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Girls' Online Agency: A Cyberfeminist ExplorationMilford, Trevor Scott 21 August 2013 (has links)
Cyberfeminist scholars have identified the Internet as a site where feminist issues are substantiated. This exploratory study investigates young women’s lived experiences of agency within online social networking, also looking at the ways in which their assertion of agency is constrained. Analysis identified four biographically consistent identity narratives within which participants experienced online agency, each with a unique operationalization of agency, constraints upon agency, and role of a heteronormative boyfriend. Identity narratives tended to invoke socially- and media-entrenched representations of how to ‘properly’ perform ‘girl’ online, including stereotypes of girls vigilantly managing online risk or portraying themselves as professional, ethically sensible, family-oriented, or popular and celebrity-oriented. However, these representations were also inherently conflictual, presenting incompatible expectations that were difficult to simultaneously negotiate. In conclusion, this study recommends that future research and policy abandon patriarchal, neoliberal underpinnings in favour of deconstructing problematic stereotyped representations of femininity within online spaces.
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From girlfriend to gamer negotiating place in the hardcore/casual divide of online video game communities /Kubik, Erica. January 2010 (has links)
Thesis (Ph.D.)--Bowling Green State University, 2010. / Document formatted into pages; contains v, 146 p. Includes bibliographical references.
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Camgirls : webcams, live journals and the personal as poitical in the age of the global brand /Senft, Theresa M. January 1900 (has links)
Thesis (Ph. D.)--New York University, Graduate School of Arts and Science, 2005. / Typescript. Includes bibliographical references (leaves 366-389). Also available in electronic format on the World Wide Web. Access restricted to users affiliated with the licensed institutions.
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Girls' Online Agency: A Cyberfeminist ExplorationMilford, Trevor Scott January 2013 (has links)
Cyberfeminist scholars have identified the Internet as a site where feminist issues are substantiated. This exploratory study investigates young women’s lived experiences of agency within online social networking, also looking at the ways in which their assertion of agency is constrained. Analysis identified four biographically consistent identity narratives within which participants experienced online agency, each with a unique operationalization of agency, constraints upon agency, and role of a heteronormative boyfriend. Identity narratives tended to invoke socially- and media-entrenched representations of how to ‘properly’ perform ‘girl’ online, including stereotypes of girls vigilantly managing online risk or portraying themselves as professional, ethically sensible, family-oriented, or popular and celebrity-oriented. However, these representations were also inherently conflictual, presenting incompatible expectations that were difficult to simultaneously negotiate. In conclusion, this study recommends that future research and policy abandon patriarchal, neoliberal underpinnings in favour of deconstructing problematic stereotyped representations of femininity within online spaces.
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Theorizing kineticism in cyberbodies : embodiment and sexuality in the technological culture of cyberspace /Nandy, Samita. January 2003 (has links)
Thesis (M.A.)--York University, 2003. Graduate Programme in Communication and Culture. / Typescript. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR45963
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Finding voice through social media? : a critical analysis of women's participation in the online public sphere in India.Nasir, Sumaiya January 2014 (has links)
This thesis assesses the effectiveness of social media platforms, specifically Facebook and blogs, in facilitating women’s participation in the online public sphere in India. Discussion provides a literature review of the internet as a new public sphere and its impact and influence in enriching the existing public sphere in India. The study also reviews the relationship between the online public sphere and the role women play in this sphere through social media in India. The research is supplemented by a review study of the ‘India Against Corruption’ movement in order to demonstrate the case for the online public sphere. Moreover, the present study also provides a snap shot of how some blogs and Facebook pages are used by women.
Taking as a case study the 2012 ‘Delhi gang rape’ incident, through a topical network analysis of the Facebook pages and blog articles, this research attempts to understand the role of these media in allowing women to discuss social issues and participate in the public sphere. Drawing from the analysis of blog contents and examining Facebook pages I demonstrate how the women’s voices inhabiting the online sphere are limited to a certain class and region. In the cases studied here respondents appeared to be predominantly urban and middle class. While the scope of the research is small, this is one of the first studies in the area, and the findings suggest that social media are becoming a significant communicative tool in India and that women are increasingly appropriating these technologies. The study also demonstrates that women are discussing issues which were previously considered as taboo like rape and sexual violence, albeit in small numbers. Lastly, I identify challenges limiting women’s participation in the emerging online public sphere in India.
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Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon SeriesWyer, Sarah 06 September 2017 (has links)
This thesis explores how the Art+Feminism Wikipedia Edit-a-thon event impacts the people who coordinate and participate in it. I review museum catalogs to determine institutional representation of women artists, and then examine the Edit-a-thon as a vernacular event on two levels: national and local. The founders have a shared vision of combating perceived barriers to participation in editing Wikipedia, but their larger goal is to address the biases in Wikipedia’s content. My interviews with organizers of the local Eugene, Oregon, edit-a-thon revealed that the network connections possible via the Internet platform of the event did not supersede the importance of face-to-face interaction and vernacular expression during the editing process. The results of my fieldwork found a clear ideological connection to the national event through the more localized satellite edit-a-thons. Both events pursue the consciousness-raising goal of information activism and the construction of a community that advocates for women’s visibility online.
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The rest is still unwritten: female adolescents' cultivation of gender from MTV's reality television series "The Hills" through celebrity gossip blog commentarySeeger, Loren A. January 1900 (has links)
Master of Science / Department of Journalism and Mass Communications / William J. Adams / The purpose of this study is to research cultivation effects of gender represented on MTV reality television series "The Hills" on adolescent female bloggers. Gerbner’s cultivation theory structures the background of this study. By conducting a textual analysis of various celebrity gossip blog sites from November 1-30, 2008, this study will unveil personal opinions relating to the reality of constructed gender representation and authenticity of "The Hills" as a “reality” television program. Blogs provide an ambiguous platform for individuals to immediately express opinions, judgments and attitude concerning the program; therefore, this study will be a contribution to the expanding field of convergence and “new media.” Although comments on the websites are critical of "The Hills" characters and their depiction of “reality,” the television program has a dedicated audience, calling for the reevaluation of “fandom.” Cyberspace offers an opportunity for virtual dialogue among viewers, as well as a platform to express cyberfeminist rhetoric. Women and girls are gaining new social and organizing space, claiming a new form of power and shaping media and society through particular kinds of participatory communication.
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Fusions of the feminine and technology : exploring the cyborg as subversive tool for feminist reconstructions of identityVolschenk, Jacolien 03 1900 (has links)
Thesis (MA (English))--University of Stellenbosch, 2009. / In this dissertation the dominant metaphor for the fusion between the feminine and
technology, the cyborg, will be examined through various texts to assess the value the
cyborg has for feminism as a tool to exposes the constructedness of boundaries of identity
and gender, thereby enabling a reconstruction of a new feminine identity in a subversive
and transgressive space. The main themes which will be addressed are those that often
feature in feminist science fiction: reproduction, sexuality, the construction of identity
and gender through science, culture and ideology, and the power relations between men
and women. Other related concepts which will be dealt with are language, self and
Other, representation and perspective. Feminist science fiction and theory attempt to
destabilise conventional boundaries concerned with gender and identity and the texts
which this dissertation deals with are all, to varying degrees, concerned with this
destabilisation, each offering a unique perspective on feminine identity and the attempted
transformation of current gender categories which will be explored in detailed analysis.
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Screen bound/skin bound : the politics of embodiment in the posthuman ageVan der Schyff, Karlien 03 1900 (has links)
Thesis (MA (English))--University of Stellenbosch, 2010. / ENGLISH ABSTRACT: The end of the second millennium saw a sudden return to corporeality, especially within
feminist scholarship, where embodiment and issues surrounding the body were, for the
first time, made explicit. This study examines the corporeal body in relation to
technology and the impact that newly emerging virtual technologies have on our
understanding of the body, not only through examining representations of the
technologically modified body, but also by exploring how contemporary cultural
practices produce corporeal bodies that view themselves as somehow integrated with
technology. It focuses on the material artefacts of contemporary culture in relation to
explicitly virtual technologies, both arguing for a return to corporeality and contesting the
pervasive trope of disembodiment that characterises so-called “posthuman” age.
This study thus takes one of the most popular metaphors for the relationship between the
corporeal body and technology as its starting point, namely Donna Haraway’s cyborg
figures. Following the publication of Haraway’s “A Manifesto for Cyborgs” (1985), the
female cyborg became an icon of emancipation for many feminist scholars, who utilised
Haraway’s cyborg discourse as a means of discussing the cultural practices that both
construct and limit female gendered identity. Through closely examining the metaphor of
Haraway’s cyborg figures in relation to cultural representations of female cyborg bodies,
this study argues that, ultimately, the metaphor of the cyborg is inherently neither
challenging nor liberating. It then examines the failure of the cyborg as an icon of
postgenderedness in terms of its negation of the corporeal, as cyborg figures
paradoxically only strengthen the same Cartesian dualism Haraway’s cyborg discourse
attempts to deconstruct. It explores representations of three female cyborg figures found
in contemporary popular culture to illustrate how the cyborg body’s negation of the
corporeal only results in the reiteration of conventional gendered stereotypes, rather than
liberation from oppressive gendered practices.
Finally, this study examines the crucial interplay between the corporeal and the
technological, not only when speaking of more imaginary cyborg configurations and tropes, but also when speaking of the physical reality of lived bodies and embodied
experiences. By examining the increasingly embodied nature of cyberspace, this study
explores possible alternatives to the figure of the hypersexualised and disembodied
cyborg, through investigating new figurations with which to describe the embodied
postmodern subject and his/her dependence on technology. Since the central task for a
feminist ethics of embodiment would be grounded in the project of representing the
female body, in such a way that it constructs autonomous women’s representations
without falling prey to patriarchal, stereotypical or estranging images of women’s bodies,
this study concludes with more useful methods of representing the corporeal body in
relation to virtual technology through an appeal to an ethics of embodiment. / AFRIKAANSE OPSOMMING: Die einde van die tweede millennium het ‘n skielike belangstelling in beliggaamdheid
ontlok, veral binne feministiese vakgeleerdheid, waar beliggaamdheid en kwessies
rondom die ligaam vir die eerste keer eksplisiet gestel is. Hierdie studie ondersoek die
stoflike liggaam in verhouding tot tegnologie en die invloed wat nuwe, virtuele
tegnologiëe op ons begrip van die liggaam het, nie slegs deur voorstellings van die
tegnologies-gemodifieërde ligaam te ondersoek nie, maar deur ook te kyk na hoe
kontemporêre kulturele praktyke beliggaamde subjekte produseer wat huself op een of
ander wyse as geïntegreerd met tegnologie sien. Die studie fokus op die materiële
artefakte van kontemporêre kultuur in verhouding tot eksplisiet virtuele tegnologiëe. Dit
bevorder ‘n terugkeer tot beliggaamdheid, terwyl dit teen die sogenaamde “postmenslike”
era se mees kenmerkende troop van ontliggaamdheid argumenteer.
Die studie begin dus deur een van die mees populêre metafore vir die verhouding tussen
die liggaamlike en die tegnologiese te ondersoek, naamlik Donna Haraway se siborgfigure.
Sedert die publikasie van Haraway se “A Manifesto for Cyborgs” (1985), het
verskeie feministiese vakgeleerdes die vroulike siborg-figuur beide as ’n ikoon vir
emansipasie beskou en gebruik om die kulturele praktyke wat vroulike geslagsidentiteit
gelyktydig konstrueer én beperk te bespreek. Deur Haraway se siborg-figure met
kulturele voorstellings van vroulike siborg-liggame te vergelyk, kom hierdie studie tot die
gevolgtrekking dat die metafoor van die siborg inherent nóg uitdaagend nóg bevrydend
is. Gevolglik ondersoek die studie die onbevoegdheid van die siborg-figuur as ‘n ikoon
vir postgeslagtigheid in terme van die siborg-liggaam se negering van beliggaamdheid,
aangesien siborg-figure op ‘n paradoksale wyse die selfde Cartesiaanse dualisme versterk
wat Haraway se siborg-diskoers wou dekonstrueer. Dit ondersoek voorstellings van drie
vroulike siborg-figure in kontemporêre populêre kultuur om te illustreer hoe die siborgliggaam
se negering van beliggaamdheid slegs konvensionele geslagstereotipes versterk,
eerder as om ons van beperkende, patriargale geslagspraktyke te bevry. Ten slotte ondersoek hierdie studie die deurslaggewende tussenspel tussen die ligaamlike
en die tegnologiese, nie slegs in terme van meer denkbeeldige siborg tropes nie, maar ook
in terme van die fisiese reailiteit van konkrete, beliggaamde lewenservaringe. Deur die
toenemend beliggaamde kwaliteit van kiberruimtes te ondersoek, stel hierdie studie
moontlike alternatiewe maniere voor om die postmoderne subjek en sy/haar
afhanklikheid van tegnologie te beskryf, eerder as om op ontliggaamde en hipergeseksualiseerde
siborg-figure staat te maak. Aangesien ‘n feministiese beliggaamde
etiek gegrond is in ‘n projek om die vroulike liggaam op só ‘n wyse voor te stel dat
patriargale, stereotipiese of vervreemdbare beelde van die vroulike liggaam vermy word,
eindig hierdie studie met meer nuttige metodes om die stoflike liggaam in verhouding tot
virtuele tegnologie voor te stel deur ‘n beroep tot ‘n meer beliggaamde etiek te maak.
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