Chen Yi's music is well accepted and recognized nationally and internationally through an increasing number of commissions and performances. Major symphony orchestras, choruses, institutions and companies request her compositions on many occasions in order to increase understanding and exploration of Chinese influences on western classical idioms. This study provides the first detailed discussion of her compositional mastery and her fusion of Chinese music with the language of western choral traditions. Chen Yi's reputation as a prominent orchestral composer does not restrain her passion to apply instrumental techniques and materials to her quality choral compositions. This study focuses on (1) how hardship and various life experiences during the ten-year Cultural Revolution shaped Chen Yi's musical inspirations; (2) how the influences of major musical genres, such as traditional Chinese folksong, jingju, model play, 19th-20th century nationalism, impressionism, and serialism are consolidated in her kaleidoscopic compositional techniques; and (3) the application of Chinese languages, pedagogical concepts, and extra-musical elements, such as Chinese poems, paintings, and calligraphies, revealed in her original, intelligent and resourceful choral creations.

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鄧偉權. / Thesis (M.A.)--香港中文大學硏究院藝術學部. / Reprint of manuscript. / Includes bibliographical references (leaves 435-471). / Deng Weiquan. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan yi shu xue bu. / 引言 --- p.iii / Chapter 第一章 --- 陳師曾和他的時代 --- p.1 / Chapter 第二章 --- 陳師曾的書畫篆刻藝術 --- p.87 / Chapter 第一節 --- 陳師曾的山水畫 --- p.87 / Chapter 第二節 --- 陳師曾的花鳥畫 --- p.126 / Chapter 第三節 --- 陳師曾的人物畫 --- p.173 / Chapter 第四節 --- 陳師曾的書法和篆刻 --- p.201 / Chapter 第三章 --- 陳師曾的美術史地位 --- p.257 / Chapter 附錄 --- 附錄 / Chapter I --- 陳師曾編年事輯 --- p.1 / Chapter II --- 書畫圖版 --- p.94 / Chapter III --- 印章圖版 --- p.191 / Chapter IV --- 書畫作品著錄 --- p.218 / Chapter V --- 印章作品著錄 --- p.416 / 參考書目 --- p.435

譚國安. / 據手稿本影印. / Thesis (M.A.)--香港中文大學敎育學院. / Ju shou gao ben ying yin. / Includes bibliographical references (leaves 199-201). / Tan Guo'an. / Thesis (M.A.)--Xianggang Zhong wen da xue jiao yu xue yuan. / 緒言：關於本文的研究動機，內容要旨和研究方法 --- p.14 / Chapter 第一章 --- 白沙子總述 / Chapter 一 --- 生平傳略 --- p.31 / Chapter 二 --- 學術地位 --- p.48 / Chapter 三 --- 思想淵源 --- p.66 / Chapter 第二章 --- 白沙子道德教育之一──教材論 / Chapter 一 --- 大則人倫，小則日用 --- p.84 / Chapter 二 --- 四書與六經 千古道在那 --- p.99 / Chapter 第三章 --- 白沙子道德教育之´二´ؤؤ方法論 / Chapter 一 --- 其始在於立誠 --- p.113 / Chapter 二 --- 致虛所以立本 --- p.127 / Chapter 三 --- 養靜便自開大 --- p.155 / Chapter 第四章 --- 白沙子道德教育之三──效用論 / Chapter 一 --- 華落實存 乃浩然自得 --- p.174 / Chapter 二 --- 出處語默 含率乎自然 --- p.190 / Chapter 第五章 --- 若向此邊參得透 始知吾道是中庸 --- p.198 / 參考書目 --- p.201

陳鱣（1753－1817）乃乾嘉時期著名的校勘學家、藏書家。陳鱣精於經學，特別尊崇鄭玄；又通小學訓詁，尤好《說文》。陳鱣撰有《禮記集說參訂》，乃其《禮》學方面的重要著作。元明兩代，士子研習《禮記》，必讀元代陳澔《禮記集說》。惜《集說》過於顯淺，且以理學釋經，鄭《注》、孔《疏》删節甚多，頗為學者詬病。清代《禮》學復興，時人研習《禮記》，一方面以名物考證，補元代陳澔《禮記集說》疏漏之失；一方面以小學訓詁入手，推崇鄭《注》，參考眾說，還以《禮》經之舊。《禮記集說參訂》既補正《集說》，又取宗鄭玄，體現了清代研習《禮記》的主要風尚。本文先總結清代《禮記》學的學術背景及陳鱣的學術興趣及交誼等作，再對《禮記集說參訂》作出具體的介紹，並由陳鱣引用鄭《注》訓釋《禮記》的情況及其對鄭《注》的態度，評價《參訂》引用鄭《注》的得失及其對清代《禮記》研究的價值。 / Chen Zhan (1752-1817) was a prominent emendator and bibliophile in Qianlong-Jiaqing period of the Qing Dynasty. Expert in the study of Confucian classics, Chen particularly held Zheng Xuan in high esteem. Chen also processed a good knowledge of philological studies and semasiology, wherewith he had a liking of Shouwen jiezi. As for his scholarly pursuits, Liji jishuo canding was his important work in the study of Liji. In the earlier Yuan and Ming Dynasties, all scholars engaging in the Liji studies read Liji jishuo, which was completed in the Yuan Dynasty by Chen Hao. This work, however, not only lacks sophistication but also bases its interpretation on the school of Neo-Confucianism .It was heavily criticized in the academia for its substantial deletion of Zheng Xuan’s commentary and Kong Yingda’s annotation. Later in the Qing Dynasty saw the revival of the study of Liji. Relying on the textual research that rectified the omissions in Chen Hao’s work. It was also carried out by means of philological studies and semasiology. In this regards, Zheng Xuan’s commentary was held in high regards, and references was made from various sources to return Liji to its original form. Therefore, Liji jishuo canding was not only a supplement to Liji jishuo, but also a return to Zheng Xuan, a prevailing fashion in the Liji studies of the Qing Dynasty. This paper concludes the background of study of Liji in the Qing Dynasty, the research interests of Chen Zhen as well as his academic-networking with numbers of renowned scholars. A brief introduction of Liji jishuo canding will be included. How Chen Zhan’s cited Zheng Xuan’s commentary to explain and interpret Liji and what attitude he had towards Zheng’s commentary will also be taken in to account.It also evaluates the merits and faults of Chen Zhan’s citation of Zheng commentary and how valuable Liji jishuo canding is towards the study of Liji in the Qing Dynasty. / Detailed summary in vernacular field only. / 伍佩琦. / Parallel title from English abstract. / Thesis (M.Phil.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 68-74). / Abstracts also in English. / Wu Peiqi.

My monograph focuses on the Instants d’un Opera de Pekin by the contemporary Chinese composer Qigang Chen in particular how he incorporates Chinese musical elements with Western compositional techniques. The main focus of this study is an analysis with emphasis on performance issues. A brief introduction to Chinese music elements is provided to establish a context. This document provides brief information about Chinese scale modes and instruments.

Thesis (M. Phil.)--University of Hong Kong, 2006. / Title proper from title frame. Also available in printed format.

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Kaohsiung Harbor is the largest international sea port in Taiwan, a lot of ships around the world pass in and out frequently, the pollution of organotin is very serious in the harbor area. Love River and Chien-Chen River may be polluted by the seawater tidal action from the Kaohsiung harbor. Domestic, industrial and agricultural wastewaters discharged into the upstream sections may also cause the pollution of organotin. The purposes of this study were to understand sources of organotin pollution by analying the content of organotin compounds and to monitor the organotin pollution of the rivers in Kaohsiung. Samples including surface sediments and riverwaters were collected from nineteen stations of Love River and Chien-Chen River. The results revealed that concentrations of MBT, DBT and TBT in the riverwaters of Love River varied between 13.4-43.6, 2.6-9.9 and ND-13.5 ng/L as tin. The concentrations of MBT, DBT and TBT in the riverwaters of Chien-Chen River were 3.1-28.1, 2.1-10.9 and ND-9.1 ng/L as tin, respectively. The concentrations of MBT, DBT and TBT in the surface sediments of Love River varied between 20.6-92.3, 7.6-26.2 and ND-15.4 ng/g as tin. The concentrations of MBT, DBT and TBT in the surface sediments of Chien-Chen River were in the range of 22.4-70.0, 6.4-14.1, ND-31.9 ng/g as tin, respectively. MBT and DBT were detected in all the samples of all the sampling stations of Love River and Chien-Chen River. Distribution of organotin compounds in riverwaters and surface sediments showed a consistency between these two rivers. No phenyltin pollution was detected at all stations, probably due to the decline in agricultural activities and the ban on utilizing triphenyltin acetate as pesticide. Except the highest organotin pollution appeared in the outfall of Love River and Chien-Chen River, other high values of pollution were found near the upper reaches of both rivers.

Texte remanié de: Dissertation--Religious studies, 2002. / Bibliogr. p. 275-291.