Candy Chang developed a public art installation where people are given the opportunity to write their answers to "Before I Die I want to ________." in a public space. I created one of these walls in Denton, TX and set it to music in a 12 minutes and 42 second piece titled Before I Die..., which combines elements of South Indian carnatic music, gospel, R&B, jazz fusion, and minimalism. The composition was influenced by the music of several crossover artists Becca Stevens, Michael League (Snarky Puppy), Nico Muhly, Poovalur Sriji, Tigran Hamasyan, and James Blake. Crossover music, fusion, and third-stream are all synonymous terms used to describe music where multiple genres or styles are authentically combined. The purpose of this thesis is to examine the balance of musical elements in crossover works as well as how specific works composed by the artists mentioned have influenced the creation of the Before I Die... piece.

Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa

Studies of William Blake's poetry have historically paid little attention to the Welsh literary context of his time, especially the bardic lore (barddas), in spite of the fact that he considered himselfto be a bard and created an epic cosmos in which the bardic had exalted status. Of particular importance is the Welsh concept of the awen, which can be thought of as "the muse," but which must not be limited to the Greek understanding of the term For the Welsh, the awen had to do with the Christian concept of the Holy Spirit, and beyond that, with the poet's connection with his inspiration, or genius, whether Christian of otherwise. This study explores the idea of inspiration as it evolves from the Greek idea of the Muse, as it was perceived in the Middle Ages by Welsh writers, and as it came to be understood and utilized by writers in the Age of Blake.

Thesis (Ph. D.)--Boston University, 1991. / Interest in deep sea microbiota was stimulated by recent discoveries of productive redox communities associated with hydrothermal vents and brine seeps, and based on bacterial chemolithotrophy. This study investigates microbial destruction of mussel shells from a redox community at the base of the Florida Escarpment (3360 m), in comparison with microbial boring in shells of typical, low productivity areas of the ocean floor. An assemblage of eukaryotic and prokaryotic periostracum borers and their boring traces were discovered in shells of Bathymodiolus mussels from the base of the Florida Escarpment, and characterized. Microbial destruction of this protective layer results in colonization of secondary microbial inhabitants inside boreholes, and exposes the underlying mineralized shell to colonization and destruction by microbial endoliths. Microbial consumption of periostracum often proceeds in successive waves. These organisms show different "foraging" behaviors and leave accordingly varied boring patterns. These activities create a labyrinth of pits, holes and tunnels which, in tum, provide sheltered microenvironments for secondary microbial settlers, including primary producers, which all constitute an abundant food source for numerous ciliates and gastropods observed on the shells. This concerted attack on the periostracum eventually leads to the exposure of the mineralized shell. Such exposed areas are characterized by [TRUNCATED]

While eschewing a strict definition on the didacticism of Blake's imaginative vision, the following four analyses could be said to revolve around three general themes. These are: (1) that Songs of Innocence engage in a dialectic, much of their appeal deriving from the tension created between the co-existence of so-called qualities of "innocence" and "experience"; (2) that each one is an individual attempt to reconcile these, as well as other, oppositions; and (3) that such a reconciliation is hierarchical, usually concluding on a transcendent or visionary plane. The first three center on the text and metrical phenomena. In "The Ecchoing Green" they are explicated synonymously, whereas in "The Shepherd," "The Little Black Boy," and "Laughing Song," the textual approach precedes an appropriate metrical amplification. The final discussion of "The Blossom" marks a technical shift into sound color, though the structure of the approach continues the same alternating pattern demonstrated on the three analyses before it.

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This thesis explores how Nobel laureate Olga Tokarczuk's 2008 novel, Drive Your Plow Over the Bones of the Dead, engages with William Blake's life and his writings on animal welfare and speaks to current conversations about multispecies justice in the environmental humanities. It argues, first, that in recognizing how this novel's protagonist, Janina, selectively reads Blake to rationalize retributive justice, readers should resist a tendency to mistake this character for Tokarczuk's ideal advocate for environmental ethics. Secondly, it asserts that legal scholars' division between retributive and restorative justice offers valuable framework for approaching both this novel and ongoing debates about multispecies relations and environmental justice.

New Perspectives on Paul and Marx: William Blakes œThe Chimney Sweeper in Songs of Innocence and ExperienceLianna Jean Rose ManibogDepartment of English, BYUMaster of Arts This article explores the function of religion in socio-political spheres. Karl Marx is famously against religion in all its various capacities, arguing that it is a tool used by power structures to control the masses. William Blake, the British poet, is also seen as critical of religion, and because of this his works are often read through a Marxist lens. And yet depictions of Blake as a staunchly anti-religious man dont seem to fit with what we know of him and his works. This article reexamines key texts that deal with the question of how faith and society intersect, particularly reading the works of the Apostle Paul through a Jewish understanding. In doing so, we gain a new understanding of religion as a balancing weight that combats the dangers of the oppressive governments that Marx staunchly opposed.

This thesis is divided into two projects. The first project investigates the dissolution of the Hanford salt cakes, the chemical properties of the effluent and the physical properties such as viscosity of the effluent, the porosity and the permeability of the salt cake bed as the dissolution proceeds. The chemical results are compared to predictions using a thermodynamic model. Physical properties are important because they govern the rate at which the Hanford tanks can be emptied thus facilitating the remediation process. Two simulants were investigated for the dissolution process. The chemical analysis matched with the model predictions for both the simulants. A typical gibbsite layer formation was observed in the chemically complex simulant and experiments were performed to remediate the layer. The second project of this thesis studied the remediation of sodium phosphate dodecahydrate plug using water and sodium carbonate solutions at varying concentrations. A flow loop previously used to study the sodium phosphate dodecahydrate plugging mechanisms, was used to form a plug followed by the addition of water and sodium carbonate solutions. Results indicate that there was a drastic decrease in time to remediate the plug when sodium carbonate solutions were used.