Thesis (M.A.)--Georgia State University, 2006. / Title from title screen. Christine Gallant, committee chair; Paul Schmidt, LeeAnne Richardson, committee members. Electronic text (130 p. : ill., some col.) : digital, PDF file. Description based on contents viewed Apr. 20, 2007. Includes bibliographical references (p. 123-130).

This thesis examines the influence of the abolition debates on two of William Blake’s early writings, “The Little Black Boy” and The Visions of the Daughters of Albion. It also considers Blake’s engravings for John Gabriel Stedman’s Narrative of a Five Years Expedition against the Revolted Negroes of Surinam as proof of his abolitionist interest. Chapter one provides an overview of current Romantic criticism which situates Blake and other Romantic writers within a historical context. Chapter two summarizes the abolition movement in the late eighteenth century. Chapters three, four and five specifically discuss Blake’s work as abolitionist in intent.

This thesis examines William Blake’s conceptions of time and space in the light of the philosophies of Hinduism and Islam. In order to perform this analysis, source material, often from rare and neglected texts, is utilized to examine Blake’s possible unorthodox influences. The analysis of influences takes a three-pronged track: literary, symbolic, and linguistic; Blake’s possible knowledge of Orientalist translations; the symbols in his poetry, prose, and paintings are analyzed; and his potential knowledge of major Orientalist languages is also examined. Once this has been examined in sufficient depth, an excavation of Blake’s views on time and space is then undertaken. This analysis of Blake’s philosophical perspectives utilizes a comparative phenomenological approach in order to show their similarity to the perspectives of the Hindu Vedanta and Ismaili Islam. Throughout this analysis, I aim to demonstrate both that Blake’s views on space are inherently mystical (space as limitless and unbound by the physical universe), and that his view on time, having a similarity to that of the Platonists, views Eternity as the one true reality.

Thesis (Ph. D.)--University of Chicago, Department of Comparative Literature, August 2001. / Includes bibliographical references. Also available on the Internet.

No description available.

We have developed a one-dimensional numerical computer model (simulator) to describe methane hydrate formation, decomposition, reformation, and distribution with depth below the seafloor in the marine environment. The simulator was used to model hydrate distributions at Blake Ridge (Site 997) and Hydrate Ridge (Site 1249). The numerical models for the two sites were conditioned by matching the sulfate, chlorinity, and hydrate distribution measurements. The constrained models were then used to investigate the effect of changes in seafloor temperature and sea-level on gas hydrate stability. For Blake Ridge (site 997), changes in hydrate concentration are small. Both the changes in seafloor temperature and sea-level lead to a substantial increase in gas venting at the seafloor for Hydrate Ridge (site 1249).

This thesis examines William Blake’s conceptions of time and space in the light of the philosophies of Hinduism and Islam. In order to perform this analysis, source material, often from rare and neglected texts, is utilized to examine Blake’s possible unorthodox influences. The analysis of influences takes a three-pronged track: literary, symbolic, and linguistic; Blake’s possible knowledge of Orientalist translations; the symbols in his poetry, prose, and paintings are analyzed; and his potential knowledge of major Orientalist languages is also examined. Once this has been examined in sufficient depth, an excavation of Blake’s views on time and space is then undertaken. This analysis of Blake’s philosophical perspectives utilizes a comparative phenomenological approach in order to show their similarity to the perspectives of the Hindu Vedanta and Ismaili Islam. Throughout this analysis, I aim to demonstrate both that Blake’s views on space are inherently mystical (space as limitless and unbound by the physical universe), and that his view on time, having a similarity to that of the Platonists, views Eternity as the one true reality.

No description available.

This thesis traces the connections between Dorothy Livesay and William Blake, especially with respect to the construction and symbolization of the self. Models of influence relevant to Livesay and Blake are examined resulting in a contextual model of influence which considers artists' "anxiety" and the importance of gender issues. Archival documents supplement, and sometimes transform the implications of, Livesay's poetry and other published works in relation to Blake. The discussion moves from tracing the general points of intersection between Livesay and Blake (ancestors, traditions), to focusing on the different levels of influence that can be claimed between the two poets. The presence of Blake in Livesay's writings is examined closely, especially with respect to the imaginative states which each sets up to describe the self. Finally, Livesay's construction of the journey of her own life and her movement towards an ideal of self-completion which culminate in her celebratory late works are compared with Blake's ideal of the self as set forth in his Prophetic Works.

Bibliography: leaves 421-464 / ix, 464 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of English Language and Literature, 1988