In Double Exile: A Memoir examines the life of a family of Ghanaian immigrants and their journeys of acculturation, and the impact of the father's spiraling mental health issues on his family. Through the eyes of their daughter, this thesis briefly explores their lives on the right side of the Atlantic, as medical professionals, and then focuses on the life of their daughter born in America on the left side of the Atlantic. As novelist Georges Simenon has said, "I am at home everywhere, and nowhere. I am never a stranger and I never quite belong." This memoir explores this tension between alienation and connection, as a second-generation immigrant grows up navigating between various cultures: to dominant American culture, evangelical Christian/Southern culture, African-American culture, and Ghanaian culture. In an attempt to understand the present, this thesis is a sankofa journey back into the author's history. Spanning over four decades, the memoir uncovers various exilic configurations: exiled from family, from ethnic heritage, from home, and from one's self.

Stories I Told Myself: A Memoir explores the experience of growing up gay in the 1980s. It is one boy's journey toward self-acceptance set against the conservative backdrop of a rural community on California's central coast. The story illuminates the hunger for a life different than the one being lived, and the ever-present sense of being different exacerbated by bullying and unrequited love. It is a narrative of evolving identity, and includes cultural insights and societal context of the time period. The author poses a fundamental question, "How did I make it out of the 80's alive?" and he explores the answer with poignant humor and self-examination. Mr. Crimmins shows that, beyond the constraints of time and place, the process of coming out remains an important and consistent element of the queer experience.

Half-Virgin. (Under the direction of Jocelyn Bartkevicius) Half-Virgin is a cross-genre collection of essays, short stories, and poems about the humor, pain, and occasional glory of journeying into adulthood but not quite getting there. The works in this collection seek to create a definition of a term, “half-virgin,” that I coined in the process of writing this thesis. Among the possibilities explored are: an individual who embarks upon sexual activity for the first time and does not achieve orgasm; an individual who has reached orgasm through consensual sexual activity, but has remained uncertain about what he or she is doing; and the curious sensation of being half-child, half-adult. Ultimately, I believe, a “half-virgin” possesses all of these traits. One of the goals of the collection is to scramble the prototypical coming-of-age story into bits and parts and halves. Among the approaches included are earnest memoir (the real and metaphorical costumes a young couple wears on Halloween), character-driven fiction (the life story of Marlow, a college track star who ends up the unwitting inspiration for Super Mario Brothers), and narrative experiments (a tongue-in-cheek creative writing syllabus and a bullet pointed resume of sexual conquests). By exploring the untidy fragments in love, lust, and human connection in these works, Half-Virgin aspires to find wholeness through the jagged adventures of growing up.

Mild to Moderately Severe is an episodic memoir of a boy coming of age as a latch-key kid, living with a working single mother and partly raising himself, as a hearing impaired and depressed young adult, learning to navigate the culture with a strategy of faking it, as a nomad with seven mailing addresses before turning ten. It is an examination of accidental and cultivated loneliness, a narrative of a boy and later a man who is too adept at adapting to different environments, a reflection on relationships and popularity and a need for attention and love that clashes with a need to walk through unfamiliar neighborhoods alone. "Mild to moderately severe" is a diagnosed level of my hearing impairment. It is also the level of clinical depression I'm supposed to have been suffering since I was a preteen. It is also an answer to the question, "How was your day?"

A collection of short stories and personal essays, Please Don’t Interrupt Me While I’m Ignoring You weaves a lamé of humor and private desperation on the page. An actor in one story craves career gratification, while a United Nations coordinator in another finds herself attracted to a nervous NGO. A housewife attempts to convince her husband to commit an infidelity, while an architect finds that his new pet companion isn’t helping him to get over his ex-girlfriend. Having a difficult time relating, these characters often find themselves stuck in a miscommunication loop, and their journey to get what they want is subtle. These stories are followed with essays about the author’s own experiences while he was stuck in a miscommunication loop. Driven by his obscene fear of conflict, the author chronicles what happens when conflict is inevitable. Travel and self-loathing abound in these narratives depicted with sensitivity and sarcasm—bitterness and love. Together they leave a lasting impression of the impermeability of worldly citizens, and the internalizations they have to combat to get there

No description available.

South of Here is a coming-of-age story that follows a group of teenage boys through their journey into adulthood. Set against the backdrop of rural northwestern Connecticut, the book delves into the challenges of coping with grief, addiction, and the weight of adult responsibilities. Through the eyes of the speaker, readers are taken on a journey of self-discovery and acceptance as they come to terms with their queerness and the complexities of their relationships with blood family while building a community of chosen family. South of Here explores the stories that shape our identities, whether we were there for them or not. And through it all, the speaker learns how to undead the dead and move forward in the face of loss and pain. South of Here is a testament to the resilience of youth and the power of community to heal and transform. / Master of Fine Arts / South of Here is a poetry collection.

Cartoon Saloon, an Irish animation studio based in Co. Kilkenny, Ireland, explores themes of liminality, urbanization, and coming of age in its trio of Irish folklore-themed films. Secret of Kells, Song of the Sea, and Wolfwalkers each explore Irish identity, folklore, and community through different time periods and spaces to create truly Irish animated films. Each film explores the tension between folklore and Christianity, urban and rural community, and the challenges of coming of age in various ways through the lens of Irish folklore. By communicating these themes in animated films, Cartoon Saloon centers indigenous animation work in a country that has lacked an indigenous industry and uses the flexibility of animation as an art form to address Ireland's history and mythology through the writing, music score, and animation style of the three films. Cartoon Saloon stands at the forefront of a new revitalization of Irish culture reminiscent of the Gaelic and Celtic revivals of the nineteenth and twentieth centuries through their dedication to preserving and exploring Irish mythology, art, history, and language via an emergence of an indigenous Irish animation industry. / Master of Arts / Cartoon Saloon, an Irish animation studio based in Co. Kilkenny, Ireland, has released a trio of films centered on Irish folklore. These films explore Irish history, mythology, and tradition through several time periods and explore themes of liminality and coming of age. Secret of Kells, the first film, explores the Abbey of Kells and the creation of the Book of Kells through the eyes of Brandon, a young monk learning to find his place in the Abbey. He encounters a fairy girl and learns that there is more to his world than the Abbot had taught him. The second film, Song of the Sea, is set in modern times and tells the story of Ben's adventure to save his sister, who is half-selkie. The final film, Wolfwalkers, explores Kilkenny during English occupation through the adventures of Robyn, a young English girl who is turned into a wolfwalker and learns about the magic present in the Irish countryside. Each film explores the tension between folklore and Christianity, urban and rural community, and the challenges of coming of age in various ways through the lens of Irish folklore. Cartoon Saloon stands at the forefront of a new revitalization of Irish culture reminiscent of the Gaelic and Celtic revivals of the nineteenth and twentieth centuries through their dedication to preserving and exploring Irish mythology, art, history, and language via an emergence of an indigenous Irish animation industry.

The protagonists of the novel, Vedantika Ojha (12) and Cyka Ho (13), meet when the latter starts working as a domestic help in the former’s house. They live in a conflict-ridden town in India which is the site of one of the world’s longest ongoing guerilla rebellions, the Naxalite-Maoist insurgency. The girls seem to have little in common. Vedantika resides in a big house with razor spikes on the boundary walls. She is a queer neurodivergent 7th grader who has unstable relationships with everyone, including the reader. Cyka, who lives in the slums, is confident and charming. She stands up for herself because she knows that no one else will. She is all too familiar with the violent streets that Vedantika has so far been sheltered from. However, a closer look reveals that the girls share an absence. Cyka’s family was displaced from their village due to coal mining. She belongs to one of the indigenous tribes who have historically co-existed with nature without capitalizing on its resources. But their lands are now being taken over by the neoliberal government. Her people must revolt to survive. On the other hand, Vedantika’s mother has left her family to take up a job in Delhi. While Cyka pines for her village, Vedantika pines for her mother. Their respective losses become the basis of the bond that develops between them despite their dissimilar contexts.

Dream Machine is a collection which constructs a body of contemporary mythology, grappling with themes of American paranoia, online identity formation, and bodily alienation. Stories such as "Offerings" and "Pareidolia" explore the digital commodification of the body, following characters who—through Instagram-sourced sugar daddies and nude art modeling, respectively—offer themselves up freely as subjects of voyeurism and surveillance. Other stories, such as "Network Support" and "Dream Machine" involve characters who abandon their physical forms to disappear into the internet, existing as free-floating data and radiant frequencies. "Downstream," "Grass So Green," and "Little White Crosses" engage with the stark landscape of a country starved of its spirituality, where conspiracies, hallucinations, and deathly apparitions seem to possess the same inherent logic as a blue sky. / Master of Fine Arts / Dream Machine is a short story collection.