No description available.

Indigenous communities living in Arauca department, a region located on the Eastern Plains of Colombia, are at an imminent risk of physical and cultural extermination -according to the orders 004 and 382 from the Constitutional Court of Colombia- due to a double vulnerability which stems from a historic structural violence dating from the creation of the nation-state and direct violence as a consequence of armed conflict. The physical extermination refers to the high mortality rates that this population suffers either by violence or natural death, while the cultural extermination is a result of both an accelerated process of acculturation and a progressive loss of culture, territory and respect from traditional authorities. This study, by analyzing the local context and the actions that have done harm, addresses the best practices for humanitarian interventions over the role of territory, culture, governance and autonomy as key factors for empowering community members to overcome, face or diminish the consequences of these vulnerabilities.

Dans ma thèse “León de Greiff y la tradición literaria” je fais une étude du concept de « Tradition » dans l’œuvre poétique de l’un des plus importants écrivains colombiens du XXème siècle. Je propose que l’appropriation greiffienne de différents éléments provenant de diverses sources littéraires – comprenant la littérature orientale, la poésie médiévale européenne, la poésie française symboliste –, défie la notion classique du concept de «tradition». Pour De Greiff, celle-ci constitue un espace individuel d’autocréation construit à partir d’affinités esthétiques et philosophiques, et non sur la base d’une continuité chronologique ou une appartenance géographique. L’approche théorique de notre étude se concentre sur les idées de Harold Bloom, T.S. Eliot et Octavio Paz. Sur la base de leurs théories j’ai essayé d’élaborer une définition alternative du concept de la Tradition. -- “León de Greiff y la tradición literaria” examines the particular concept of “tradition” underlying the work of this major XXth century Colombian poet. I contend that the appropriation of several literary and historical sources – ranging from medieval European literature, oriental sources, to the most symbolists French poets – undertaken by De Greiff challenges the classical notion of this idea. I have proposed a reading of this author’s poetry as an attempt to observe tradition as an unrestricted space of individual creation operating through aesthetic and philosophical affinities rather than strict chronological continuity. The theorical approach of my dissertation focuses on the works of Harold Bloom, T.S. Eliot and Octavio Paz. Based on their ideas I have tried to elaborate an alternative definition of the concept of Tradition.

This dissertation examines two controversies involving paintings of the female nude by artists Debora Arango and Carlos Correa during a period of political crisis in Bogota (Colombia) in order to open the political to cultural analysis and thus shed light on scenarios of change in the 1930s and 1940s. Unpacking the controversies lends insight into the unique ways in which modernity, the body, its representations, sexuality, gender and politics came together in Colombia during this period. Such an approach also shows that modernity in Colombia involved shifts in religious and secular frames of sense-making and morality. This dissertation argues that the controversies and the female nudes provide a window into the Liberal regime's creation of culture as an autonomous sphere as part of its cultural program, which bridged high and popular culture, as well as on aspects of private life concerned with sexuality and gender. It shows how such changes registered in the lives of the artists and how the artists translated the changes they experienced into modes of pictorial expression. This dissertation argues that the demands of the aesthetic and the demands of politics during this period pressed on each other, resulting in the wide-spread perception of moral breach that came to a head in the "scandals of the female nudes." This dissertation thus sheds light on dimensions of both the political and the private during this period. / Because art and politics were thus entangled, this dissertation shows that, in this particular Colombian modernity, society was not polarized, that the private and the private overlapped, that issues of intimacy surfaced in the public realm, and that Catholicism was the idiom shared by men and women who were grappling with change. It shows that the cultural program of the Liberal regime was the immediate referent for criticism in these events and, through it, of the Liberal regime's reforms of education of 1934 and 1936. Finally, it shows that this modernity and its attendant anxieties were played out through the body in the public and the private realms, within, not against, the Catholic tradition, in unprecedented ways. This thesis demonstrates that politics and issues of sexuality and gender were entangled in the public sphere and converged in the female nudes, turning them into a major threat to morality within both religious and secular frameworks. By unpacking the controversies, this dissertation marks a seminal break with historical accounts that describe Colombia's as a failed modernity, its society as polarized, and debates over sexuality and gender as the product of politics. This dissertation also contradicts art historical writings that account for the production of images and the reception of art in this period solely in political terms.

Dans ma thèse “León de Greiff y la tradición literaria” je fais une étude du concept de « Tradition » dans l’œuvre poétique de l’un des plus importants écrivains colombiens du XXème siècle. Je propose que l’appropriation greiffienne de différents éléments provenant de diverses sources littéraires – comprenant la littérature orientale, la poésie médiévale européenne, la poésie française symboliste –, défie la notion classique du concept de «tradition». Pour De Greiff, celle-ci constitue un espace individuel d’autocréation construit à partir d’affinités esthétiques et philosophiques, et non sur la base d’une continuité chronologique ou une appartenance géographique. L’approche théorique de notre étude se concentre sur les idées de Harold Bloom, T.S. Eliot et Octavio Paz. Sur la base de leurs théories j’ai essayé d’élaborer une définition alternative du concept de la Tradition. -- “León de Greiff y la tradición literaria” examines the particular concept of “tradition” underlying the work of this major XXth century Colombian poet. I contend that the appropriation of several literary and historical sources – ranging from medieval European literature, oriental sources, to the most symbolists French poets – undertaken by De Greiff challenges the classical notion of this idea. I have proposed a reading of this author’s poetry as an attempt to observe tradition as an unrestricted space of individual creation operating through aesthetic and philosophical affinities rather than strict chronological continuity. The theorical approach of my dissertation focuses on the works of Harold Bloom, T.S. Eliot and Octavio Paz. Based on their ideas I have tried to elaborate an alternative definition of the concept of Tradition.

This study analyses the legitimation of violence against women in Colombia, using critical discourse analysis to explore attitudes related to violence, gender, and power. Internet forums from the website of the Colombian newspaper El Tiempo provide everyday examples of talk about two incidents of violence against women (VAW), a sexual assault and a wife-beating, both of which triggered a large scale reaction from the Colombian public. Colombia is a unique context to study the normalisation of VAW. This nation has been characterised by high levels of violence over the last sixty years, suffering through evolving stages of armed conflict. Militarisation has been shown to increase the occurrence of VAW (Kelly, 2000), and the normalisation of VAW may intensify as well in militarily violent contexts (Hume, 2004; McWilliams, 1998). Critical discourse analysis offers theory and methodology to examine an aspect of life in terms of social justice and power (Fairclough, 2003; Resende, 2009), denaturalising the discursive practices which help to produce and reproduce power relations between social groups (Fairclough & Wodak, 1997; van Dijk, 1993). This study examines legitimation, a social action realised in discourse, which has the goal of setting and reinforcing a certain social order. The project also explores how legitimation in these forums is tied to Colombian culture and the topic of VAW. Drawing on the methods of van Dijk (1988, 1998, 2001) ,Wood and Kroger (2000), and grounded theory (Corbin & Strauss, 2008), multiple readings of the forums elicited salient themes as well as discursive strategies used to carry out legitimation of VAW. These were analysed in terms of underlying social beliefs prevailing in Colombian society. Dominant themes emerging from analysis of the sexual assault forums include: ‘“real” violence is more important’; ‘this incident was not a big deal’; ‘it’s her fault anyway’; and ‘she should have appreciated it’. These manifest the dominant strategies and structures of contrasts, minimisation, victim blaming, and romanticisation/sexualisation, respectively. Analysis of the wife-beating forums reveals the following themes: ‘this is not related to me’; ‘wife-beating is a private issue’; ‘domestic violence is normal and even important’; ‘it is the victim’s responsibility to change’; and ‘the victim deserves this violence’. Dominant strategies included respectively: distancing explanations and solutions, discourses of privacy, normalising violence, focusing on the victim, and victim blaming. The forum analyses illustrate how legitimation relates to Colombian culture and the topic of VAW. Numerous elements of culture and topic are used to criticise women’s agency and suggest that women ought to be passive and silent. In one culture-related example, the Colombian reiteration of violent events works to silence women’s stories about their experiences of VAW. Another strong element of culture is found in Colombian sayings and proverbs presenting a common knowledge discourse normalising VAW as romantic, sexual and necessary. Discourses used more universally to justify VAW include the idea that women belong in the private sphere and the psychopathologisation of women as attention-seeking and slutty. These elements work together to suggest that women are strong, sexual, and dangerous, needing violence from an authority to keep them uncomplaining and submissive. This work can inform future studies about discourse concerning VAW in Hispanic contexts, sketching in a little-studied disciplinary intersection. As this research participates in the aims of feminist critical discourse analysis, it is hoped that the present study will also be used for critical campaigns aimed at media specialists and educators so that they may create greater awareness and promote change, pointing out and discouraging these discourses legitimating violence against women in Colombia.

This study analyses the legitimation of violence against women in Colombia, using critical discourse analysis to explore attitudes related to violence, gender, and power. Internet forums from the website of the Colombian newspaper El Tiempo provide everyday examples of talk about two incidents of violence against women (VAW), a sexual assault and a wife-beating, both of which triggered a large scale reaction from the Colombian public. Colombia is a unique context to study the normalisation of VAW. This nation has been characterised by high levels of violence over the last sixty years, suffering through evolving stages of armed conflict. Militarisation has been shown to increase the occurrence of VAW (Kelly, 2000), and the normalisation of VAW may intensify as well in militarily violent contexts (Hume, 2004; McWilliams, 1998). Critical discourse analysis offers theory and methodology to examine an aspect of life in terms of social justice and power (Fairclough, 2003; Resende, 2009), denaturalising the discursive practices which help to produce and reproduce power relations between social groups (Fairclough & Wodak, 1997; van Dijk, 1993). This study examines legitimation, a social action realised in discourse, which has the goal of setting and reinforcing a certain social order. The project also explores how legitimation in these forums is tied to Colombian culture and the topic of VAW. Drawing on the methods of van Dijk (1988, 1998, 2001) ,Wood and Kroger (2000), and grounded theory (Corbin & Strauss, 2008), multiple readings of the forums elicited salient themes as well as discursive strategies used to carry out legitimation of VAW. These were analysed in terms of underlying social beliefs prevailing in Colombian society. Dominant themes emerging from analysis of the sexual assault forums include: ‘“real” violence is more important’; ‘this incident was not a big deal’; ‘it’s her fault anyway’; and ‘she should have appreciated it’. These manifest the dominant strategies and structures of contrasts, minimisation, victim blaming, and romanticisation/sexualisation, respectively. Analysis of the wife-beating forums reveals the following themes: ‘this is not related to me’; ‘wife-beating is a private issue’; ‘domestic violence is normal and even important’; ‘it is the victim’s responsibility to change’; and ‘the victim deserves this violence’. Dominant strategies included respectively: distancing explanations and solutions, discourses of privacy, normalising violence, focusing on the victim, and victim blaming. The forum analyses illustrate how legitimation relates to Colombian culture and the topic of VAW. Numerous elements of culture and topic are used to criticise women’s agency and suggest that women ought to be passive and silent. In one culture-related example, the Colombian reiteration of violent events works to silence women’s stories about their experiences of VAW. Another strong element of culture is found in Colombian sayings and proverbs presenting a common knowledge discourse normalising VAW as romantic, sexual and necessary. Discourses used more universally to justify VAW include the idea that women belong in the private sphere and the psychopathologisation of women as attention-seeking and slutty. These elements work together to suggest that women are strong, sexual, and dangerous, needing violence from an authority to keep them uncomplaining and submissive. This work can inform future studies about discourse concerning VAW in Hispanic contexts, sketching in a little-studied disciplinary intersection. As this research participates in the aims of feminist critical discourse analysis, it is hoped that the present study will also be used for critical campaigns aimed at media specialists and educators so that they may create greater awareness and promote change, pointing out and discouraging these discourses legitimating violence against women in Colombia.

This study analyses the legitimation of violence against women in Colombia, using critical discourse analysis to explore attitudes related to violence, gender, and power. Internet forums from the website of the Colombian newspaper El Tiempo provide everyday examples of talk about two incidents of violence against women (VAW), a sexual assault and a wife-beating, both of which triggered a large scale reaction from the Colombian public. Colombia is a unique context to study the normalisation of VAW. This nation has been characterised by high levels of violence over the last sixty years, suffering through evolving stages of armed conflict. Militarisation has been shown to increase the occurrence of VAW (Kelly, 2000), and the normalisation of VAW may intensify as well in militarily violent contexts (Hume, 2004; McWilliams, 1998). Critical discourse analysis offers theory and methodology to examine an aspect of life in terms of social justice and power (Fairclough, 2003; Resende, 2009), denaturalising the discursive practices which help to produce and reproduce power relations between social groups (Fairclough & Wodak, 1997; van Dijk, 1993). This study examines legitimation, a social action realised in discourse, which has the goal of setting and reinforcing a certain social order. The project also explores how legitimation in these forums is tied to Colombian culture and the topic of VAW. Drawing on the methods of van Dijk (1988, 1998, 2001) ,Wood and Kroger (2000), and grounded theory (Corbin & Strauss, 2008), multiple readings of the forums elicited salient themes as well as discursive strategies used to carry out legitimation of VAW. These were analysed in terms of underlying social beliefs prevailing in Colombian society. Dominant themes emerging from analysis of the sexual assault forums include: ‘“real” violence is more important’; ‘this incident was not a big deal’; ‘it’s her fault anyway’; and ‘she should have appreciated it’. These manifest the dominant strategies and structures of contrasts, minimisation, victim blaming, and romanticisation/sexualisation, respectively. Analysis of the wife-beating forums reveals the following themes: ‘this is not related to me’; ‘wife-beating is a private issue’; ‘domestic violence is normal and even important’; ‘it is the victim’s responsibility to change’; and ‘the victim deserves this violence’. Dominant strategies included respectively: distancing explanations and solutions, discourses of privacy, normalising violence, focusing on the victim, and victim blaming. The forum analyses illustrate how legitimation relates to Colombian culture and the topic of VAW. Numerous elements of culture and topic are used to criticise women’s agency and suggest that women ought to be passive and silent. In one culture-related example, the Colombian reiteration of violent events works to silence women’s stories about their experiences of VAW. Another strong element of culture is found in Colombian sayings and proverbs presenting a common knowledge discourse normalising VAW as romantic, sexual and necessary. Discourses used more universally to justify VAW include the idea that women belong in the private sphere and the psychopathologisation of women as attention-seeking and slutty. These elements work together to suggest that women are strong, sexual, and dangerous, needing violence from an authority to keep them uncomplaining and submissive. This work can inform future studies about discourse concerning VAW in Hispanic contexts, sketching in a little-studied disciplinary intersection. As this research participates in the aims of feminist critical discourse analysis, it is hoped that the present study will also be used for critical campaigns aimed at media specialists and educators so that they may create greater awareness and promote change, pointing out and discouraging these discourses legitimating violence against women in Colombia.

[pt] O século XXI é o século das cidades. Atualmente, o processo de urbanização é um fenômeno acelerado e em escala planetária, com ritmos desiguais e caminhos diferentes, mas que conduzem a uma mesma realidade: a construção de um planeta de cidades. Apesar da progressiva concentração da população nas grandes urbes, a maior parte da população mundial mora em centros urbanos de porte médio e pequeno. Nesse universo de cidades, no contexto da globalização e o uso intensivo de informação e conhecimento em redes, sobressaem, as cidades intermédias. Entendidas não como pontos isolados na rede urbana, as cidades intermédias têm aparecido nos estudos recentes como importantes nós nas redes, exigindo uma análise que considere as relações entre a cidade e a região e entre as cidades de diferentes níveis hierárquicos, em forma de cidade-rede-região. A presença de cidades de importância regional de porte médio em áreas afetadas historicamente pelo conflito armado sugere que tais cidades devem exercer um rol significativo em seus respetivos espaços geográficos no período do pós-conflito. Desta forma, a partir de uma análise histórico-geográfica do desenvolvimento do conflito armado e fundamentada no conceito de cidade intermédia, a pesquisa pretende identificar aquelas cidades que apresentam o potencial de liderar essa nova fase de transição na procura de atingir o desenvolvimento sustentável das regiões. / [en] Urbanization is a global phenomenon and occurs on a planetary scale, with unequal rhythms and different paths, but leading to the same complex and diverse reality: the construction of a planet of cities. Nowadays, we see a process of urbanization that we can describe as global and accelerated, but it does not develop in a balanced and efficient way on the territory. The progressive concentration of the population in large urban agglomerations, the accelerated and sometimes uncontrolled growth of megacities are spatial effects of the current process and trends of urbanization. Nevertheless, the majority of the world urban population lives in small and medium-sized cities and forecasts indicate that these centers will continue to increase their population. In the last decades, it has been observed that in several Latin American countries, the settlement model is changing and there are areas of economic importance, where decades ago, they used to be entities without much population dynamism. Despite this, there are not many international or regional studies on the smaller cities in urban systems.

abstract: This DMA project (in piano performance) consists of a concerto composed for trumpet and piano duo with orchestra and an analytical document that accompanies it. The text portion of this paper discusses the different compositional aspects of Rapsodia Camaleónica, including instrumentation, form, influences and the performers' perspective. The work is scored for a medium-sized orchestra: 2 flutes (flute 2 double piccolo), 2 oboes, 2 clarinets, 2 bassoons, horn, trombone, bass trombone, 4 percussionists (timpani, snare drum, crash cymbals, suspended cymbal, castanets, güiro or carrasca, shekere, whip, xylophone, triangle, pandeiro, tam-tam, wood blocks, 2 congas, glockenspiel, 3 tom-toms, bass drum) and strings. It is written in one multi-sectional movement with a duration of approximately twenty-three minutes. The full score is attached as an appendix. The influences in Rapsodia Camaleónica range from the western classical tradition to world music to urban dance music, all of which fuse together in a work that blends this eclectic mix into a unified whole. This composition is intended as an addition to the piano concerto repertoire from Latin America, which includes compositions by Carlos Chávez, Manuel María Ponce (both Mexican), Alberto Ginastera (Argentinian), Camargo Guarnieri and Heitor Villa-Lobos (both Brazilian). It is the composer's desire to add a Colombian piece of universal appeal to this list. / Dissertation/Thesis / D.M.A. Music 2012