Indian Reservation, the University of Arizona, and the National Park Service undertook this collaborative study to identify continuities and discontinuities in eagle knowledge and acquisition and use of eagle parts by members of the Mandan, Hidatsa, and Arikara Nation (MHA), and to document cultural resources associated with eagles in three North Dakota national parks. Interviews with tribal consultants who possess eagle rights were integrated with ethnographic, archaeological, and archival data. This research finds that although there have been major changes in how MHA people acquire eagles for personal and religious use since the early 20`" century, beliefs and practices associated with eagle demonstrate cultural continuity. There remains a strict adherence to protocols regarding the handling of eagles and the possession and transfer of eagle knowledge, and there is a persistent belief in the eagle's ability to animate people, objects, and places. The eagle feather remains an indicator of social status, spiritual power, and identity, and eagle parts continue to be crucial elements in the performance of major religious ceremonies. Several site types associated with eagles and eagle trapping were identified, and all three parks either contain eagle resources, or are associated with parts of the eagle landscape. While trapping pits and trapping lodges are no longer used for taking eagles, they retain significance as sources of supernatural power and spiritual knowledge. These sites are spiritually active, and are important places for conducting fasts, seeking visions, and making religious offerings. Tribal consultants believe that the power imbued in these sites is attributed to their past role in the establishment and perpetuation of relationships between their ancestors and the spiritual world during annual trapping expeditions. Both site types are culturally significant in their familial and clan associations, their reflection of traditional land uses unique to the Missouri River environs, and their role in the transformative religious experiences of ancestors. There is a desire within the tribal community to preserve eagle trapping pit sites and, even more so, trapping lodge sites. In order to maintain the sites' spiritual integrity, consultants prefer that they not be accessible to the general public.

The purpose of this study was to ascertain the current status of healthcare delivery on American Indian reservations. In particular, the study sought to determine if the Indian Health Service was actually meeting its goals in delivering healthcare to American Indians, and if not, were there alternatives to public medicine for healthcare? The Indian Health Service has not met its own goals in delivering healthcare, and private medicine in the form of private practicing physicians and other medical personnel have filled the void left by the Indian Health Service. The study also discusses the possibility of private medicine being the only realistic alternative in the future for Indian healthcare delivery.

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Longer-term immigrants residing in the United States exhibit physical health decline related to higher body mass index (BMI). Theories on immigrant acculturation have been used to examine health patterns by length of stay in the United States. The purpose of this cross-sectional study, guided by the Schwartz model of acculturation, was to examine the effect of acculturation and length of stay in the United States on BMI in a sample of Haitian immigrants living in the Northeast Metropolitan area. The research question was used to examine the effects of acculturation and length of stay on BMI in the convenience sample of 116 Haitian men and women, aged 18 years and older, who had relocated to the United States for 3 years or more. Data were collected using a demographic questionnaire and medical records from a participating health clinic and then analyzed by conducting a multiple linear regression. According to study results, acculturation, length of stay, age, gender, and physical activity were not significant predictors of BMI change. An ancillary analysis using the subscales of acculturation revealed similar results. This study may provide positive social change by enabling health providers to understand the beliefs, values, and practices of Haitian immigrant groups and the acculturation pattern of individuals when providing care for this population.

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Das Volk bilden: The Pursuit of Volkstümlichkeit by Berthold Auerbach, Heinrich Heine and Johann Gottfried Herder examines the theorization of the concept of the Volk and Volkstümlichkeit by three authors from the late eighteenth and nineteenth centuries: Berthold Auerbach, Heinrich Heine and Johann Gottfried Herder. The term “volkstümlich” has no exact equivalent in English, although it has been rendered as “popular” “folkish” or even the slightly pejorative “folksy.” In German, it expresses both the quality of something proper to a given people or Volk, and the notion of popularity or commonness at which the English terms gesture. I analyze how these authors aim to expand the contemporaneous reading public by shaping the reading practices of audiences otherwise ignored by traditional belletristic literature. It also interrogates how they conceive of the Volk as a co-producer of literature and culture. Each author uses the terms “Volk” and “Volkstümlichkeit” in programmatic texts to refer to shared characteristics among a given people and as a distinction between high and low culture. All three also pursue the goal of creating a widespread reading public through their own literary practices: Herder in his collections of song and poetry, Heine in his poetry, criticism and journalism, and Auerbach through a thematic focus on the village in his fiction and the serial form of the Volkskalender in his role as editor. Each of them pursues a program that is both national and cosmopolitan, writing as they did during a period when invocation of the Volk was not yet primarily the province of conservative nationalists. Chapter one shows how Berthold Auerbach used his dual role as author of the immensely popular Schwarzwälder Dorfgeschichten and as editor of and contributor to various Volkskalender to elevate the way of life he portrays. In doing so, he aimed at uniting the disparate audiences of the common people and the educated, as well as urban and rural populations into a single Volk. Chapter two focuses on several key texts of Heinrich Heine’s to show that he conceived of the Volk as an ideal addressee capable of resolving the contradictions that plague civilization. Contrary to much of the scholarship that sees a pessimistic turn in Heine’s later work, I use his many remarks on the common people throughout his work to draw out a utopian, trans-historical element in his thinking. Two early texts by Johann Gottfried Herder, Über die neuere deutsche Literatur: Fragmente and the Volkslieder project, make up the focus of the third chapter. By importing genres associated with oral traditions and performance into his collections, together with texts by Shakespeare, Herder effaces existing distinctions between popular forms and high literature. The chapter shows that Herder conceives of the Volk not just as a public, but as active participants in literary world-making. My dissertation intervenes in existing scholarship on the literature of the eighteenth and nineteenth centuries by centering Volk as one of the defining concepts of the era and demonstrating how different literary media has been used to imagine and establish relations to it.

La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU). / Cette étude porte sur la musique de film des années 1930 en France, durant la décennie qui a vu naître et évoluer le cinéma parlant. Le cinéma de cette période y est appréhendé à travers son statut artistique et son rôle dans la transmission des idées. Dans le contexte de la crise économique et des bouleversements politiques et internationaux qui sévissent, les années 1930 offrent aux artistes, écrivains et compositeurs français, une opportunité de redéfinir leur rôle dans la cité, en intervenant à travers un médium nouveau. Ces circonstances, propices à la définition d’un nouvel engagement en arts, guident le choix de trois films à partir desquels sont analysées les contributions musicales et la démarche du compositeur en lien avec ses motivations et ses attentes face au cinéma. En se penchant sur l’aspect musical de ces films, l’auteure cherche à dégager le rôle de la musique au sein des processus de communication artistiques, dans le but de comprendre les moyens avec lesquels le compositeur défend ses idées tout en collaborant à celles du réalisateur. À quel point l’engagement du compositeur s’arrime-t-il à la réalité de l’industrie cinématographique? À quel point la musique permet-elle l’expression des idées au sein d’un art dont elle n’est qu’une composante? C’est à ces questionnements que cette recherche a voulu donner voix, tout en faisant une place privilégiée à la musique elle-même. / The subject of the present study is film soundtracks from the 1930s in France. The music under examination originated during a decade which saw the birth and early development of talking films. French cinematographic productions from this period are examined on the basis of their artistic status and their role in the transmission of ideas. The pandemic economic crisis, combined with international political upheavals, were actual incentives for artists, writers, and composers to redefine their societal role through an innovative artistic medium, and to give voice to new types of artistic engagement. The choice of the three cinematographic works in this study is based on these conditions; their soundtracks are analyzed in relation to composers’ motivations and expectations of what cinema had to offer them. By closely examining the musical components of these films, the author also aims to define the ways in which music, among other artistic communication processes, was a vehicle for composers to defend their own ideas while endorsing those of a film’s director and/or producer. At what point does the composer’s personal engagement coincide with the requirements of the film industry during the period under examination? What are the limitations of the musical expression of ideas, in the context of an art form in which music was only a component part? These questions are at the heart of this study, with the music itself as the primary focus of research.