Este trabalho teve como propósito central investigar a sonoridade jobiniana na obra Matita Perê (1973), de Tom Jobim e Paulo César Pinheiro. Para isso, concentrou-se em pesquisar de que maneira Claus Ogerman contribuiu para o resultado idealizado por Jobim, isto é, como o arranjador e o compositor, ambos com suas referências pessoais e distintas, somaram-se para a construção desse resultado sonoro. Partiu da análise da canção Matita Perê, das observações dos processos de construção da orquestração e das interfaces poéticas. Objetivou ampliar o conhecimento da obra de Antônio Carlos Brasileiro de Almeida Jobim, contribuindo, assim, para a compreensão do legado do cancioneiro brasileiro. O resultado concreto deste estudo acadêmico foi a construção das partituras digitalizadas e fiéis às gravações originais de Matita Perê, deixando-as disponíveis para o público interessado / The main purpose of this work was to investigate the jobinian sonority in the song Matita Perê (1973), by Tom Jobim and Paulo César Pinheiro. For this, we concentrated on the research of how Claus Ogerman contributed to the result designed by Jobim, and how the arranger and the composer, both with their personal and distinct references, worked together to build this sonority. This research is based on the analysis of the song Matita Perê, the observations of the building processes of the orchestration and the poetic interfaces. It aimed at broadening the knowledge of the musical work of Antônio Carlos Brasileiro de Almeida Jobim, thus contributing to the understanding of the legacy of the Brazilian song writer. The substantial result of this academic research was the construction of computer edited musical scores of the original recording of Matita Perê, making them available for future studies.

Abstract ¡§The economic miracle of Taiwan¡¨ is the result of heavy interference of the State into economic development. After democratization, the State is not as convenient as it was with the authoritative period, as far as economic sector is concerned. The case for Bin-nan industrial exploit should be able to increase national income for 1%, but stalled for 11 years, it stays at the origin. It means that the State has lost the autonomy in forming and setting up policies that are closely related to the welfare of the public. Utilizing the Model of The theory of Claus Offe¡¦s system analysis for exploring the changes in autonomy of state after democratization, aided with case for Bin-nan industrial exploit, we discussed the economic, legitimate, and political sub-system and made throughout interpretation. It is clear that in the highly controversial case for Bin-nan industrial exploit, the State slowed down the pace of development approval in exchange of support of the administration of the public and left the capitalists to communicate and negotiate with the local and social groups. The State expressed its support of the project orally on the one hand and assist in administration operations to avoid capital flee on the other hand, which avoid the non-support of current administration from the public due to full support of capitalist, which may lead to the legitimacy crisis of the administration. During the economic development process after democratization of Taiwan, the State is still holding the dominating position in the implementation of mercantilism and is still playing the initiative role in economic development and continues in promoting capital accumulation and in pushing industried technology. The will in developing economy has indicated that the State has its preoccupies position, so the State inevitably has dual consideration in the selection of autonomy policy, which is expecting continuous capital accumulation and securing the consent from the people for its legitimate ruling base.

Notre travail compare les mises en scène françaises des pièces de Thomas Bernhard aux mises en scène allemandes et autrichiennes, depuis 1970, premier succès théâtral de l’écrivain autrichien, jusqu’à aujourd’hui. La méthode choisie se situe au carrefour de la germanistique et des études théâtrales.Le metteur en scène Claus Peymann a créé la plupart des pièces de Thomas Bernhard. Ses mises en scène apparaissent très fidèles au texte. En France, les metteurs en scène sont plus libres. Thomas Bernhard écrit ses pièces pour des acteurs précis. Minetti est un hommage à l’acteur allemand Bernhard Minetti. La pièce, jouée par des acteurs français, apparait davantage comme un défi pour l’acteur et une réflexion sur l’art dramatique. L’auteur dramatique autrichien écrit également en fonction du contexte politique : ainsi, avec la pièce Place des Héros, créée à Vienne au Burgtheater en 1988, année du cinquantenaire de l’Anschluss. Cette pièce et sa réception en Autriche sert en quelque sorte de schéma de réception en France, pouvant conduire à un malentendu. Les attaques contre l’Autriche n’ont en effet plus le même sens si elles sont jouées en France.Thomas Bernhard est souvent considéré comme un auteur sombre. Son théâtre, où le comique est plus prononcé que dans les romans, permet de nuancer cette image. Mais cette dimension comique et grotesque n’est pas toujours vue par le public français. Il faut dire qu’une partie du comique bernhardien, verbal, est difficilement traduisible. C’est donc tardivement que ce comique est découvert par le public français, dans les années 1990 et 2000, quand le schéma de réception lié à Place des Héros a tendance à s’estomper. / Our work compares the French productions of Thomas Bernhard’s plays with the German and Austrian ones, from 1970, marking the first success of the Austrian playwright, to this day. The chosen method is at the crossroads of German Studies and Theater Studies.Stage director Claus Peymann has staged most of the first productions of Thomas Bernhard’s plays. His productions are very faithful to the text. In France, the stage directors have a more original interpretation of the text. Thomas Bernhard writes his plays for specific actors. Minetti is for a tribute to the German actor Bernhard Minetti. The play, performed by French actors, is to be understood as a challenge for actors and as a reflection about dramatic art. The Austrian playwright also writes in accordance with the political context. Heldenplatz was first played 1988 at the Burgtheater in Vienna, for the 50th anniversary of the annexation of Austria. The play and its reception in Austria serves as a model for the reception in France, which can lead to a misunderstanding. The attacks against Austria do not have the same meaning any more, when they are played in France. Thomas Bernhard is often considered as a gloomy author. Theatre, in which comedy plays a bigger part than in novels, puts this reputation into perspective. However, this comic and grotesque dimension is not always perceived by the French audience. The comic dimension of Thomas Bernhard’s work is difficult to translate. The French audience therefore discovers this comic dimension of Thomas Bernhard’s plays only much later, in the 1990’s and 2000’s, when the reception scheme of Heldenplatz tends to fade away.

The purpose of this thesis is to describe the phenomenon of Tijl Uilenspiegel character in the context of the Flemish literature after 1867. The thesis focuses on the comparison of two pieces of work of the Flemish literature - the novel De legende van Tijl Uilenspiegel by Charles De Coster of 1867 and its adaptation into a play by Hugo Claus with the emphasis on analysis of the influence of the Flemish Movement on the message of the work. The first chapter describes the medieval stuff around the character Tijl Uilenspiegel and brings an overview of important adaptation of this theme between 1967 and 1965. A two lever analysis of the novel is followed by chapters which are focused on the description of the social and political factors of the Flemish Movement in the 19th century and in the first half of the twentieth century. These are a literary text analysis and an analysis of the occurrence of the references to the Flemish nationalism. These two levels of the novel are later compared with the play of Hugo Claus. The literary analysis includes the analysis of the plot, narrative mode, time, place and motives of the novel. The reference occurrence analysis is divided into two groups - direct references (occurrence of the word Flanders and all the variations of this word) and indirect references...

This thesis examines the various futures presented by the original children's theatre of the Federal Theatre Project. Combining original archival research and play analysis, I investigate four plays from the Federal Theatre's canon: The Emperor's New Clothes (1935) and A Letter to Santa Claus (1938) by Charlotte Chorpenning, Revolt of the Beavers (1937) by Oscar Saul and Lou Lantz, and Pinocchio (1938-9) by Yasha Frank. I posit that the futures presented by the four plays allowed the spectators to envision a new American future beyond the Great Depression: of prosperity, of class equality, of individual agency. These futures were in conversation with the larger unspoken political goal of the Project - to produce theatre relevant to its time and place, and thus to its audiences' time and place. By analyzing the plays and their reception by young, adult, and critical audiences, my thesis reveals a a critical genealogy, one that can be traced through conservative arts criticism in the 1930s through present-day attacks on national arts such as PBS and the NEA / text

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Thesis (M.F.A.)--Rochester Institute of Technology, 2009. / Typescript.

The thesis processes the use of Montessori pedagogy in the Czech environment. The introductory chapters of this thesis describe the life and work of Marie Montessori, the fundamental anthropological thoughts and principles, and the development of Montessori approach. The thesis maps out by descriptive method the current institutions and primary schools which operates in the Czech environment. The following chapters contain case studies of two Montessori primary schools in Prague. The results of this thesis show that the approach of Marie Montessori is not just a rigid conception, but that it is still capable of development in the living process in school practice.

Memoria (licenciado en ciencias jurídicas y sociales) / No autorizada por el autor para ser publicada a texto completo / El desarrollo de la presente investigación consiste en describir un modelo de evaluación de la racionalidad de las teorías dogmáticas y luego realizar una aplicación práctica de éste, de modo de evaluar una discusión dogmática particular. Para desplegar este análisis de debe determinar una discusión dogmática particular, que en este caso será la punibilidad de la tentativa inidónea en el derecho penal alemán, de acuerdo a las teorías dogmáticas de Claus Roxin y Günther Jakobs. Y, a partir de este ámbito específico de discusión, se podrá analizar los presupuestos metodológicos y puntos de partida teóricos de cada una de las teorías dogmáticas generales de estos autores, de modo de evaluar su coherencia, consistencia y evolución, respecto a las teorías dogmáticas particulares desarrolladas en el ámbito de la discusión sobre la punibilidad de la tentativa inidónea. Esta investigación teórica se desarrollará de acuerdo al siguiente esquema: En primer lugar, se realizará una descripción de las teorías dogmáticas en general y del modelo de análisis que será planteado en este trabajo. A continuación, se describirá la discusión dogmática específica y las teorías en disputa que se analizarán. Una vez descrita la discusión se podrá investigar todos los presupuestos metodológicos y teóricos que suponen las soluciones dogmáticas directamente aplicables propuestas por los autores inmersos en la discusión. Finalmente, se realizará una evaluación de la racionalidad de la postulación y asunción de estas teorías en disputa.

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