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Throwing voices, dialogism in the novels of three contemporary Canadian women writersGantzert, Patricia L. January 1997 (has links) (PDF)
No description available.
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Codes littéraires et codes sociaux dans la titrologie du roman québécois au XXe siècleVauterin, Thomas January 1997 (has links) (PDF)
No description available.
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L'évolution de la figure du lecteur dans Le ciel de Québec de Jacques Ferron, étude sociopoétiqueLemire, Isabelle January 1999 (has links) (PDF)
No description available.
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Le roman africain et québécois des années 1980, une poétique de la résistanceNkunzimana, Obed. January 1999 (has links) (PDF)
No description available.
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Les voies de l'amour dans les best-sellers québécois contemporains, proposition méthodologique d'un modèle du fonctionnement du code amoureuxBlais, Marie-Josée January 2001 (has links) (PDF)
No description available.
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Reading native literature from a traditional indigenous perspective, contemporary novels in a Windigo societyRasevych, Peter January 2001 (has links) (PDF)
No description available.
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The boundary between "us" and "them": readers and the non-English word in the fiction of Canadian Mennonite writersJanzen, Beth E. 11 1900 (has links)
This study asks whether the use of non-English words in the novels of Canadian Mennonites perpetuates a cultural binary, and concludes that it does not. The use of the non-English word, rather than enforcing a binary between "us and them", ultimately reveals that cultural boundaries are permeable and unstable. Recent reader-response theory, which sees the reader as always influenced by a context, is central to this inquiry. Analysis of readers' responses in the form of questionnaires constitutes part of the support for my assertions, while an examination of typography, orthography, interlingua, and theme in three novels by Canadian Mennonites provides the balance.
Chapter one lays the theoretical framework for the investigation. It discusses: reader-response theory and the impossibility of accessing a stable textual meaning coincidental with the author's intention, the challenge of the non-English word to the concept of universality, and the distinction between proper “English" and non-institutional "english". Chapter two examines some readers' responses to non-English words and finds that “inside" readers have interpretations in common with "outside” readers, and that variations exist between the interpretations of “inside" readers. A binary model is too simplistic to encompass the range of contexts from which readers read. Chapter three discusses typography, orthography, and interlanguage in relation to (Low) German, and suggests the importance of these features to a discussion of the texts. Chapters four through six examine Rudy Wiebe's The Blue Mountains of China (1970), Anne Konrad's The Blue Jar (1985), and Armin Wiebe's The Salvation of Yasch Siemens (1984) respectively. Each novel's thematic concern with cultural boundaries serves as a framework for interpreting its physical and linguistic features. Chapter seven concludes by examining the influence of my own fragmented identity on the development of my argument, and revisits the issue of authorial intent in our politically less-than-perfect world. A lengthy appendix serves as a pluralistic glossary to the texts, and contains the responses to my questionnaires. A brief section outlines some of the appendix's interesting patterns and trends. An index to the appendix is provided since the appendix is not arranged alphabetically. / Arts, Faculty of / English, Department of / Graduate
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Discours métalinguistique et pratiques d'écriture féministesCoupal, Sophie. January 2000 (has links)
No description available.
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Myth as redemption in three Canadian novelsCrachiolo, Elizabeth A., January 2009 (has links)
Thesis (M.A.)--Northern Michigan University, 2009. / "14-62709." Bibliography: leaves 54-59.
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The play of desire Sinclair Ross's gay fiction /Lesk, Andrew, January 1900 (has links) (PDF)
Thesis (Ph. D.)--Université de Montréal, 2001. / Includes bibliographical references.
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