Made available in DSpace on 2015-04-14T13:39:07Z (GMT). No. of bitstreams: 1 456579.pdf: 2100707 bytes, checksum: 279623607cb475d3a54ed510f99e6b8f (MD5) Previous issue date: 2014-02-28 / A presente tese analisa a literatura contempor?nea da Irlanda do Norte de l?ngua inglesa com apoio teorico dos Estudos Irlandeses. Tem como objetivo introduzir e criticar a poesia escrita por Tom Paulin, poeta brit?nico contempor?neo, considerado um dos grandes escritores irlandeses protestantes surgidos na prov?ncia de Ulster. A linha percorrida nesta an?lise diz respeito ? investiga??o de como os discursos ideol?gicos e as quest?es de identidade s?o representados no trabalho do poeta. Uma avalia??o cr?tica do autor sobre ideologias e identidades existentes na Irlanda do Norte e sua tentativa de responder a elas tamb?m ser?o analisadas. Para realizar esta an?lise, a tese est? dividida em tr?s cap?tulos. O primeiro apresenta um relato de eventos hist?ricos na Irlanda desde sua conquista pelo Imp?rio Brit?nico at? o presente momento, concentrando-se na Irlanda do Norte depois da Parti??o gerada pelo Tratado Anglo-Irland?s de 1922. O segundo cap?tulo dedica-se a uma reflex?o sobre a cria??o da literatura nacional irlandesa escrita em ingl?s e sua estreita rela??o com a hist?ria social e pol?tica do pa?s. Finalmente, o terceiro cap?tulo constr?i uma an?lise detalhada de poemas selecionados de cinco cole??es diferentes: State of Justice (1977), The Strange Museum (1980) Liberty Tree (1983), Fivemiletown (1987) e The Wind Dog (1999). A fim de investigar as quest?es de identidade e ideologia, este cap?tulo est? dividido em tr?s subcap?tulos de acordo com tr?s importantes temas recorrentes. A primeira parte analisa poesia e pol?tica, a segunda investiga poesia e hist?ria, e o terceiro subcap?tulo examina poesia e linguagem. Entre os diversos autores consultados para fundamenta??o do estudo sobre a poesia de Tom Paulin destacam-se Terry Eagleton, Edward Said, Elmer Andrews, Norman Vance, Peter MacDonald, Sara Broom, Patr?cia Craig e Neil Corcoran. Grande parte destes te?ricos pertencem a uma corrente espec?fica da literatura p?s-colonial, denominada Estudos Irlandeses . / This dissertation examines contemporary Northern Irish Literature written in English with the help of the theoretical approach of Irish Studies. It aims to introduce and make a critique of poetry written by Tom Paulin, a contemporary British poet who is regarded one of the major Protestant Irish writers to emerge from Ulster province. The thread pursued in this analysis relates to an investigation of how ideological discourses and the issues of identity are represented in the poet s work. The author s critical evaluation of existing ideologies and identities and his attempt to respond to them will also be analyzed. To perform this analysis, this dissertation is divided into three chapters. The first chapter presents an account of historical events in Ireland from its conquest to the present focusing in Northern Ireland after partition by the Anglo-Irish Treaty of 1922. The second chapter is dedicated to a reflection on the establishment of Irish national literature written in English and its close relation to Irish social and political history. Finally, the third chapter is dedicated to a detailed analysis of selected poems from five different collections: State of Justice (1977), The Strange Museum (1980) Liberty Tree (1983), Fivemiletown (1987) and The Wind Dog (1999). In order to investigate the issues of identity and ideology, this chapter is divided in three sections according to three important recurring themes. The first section analyzes poetry and politics; the second investigates poetry and history and the third evaluates poetry and Language. Among the authors consulted to form the basis of the discussion are Terry Eagleton, Edward Said, Seamus Deane, Elmer Andrews, Norman Vance, Peter MacDonald, Sara Broom, Patr?cia Craig, Neil Corcoran, and John Goodby. Most of them belong to this specific line of Postcolonial literature that is called Irish Studies.

Made available in DSpace on 2015-04-14T13:39:07Z (GMT). No. of bitstreams: 1 456575.pdf: 775641 bytes, checksum: ca8391b638d8bda4824f0c396fbd4251 (MD5) Previous issue date: 2014-02-26 / The present study aims to investigate the traces of Buddhism in the work of Jo?o Guimar?es Rosa, as in some poems of Magma, in the short story "Minha gente", from Sagarana, in the preface "Aletria e Hermen?utica", from Tutam?ia, and in the narrative "Cipango" of Ave, Palavra, and, based on them, demonstrate the presence of one aspect of Buddhist philosophy the idea of the illusory existence of phenomena in Grande sert?o: veredas, condensed in a reasoning of Riobaldo on the existence of the devil. Read through the concept of evidence paradigm of Carlo Ginzburg, in which marginal data of a work may reveal a larger information, the references to Buddha and Buddhism, which are highlighted in this research, would spell out that the Buddhist presence is not merely peripheral on the work of the author, but is even significant for the construction of a reading proposal for Grande sert?o: veredas. / O presente trabalho tem como objetivo investigar os rastros de budismo em produ??es de Jo?o Guimar?es Rosa, como alguns poemas de Magma, o conto Minha gente, de Sagarana, o pref?cio Aletria e Hermen?utica, de Tutam?ia, e a narrativa Cipango, de Ave, Palavra, e, com base nelas, demonstrar a presen?a de um aspecto da filosofia budista a ideia de exist?ncia ilus?ria dos fen?menos em Grande sert?o: veredas, condensado em um racioc?nio de Riobaldo sobre a exist?ncia do diabo. Lidas atrav?s do conceito de paradigma indici?rio de Carlo Ginzburg, em que informa??es marginais de uma obra podem revelar um dado maior, as refer?ncias ao Buda e ao budismo, apontadas nessa pesquisa, explicitar?o que a presen?a budista n?o ? meramente perif?rica na obra do autor, mas, inclusive, significativa para a constru??o de uma proposta de leitura de Grande sert?o: veredas.

Made available in DSpace on 2015-04-14T13:39:14Z (GMT). No. of bitstreams: 1 460549.pdf: 570272 bytes, checksum: d1e45078091fc28d2aab55a0a643a618 (MD5) Previous issue date: 2013-03-19 / The theoretical study concerning the Brazilian play-writing from the last decade is imposed as it contributes to the rescue of national memory and identity. Nonetheless, once we analyze the 20th century productions, we can observe the expressive number of men who write for the theater. Ever since early times, women's play-writing has been reduced due to the socially instituted condition of marginalization of the female figure. In general, it is compared to the writing of men, being, hence, analyzed in light of the canon of male domination. When tracking the drama production from the period in question, we can identify the work of some important writers, especially Consuelo de Castro. Her texts express the concern about the female's social condition in Brazil along different periods of the country's history .Thus, the playwright reveals the transformations suffered by women along the years. This dissertation has focus on the study of Consuelo de Castro, in at least three distinct moments of sir career, focusing the image of the woman represented in ? flor da pele (1969), Louco Circo do Desejo (1983) e Only You (2001). / O estudo te?rico acerca da dramaturgia brasileira das ?ltimas d?cadas atribuise na medida em que contribui para o resgate da mem?ria e da identidade nacional. Contudo, quando analisamos as produ??es do s?culo XX, observamos o expressivo n?mero de homens escrevendo para o teatro. Desde os tempos mais recuados, a dramaturgia produzida por mulheres ? reduzida pela condi??o institu?da socialmente de marginaliza??o da figura feminina. Em geral, ? comparada ? escrita dos homens, sendo, pois, analisada a partir dos c?nones de domina??o masculina. Ao rastrear a produ??o dramat?rgica do per?odo em quest?o, identificamos o trabalho de algumas importantes escritoras, destacando-se Consuelo de Castro. Seus textos expressam a preocupa??o relativa ? condi??o social feminina no Brasil, em diferentes per?odos da hist?ria do pa?s. Assim, a dramaturga revela as transforma??es vividas pelas mulheres ao longo dos anos. Esta disserta??o tem como foco o estudo da produ??o de Consuelo de Castro, em pelo menos tr?s momentos distintos de sua carreira, focalizando a imagem da mulher representada em ? flor da pele (1969), Louco Circo do Desejo (1983) e Only You (2001).

Made available in DSpace on 2015-04-14T13:39:15Z (GMT). No. of bitstreams: 1 460551.pdf: 425770 bytes, checksum: 4f4d95634bb1dea7fdcfd54541ab7023 (MD5) Previous issue date: 2014-01-07 / Jos? Lu?s Peixoto emerges in Portuguese literature scenario with a particular writingstyle. By exploring different language aspects and with a huge literary production, Peixoto calls attention because of the way he builds the narrators of his books. This study aims to look into the verification of the different constitution of the narratorspresent in the novel Cemit?rio de Pianos, published in 2006. By reading the work, along with a theoretical corpus constituted by Wayne Booth, Terry Eagleton, Maria L?cia Dal Farra and Robert Humphrey, we analyze the processes of creation and formation of these narrators, as well as the presentation techniques of a fragmented narrative. Thus, our analysis looks for features that indicate the characteristics of a narrator who destabilizes the reader, who, in turn, reconfigures the literary work. / Jos? Lu?s Peixoto surge no cen?rio portugu?s provido de um estilo particular de escrita. Explorando diferentes aspectos da linguagem e com uma produ??o liter?ria vast?ssima, chama aten??o a maneira como Peixoto constr?i os narradores de seus livros. O presente estudo pretende debru?ar-se na verifica??o da constitui??o dos diferentes narradores presentes no romance Cemit?rio de Pianos, publicado em 2006. A partir da leitura da obra, juntamente com um corpus te?rico formado por Wayne Booth, Terry Eagleton, Maria L?cia Dal Farra e Robert Humphrey, verificam-se os processos de constru??o e forma??o desses narradores, assim como as t?cnicas de apresenta??o de uma narrativa fragmentada. Dessa maneira, nossa an?lise procura tra?os que indiquem caracter?sticas de narradores que desestabilizem o leitor, fazendo com que este, por sua vez, reconfigure a obra liter?ria.

Made available in DSpace on 2015-04-14T13:39:19Z (GMT). No. of bitstreams: 1 462296.pdf: 15380938 bytes, checksum: f9eace3defe0866b190f1ae8582913db (MD5) Previous issue date: 2014-08-22 / The memorialistic writing by Isa?as Alves in Vida e obra do Bar?o de Macahubas (1942), Voca??o pedag?gica de Rui Barbosa (1959) and Matas do Sert?o de Baixo (1967) has made a significant contribution to the discussion of stylistic boundaries, as well as to the analysis of rhetorical narrative of which he has made use, in a state of memorious narrator, intending to relate the memory report and the story writing. It is possible to observe the impressionist details of the narrator in his attempt to understand how Isa?as Alves articulates his narrative production, considered memorialistic, reaching out to different text formats biography, autobiography, and memoir but always giving priority to the inscription of the self. This study has tried to map the stylistic boundaries among Literature, Social History, Social and Collective Memory, present in texts, considered hybrid, revisiting History, Literary Theory and concepts employed in genres such as (auto) biography, memoir and others in order to reconsider the paths which confirm the assertion that the presence of memory in Isa?as Alves and his (auto) biographical variations adjust to an interdisciplinary dialogue that, although displaying a nostalgic slant, also commits to historiography, while signing a pact with himself. This suggests an intimate engagement marked by the place and position of the author/narrator. It is possible to observe in Isa?as Alves an organic and positivist intellectual, who performed several public functions, without reaching the representativeness that others did, and which he rightly thought he deserved, in establishing relevant relations between history and memory through biographical and autobiographical reports. We defend, firstly, the initiative of placing the works mentioned here in the context of Brazilian literature, removing the classification wrappings mistakenly placed by scholars; reviewing the journey of a forgotten, or silenced, intellectual by virtue of his political choices, but admittedly a memorialist narrator who, mapping his sentimental impressions, could review the historic path of education in a tone which reminds us of the epics, in addition to the author s concerns about organizing files raising him to the category of guardian the memories of Rec?ncavo Sul Baiano and his own. To establish the analytical dialogue, theoreticians such as Philipe Lejeune (2008) Leonor Arfuch (2010), Francoise Dosse (2009), Diana Klinger (2012), Roland Barthes (1984), Luiz Costa Lima (1991) and Daniel P?caut (1990), among others, have been examined. / A escrita memorial?stica de Isa?as Alves em Vida e obra do Bar?o de Macahubas (1942), Voca??o pedag?gica de Rui Barbosa (1959) e Matas do Sert?o de Baixo (1967), contribui decisivamente para a discuss?o de fronteiras estil?sticas e para analisar as ret?ricas narrativas por ele utilizadas, na condi??o de narrador memorioso, com o intuito de relacionar o relato memorial?stico e a escrita da hist?ria, observamos os detalhes impressionistas desse narrador exatamente na tentativa de compreender de que forma Isa?as Alves articula a sua produ??o narrativa, considerada memorial?stica, dialogando com diferentes formatos textuais - biografia, autobiografia e mem?ria - mas sempre priorizando a inscri??o de si. Este estudo investiu seus esfor?os no mapeando de fronteiras estil?sticas entre Literatura, Hist?ria Social, Mem?ria Social e Coletiva, presentes em textos, considerados h?bridos, revisitando a hist?ria, a teoria da literatura e conceitos empregados para g?neros como a (auto)biografia, a mem?ria e outras ci?ncias a fim de reconsiderar caminhos que assegurassem a afirma??o de que a presen?a do memorialismo em Isa?as Alves e suas variantes (auto/memo)biogr?ficas ajustam-se num di?logo interdisciplinar que, embora demonstre um vi?s saudosista, cantor de si, tamb?m assume compromisso com a historiografia, ao tempo em que firma um pacto consigo, o que sup?e um engajamento ?ntimo demarcado pela fun??o e pelo lugar do autor/narrador. Observa-se, aqui em Isa?as Alves um intelectual org?nico, considerado por alguns cr?ticos, como positivista, que desempenhou diversas fun??es p?blicas, sem ter alcan?ado a representatividade que outros tiveram, e que ele, muito acertadamente, julgava merecer, ao estabelecer rela??es importantes entre hist?ria e mem?ria mediante o relato biogr?fico e autobiogr?fico. Defendemos, portanto, a iniciativa de, primeiro, situar as obras aqui elencadas no contexto da literatura brasileira, retirando-lhes os inv?lucros de classifica??o postos por estudiosos, bem como rever o percurso de um intelectual esquecido ou silenciado, em virtude da escolha pol?tica por ele assumida, mas reconhecidamente um narrador memorialista que, mapeando suas impress?es sentimentais p?de rever o percurso hist?rico da educa??o, num tom que nos lembra o das narrativas ?picas, somados ? preocupa??o do autor em organizar arquivos, o que o eleva ? condi??o de guardi?o de suas e das mem?rias do Rec?ncavo Sul Baiano. Para estabelecermos o di?logo anal?tico convocamos te?ricos como: Philipe Lejeune (2008) Leonor Arfuch (2010), Francoise Dosse ( 2009), Diana Klinger (2012), Roland Barthes (1984), Luiz Costa Lima (1991) e Daniel P?caut (1990) dentre outros tamb?m convidados.

Made available in DSpace on 2015-04-14T13:39:20Z (GMT). No. of bitstreams: 1 462366.pdf: 1205024 bytes, checksum: a192c255c0e4ee676223958733f8a89a (MD5) Previous issue date: 2014-08-29 / This research consists of a recovery of the life and work of Brazilian, born in the state of Bahia, chronicler Jehov? de Carvalho, his relationship with the city of Salvador and the people who passed or lived there, transformed into characters of his stories. For a better understanding of his story and his critical look over the urban, we went over the chronicles published on the Brazilian newspapers Di?rio de Not?cias, A Tarde and the book A cidade que n?o dorme: cr?nicas noturnas de S?o Salvador da Bahia (The city that does not sleep: nocturnal chronicles of S?o Salvador of Bahia). This paper contemplates readings about the story of the state of Bahia in books and primary sources, which offer information about the urban and social changes of the city of Salvador, with the purpose of understanding the urban metamorphosis and contextualizing the facts narrated by the author. Similarly, we proceeded towards a study of the genre of chronicle itself, in order to support the proposed study. This research consists of a recovery of the life and work of Brazilian, born in the state of Bahia, chronicler Jehov? de Carvalho, his relationship with the city of Salvador and the people who passed or lived there, transformed into characters of his stories. For a better understanding of his story and his critical look over the urban, we went over the chronicles published on the Brazilian newspapers Di?rio de Not?cias, A Tarde and the book A cidade que n?o dorme: cr?nicas noturnas de S?o Salvador da Bahia (The city that does not sleep: nocturnal chronicles of S?o Salvador of Bahia). This paper contemplates readings about the story of the state of Bahia in books and primary sources, which offer information about the urban and social changes of the city of Salvador, with the purpose of understanding the urban metamorphosis and contextualizing the facts narrated by the author. Similarly, we proceeded towards a study of the genre of chronicle itself, in order to support the proposed study / Esta pesquisa consiste em recuperar a vida e obra do cronista baiano Jehov? de Carvalho, na sua rela??o com a cidade de Salvador e com as figuras que por ela transitavam, transformadas em personagens de suas cr?nicas. Para melhor entendermos sua hist?ria e o seu olhar critico sobre o urbano, recorremos ?s cr?nicas publicadas nos jornais Di?rio de Not?cias, A Tarde e ao livro A cidade que n?o dorme: cr?nicas noturnas de S?o Salvador da Bahia. O trabalho contempla leituras sobre a hist?ria da Bahia em livros e fontes prim?rias, que oferecem informa??es sobre as mudan?as urbanas e sociais de Salvador, com a inten??o de entender a metamorfose urbana e contextualizar os fatos narrados pelo cronista. Da mesma forma, procedemos a um estudo do g?nero cr?nica, propriamente dito, para melhor fundamentar o estudo proposto. A relev?ncia desse trabalho reside no seu ineditismo, uma vez que, pela primeira vez na hist?ria da literatura baiana, o percurso de Jehov? de Carvalho ? reconstitu?do e analisado. Assim, a pesquisa resgata as cr?nicas produzidas pelo autor, desconhecidas, inclusive, por muitos baianos. Escrever sobre essa figura do mundo das letras baiano ? reconstruir um caminho de entendimento, express?o e sensibilidade acerca da cidade de Salvador, que n?o pode ser ignorado por quem se interessa pela cultura baiana.

Made available in DSpace on 2015-04-14T13:39:22Z (GMT). No. of bitstreams: 1 462825.pdf: 1983920 bytes, checksum: 99c55eb0221d27ddc6cadcd089829f4f (MD5) Previous issue date: 2014-08-29 / This thesis investigates the constant fragment of contemporary prose, having as empirical universe, the literary works They were many horses (Eles eram muitos cavalos) by Luiz Ruffato (2013) and ? by Nuno Ramos (2008). In the seam of the undisciplined rooting that goes amalgamating themes, speeches, points of view, languages, space-times, among other territorialities put in dispersion, the poetic of fragment is built up through the intemperatedness of "eternal return" (Nietzsche, 1999 ), which expressiveness discusses the shattered, self-reflexive and multireferenced condition of the contemporaneity. It is a literature of multi-referential nature, theoretically founded by Agamben (2013), Barthes (2003, 2004, 2007a, 2007b, 2009), Bauman (1998, 2005), Benjamin (1987, 1994, 2000, 2009), Blanchot (2005, 2010a, 2010b, 2011), Canclini (2008), Dalcastagn? (2012), Deleuze & Guattari (1977, 1995), Deleuze (1990), Derrida (2001, 2005), Dias (2011), Foucault (2000, 2007, 2011), Hall (2003), Meffesoli (2007), Mos? (2005), Nietzsche (1999), Schollhammer (2011), Steiner (2012), Vaihinger (2011), among other authors. During the study, it was possible to deepen the perception that the order of the fragment, in the literary works studied here, is the order of roaming as much the writing will shape up lacunar, nomadic, unpredictable, as the propensity to apply for readings based on the clash of the (im) possibilities concerning the construction of the senses. The results indicate a prose geared to disallow exclusivist territorialities to differentiated spheres of knowledge, questioning the power of language by exposing ruins-powers that can multiply in the silent intervals that constitute them. The poetic of fragment is a literature of thresholds margins, requesting reader crossroad grip as well as drawing a pessimistic critique of capitalist societies, whose values of spectacle bear the misery of social existence and the trivialization of life. / Esta tese investiga o fragmento constante da prosa contempor?nea tendo como universo emp?rico as obras liter?rias Eles eram muitos cavalos, de Luiz Ruffato (2013), e ?, de Nuno Ramos (2008). No veio do enraizar indisciplinado que vai amalgamando temas, discursos, pontos de vista, linguagens, espa?os-tempos, entre outras territorialidades postas em dispers?o, a po?tica do fragmento edifica-se por meio da intempestividade de um eterno retorno (NIETZSCHE, 1999) cuja expressividade problematiza a condi??o estilha?ada, multirreferenciada e autorreflexiva da contemporaneidade. Trata-se de uma pesquisa bibliogr?fica, de natureza multirreferencial, fundamentada teoricamente por Agamben (2013), Barthes (2003, 2004, 2007a, 2007b, 2009), Bauman (1998, 2005), Benjamin (1987, 1994, 2000, 2009), Blanchot (2005, 2010a, 2010b, 2011), Canclini (2008), Dalcastagn? (2012), Deleuze & Guatarri (1977, 1995), Deleuze (1990), Derrida (2001, 2005) Dias (2011), Foucault (2000, 2007, 2011), Hall (2003), Maffesoli (2007), Mos? (2005), Nietzsche (1999), Schollhammer (2011), Steiner (2012), Vaihinger (2011), entre outros. Durante o estudo, foi poss?vel adensar a percep??o de que a ordem do fragmento, nas obras liter?rias aqui estudadas, ? a ordem da itiner?ncia tanto na forma como as escritas v?o moldando-se lacunares, n?mades, imprevis?veis, quanto na propens?o por solicitar leituras sediadas no entrechoque das (im)possibilidades concernentes ? constru??o dos sentidos. Os resultados apontam uma prosa voltada a desautorizar territorialidades exclusivistas para esferas diferenciadas do conhecimento, indagando o poder da linguagem por exposi??o de ru?nas-pot?ncias que podem se multiplicar nos intervalos silenciosos que as constituem. A po?tica do fragmento, faz uma literatura de margens limiares, solicitando ader?ncia leitora encruzilhada, bem como tra?ando uma cr?tica pessimista ?s sociedades capitalistas, cujos valores de espet?culo ostentam a mis?ria da exist?ncia social e a banaliza??o da vida.

Made available in DSpace on 2015-04-14T13:39:28Z (GMT). No. of bitstreams: 1 466163.pdf: 4405555 bytes, checksum: f9f26d750766a50363983c0c95bb665d (MD5) Previous issue date: 2015-01-22 / The goal with this Master s Thesis is the analysis of the hybridism between two distinctive arts, Photography and Literature, especially in Pamuk s Istambul. In this sense, a previous incursion in the world of Photography and its intersections among several literary works will trigger the starting point. Photographers as Marey, Muybridge, Nakaji Yusui, Alfred Stieglitz illustrate the permeable way that the art of writing through light relates to other kinds of art. Duane Michals shows his avant-garde photographic narrative, and Leonardo da Vinci reveals how the art of the numbers works in eye-catching images. As a contribution Roland Barthes sews up the theory of these worlds amongst Susan Sontag, Derrida, Hegel and Benjamin, turning possible a safe landing in Istambul where, in the end, the study about Pamuk s text, which is illustrated with Ara G?ler s photographic work, culminates. The search here takes another bias and Sebald helps doing a counterpoint: writing the text with the pictures that were previously chosen versus subsequent choice, that is the way Pamuk does seeking in G?ler s Istambul the h?z?n eye as genuine as his own. / A disserta??o apresentada tem por objetivo a an?lise do hibridismo de duas artes, Fotografia e Literatura, especialmente na obra Istambul de Orhan Pamuk. Para tanto, uma incurs?o pr?via no mundo da Fotografia e intersec??es com outras obras liter?rias dar? o ponto de partida. Fot?grafos como Marey, Muybridge, Nakaji Yusui, Alfred Stieglitz ilustram o modo perme?vel como a arte da escrita com a luz se relaciona com outras artes. Duane Michals d? o testemunho de uma narratividade fotogr?fica ? frente de seu tempo e Leonardo da Vinci mostra como a arte dos n?meros faz com que nosso olhar se fixe em determinado ponto da imagem. Para contribuir Roland Barthes faz a sutura te?rica destes dois mundos juntamente com Susan Sontag, Derrida, Hegel e Benjamin, possibilitando uma aterrissagem segura em Istambul onde, por fim, o estudo sobre o texto de Pamuk ilustrado com a obra fotogr?fica de Ara G?ler culmina. A busca aqui toma um vi?s particular e Sebald auxilia em um contraponto: a produ??o do texto com as fotografias previamente escolhidas versus escolha posterior, como Pamuk faz buscando na Istambul de G?ler o h?z?n de um olhar t?o genu?no como o seu.

Made available in DSpace on 2015-04-14T13:39:30Z (GMT). No. of bitstreams: 1 466868.pdf: 963684 bytes, checksum: 8509d6f88096c85cf51dde619b4567d4 (MD5) Previous issue date: 2014-08-28 / This paper aims to provide a case study on brasilian juvenile literature. From the reading of works such as Na praia da Ferrugem, Ins?nia and A primeira vez e muitas vacas, all written by Marcelo Carneiro da Cunha, we intend to conduct an analyses of who the characters, respectively, are: Maria, Cl?udia and Vita, all adolescents at the age of 15. In addition, we aim to understand the trajectories of the protagonists to reach in its entirety, ie, the other to then try to understand the maximum degree of alterity, adolescent sexuality. The theorist we used for this purpuse are the most varied, as Zygmunt Bauman, Stuart Hall, Joseph Campbell and Georges Bataille. Through a discussion between theory and analyses, we also inquire what can be considered juvenile literature, which are its main themes and conflicts, its characteristics, to then achieve more comprehensive definitions. / Este trabalho tem como objetivo promover um estudo de caso sobre a literatura juvenil brasileira. A partir da leitura das obras Na praia da Ferrugem, Ins?nia e A primeira vez e muitas vacas, todas de Marcelo Carneiro da Cunha, pretendemos realizar uma an?lise de quem s?o personagens principais, respectivamente, de Maria, Cl?udia e Vita, adolescente com, aproximadamente, 15 anos. Al?m disso, procuraremos compreender as caracter?sticas das trajet?rias das protagonistas at? chegar em sua completude, ou seja, o outro, para, assim, tentar entender o grau m?ximo de alteridade, a sexualidade juvenil. Os te?ricos utilizados para isso s?o dos mais diversificados, como Zygmunt Bauman, Stuart Hall, Joseph Campbell e Georges Bataille. Por meio de uma discuss?o entre teoria e an?lise das obras, questionamos tamb?m o que pode ser considerado como literatura juvenil, quais os principais temas e conflitos, quais suas caracter?sticas, para, ent?o, conseguir defini??es mais amplas.

Made available in DSpace on 2015-04-14T13:39:32Z (GMT). No. of bitstreams: 1 388866.pdf: 1831786 bytes, checksum: 45a0baf270fa96e5bf2d03069e0c22ce (MD5) Previous issue date: 2007-01-23 / O esp?rito franciscano que guiava a vida de Mansueto Bernardi tamb?m guiou seus poemas, j? que os mesmos s?o valiosos divulgadores dos ideais franciscanos. A partir dos poemas em que estes aspectos ficam evidentes, realiza-se um estudo que busca comprovar a predomin?ncia da luz ou da sombra na produ??o po?tica de Mansueto Bernardi, Terra Convalescente