With the outbreak of COVID-19, the Swedish government allocated specific financial support to cultural practitioners, however, excluding curators from this assistance. As a result, a group of engaged professionals formed the Swedish Curators’ Association, marking a recent effort in curatorial self-organization. This study aims to understand and illuminate the phenomenon of curatorial self-organization and how the experience of self-organizing is understood by curators in 2022. It investigates the past and current personal lived experiences of four curators through phenomenological methodological, and theoretical approaches. Next, the study explores how their perception correlates with the current curatorial lifeworld. At the core of this study is the hypothesis that in a consolidated lifeworld, curatorial self-organization becomes a model of a joint phenomenological body, functioning as a mechanism of sustainability, balance, and orientation due to the diversity of curatorial practices and experiences of its members. Archival materials and four interviews are at the core of the research. Study results showed that curatorial self-understanding and perception of self-organization are formed very individually; therefore, it would be inaccurate to generalize the phenomenon without having that in mind. Additionally, several internal and external factors played a significant role in the latest formation and perception of the phenomenon. The study also revealed that previous experiences of curatorial self-organizations have not been present in today’s active curatorial lifeworld, existing as familiar yet distant memories. Finally, the study goes beyond its initial hypothesis to find that the current attempt to self-organize curatorially in Sweden can be equated to a tool for curators to self-define, articulate the changing curatorial roles, and re-understand the essence of the profession.