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11	Duas revoluções: o percurso estético-político na literatura de John Reed / Two revolutions: The aesthetical and political development in John Reeds literature Bustamante, Fernando 24 June 2014 (has links) Estudo da evolução estética e política na obra de John Silas Reed (1897-1920) a partir de, fundamentalmente, duas de suas obras: seu primeiro livro, Insurgent Mexico (México Insurgente 1914) e seu último livro publicado em vida, Ten Days that Shook the World (Dez dias que abalaram o mundo 1919). A partir da crítica materialista-dialética a dissertação aborda o percurso de John Reed e procura demonstrar, numa leitura comparada entre as duas obras, como a transformação da visão política de seu autor se expressa na transformação estética de suas obras. Também se procura fazer uma leitura crítica da recepção de John Reed e a interpretação de sua obra nas décadas posteriores à sua morte / A study regarding the aesthetical and political development within the work of John Silar Reed (1897-1920) based upon, fundamentally, two of his books: his first one, Insurgent Mexico (1914), and the last one published in his lifetime, Ten Days that Shook the World (1919). From the dialetical-materialistic standpoint, the study approaches John Reeds life and tries to demonstrate, through a compared Reading between these two books, how the transformation in the authors political view is related to the aesthetical transformation in his writing and literary composition. John Reed works reception and criticism is also critically regarded Bolchevismo Bolshevism Dialectical materialism John Reed John Reed Literatura marxista Marxist literature Materialismo dialético Mexican revolution Revolução mexicana Revolução Russa Russian revolution
12	Cultural response to totalitarianism in select movies produced in Czechoslovakia, Hungary and Poland between 1956 and 1989 Robak, Kazimierz 01 June 2009 (has links) This study examines resistance against totalitarian propaganda in select movies produced in regions subjected to Soviet-imposed totalitarian system. From 1939 to the collapse of the Soviet Union in 1991, Central-Eastern Europe has experienced two of the most devastating and genocidal political systems in the history of the humankind. Nazism was destroyed with the end of WWII, and met widespread condemnation. Sovietism, commonly known as Communism, survived WWII and the Soviet totalitarian empire rose to the position of the world's second superpower. Effective and organized Soviet propaganda generated a new convincing image of Sovietism as a harmless, friendly and progressive system. In this situation, the extremely important role of maintaining moral consciousness has fallen to the artistic world, specifically film. The scope of my thesis is to explore and analyze the responses to the Soviet totalitarianism in movies produced in European states of the Soviet bloc, between 1956 and 1989. My thesis aims to offer a critical reading of the chosen movies as well as their historical and political conditions. I point out how filmmakers articulated their resistance and analyze it in the context of national culture. The movies I chose to discuss express the reality of everyday life during the Soviet era. Their dissection reflects the mutual influence of history and art in general and in the Soviet bloc in particular. Hence, I offer a reading of the past expressed in the subjective vision of the cinematographic art. Movies not only reflect certain fragments of the reality, they also play an important role in constructing a collective memory. Discussing them from this angle leads to an understanding of the current perception of the past in those countries. Bolshevism Communism Communist propaganda Sovietism Film Peter Bacso Milos Forman Jan Nemec Istvan Szabo Bela Tarrr Andrzej Wajda Janusz Zaorski American Studies Arts and Humanities
13	Duas revoluções: o percurso estético-político na literatura de John Reed / Two revolutions: The aesthetical and political development in John Reeds literature Fernando Bustamante 24 June 2014 (has links) Estudo da evolução estética e política na obra de John Silas Reed (1897-1920) a partir de, fundamentalmente, duas de suas obras: seu primeiro livro, Insurgent Mexico (México Insurgente 1914) e seu último livro publicado em vida, Ten Days that Shook the World (Dez dias que abalaram o mundo 1919). A partir da crítica materialista-dialética a dissertação aborda o percurso de John Reed e procura demonstrar, numa leitura comparada entre as duas obras, como a transformação da visão política de seu autor se expressa na transformação estética de suas obras. Também se procura fazer uma leitura crítica da recepção de John Reed e a interpretação de sua obra nas décadas posteriores à sua morte / A study regarding the aesthetical and political development within the work of John Silar Reed (1897-1920) based upon, fundamentally, two of his books: his first one, Insurgent Mexico (1914), and the last one published in his lifetime, Ten Days that Shook the World (1919). From the dialetical-materialistic standpoint, the study approaches John Reeds life and tries to demonstrate, through a compared Reading between these two books, how the transformation in the authors political view is related to the aesthetical transformation in his writing and literary composition. John Reed works reception and criticism is also critically regarded Bolchevismo John Reed Literatura marxista Materialismo dialético Revolução mexicana Revolução Russa Bolshevism Dialectical materialism John Reed Marxist literature Mexican revolution Russian revolution
14	Nativism in the Interwar Era Lause, Chris, LAUSE 24 July 2018 (has links) No description available. American History nativism fascism extremism communism Charles Coughlin Black Legion German-American Bund Red Scare bolshevism Great Depression interwar Ku Klux Klan
15	New men for a new world: reconstituted masculinities in Jewish-Russian literature (1903 – 1925) Calof, Ethan 01 May 2019 (has links) This Master’s thesis explores Jewish masculinity and identity within early twentieth-century literature (1903-1925), using texts written by Jewish authors in late imperial Russia and the early Soviet Union. This was a period of change for Russia’s Jewish community, involving increased secularization and reform, massive pogroms such as in Kishinev in 1903, newfound leadership within the 1905 and 1917 Revolutions, and a rise in both Zionist and Revolutionary ideology. Subsequently, Jewish literary masculinity experienced a significant shift in characterization. Historically, a praised Jewish man had been portrayed as gentle, scholarly, and faithful, yet early twentieth century Jewish male literary figures were asked to be physically strong, hypermasculine, and secular. This thesis first uses H.N. Bialik’s “In the City of Slaughter” (1903) and Sholem Aleichem’s “Tevye Goes to Palestine” (1914) to introduce a concept of “Jewish shame,” or a sentiment that historical Jewish masculinity was insufficient for a contemporary Russian world. It then creates two models for these new men to follow. The Assimilatory Jew, seen in Isaac Babel’s Red Cavalry cycle (published throughout the 1920s), held that perpetual outsider Jewish men should imitate the behaviour of a secular whole in order to be accepted. The Jewish Superman is depicted in Vladimir Jabotinsky’s “In Memory of Herzl” (1904) and Ilya Selvinsky’s “Bar Kokhba” (1920), and argues that masculine glory is entirely compatible with a proud Jewish identity, without an external standard needed. Judith Butler’s theories on gender performativity are used to analyze these diverse works, published in Hebrew, Yiddish, and Russian by authors of varying political alignments, to establish commonalities among these literary canons and plot a new spectrum of desired identities for Jewish men. / Graduate / 2020-04-10 Russian literature Jewish literature Jewish masculinity masculinity Russian Jewish Ze'ev Jabotinsky Jewish identity Russian Jewry Red Cavalry Russian Civil War Zionist masculinity Early Zionism Bolshevism Late Imperial Russia New Soviet Man Hayyim Nahman Bialik Hebrew literature Yiddish literature Ilya Selvinsky Isaac Babel Kishinev pogrom 1903 Kishinev pogrom 1905 October Revolution 1917 Russian Revolution pale of settlement Sholem Aleichem Tevye the Dairyman Bar Kokhba

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