The aim of this work is to describe the language of several important tabloids in the First Czechoslovak Republic. Firstly, sensationalist journalism is defined by different criteria and is distinguished from serious journalism. The development of sensationalist journalism in Czech lands is outlined and the press in the First Czechoslovak Republic is characterized. Then, selected tabloids are characterized and evaluated according to the defined criteria of tabloids. Language in journalistic texts is put into broader context of journalistic style and is considered on the basis of the influences that affect the choice of the specific language means. One chapter is devoted to formal and language aspects of headlines of the tabloids. The headlines are described on lexical level, morphological level and syntactic level. The language of the tabloids itself is analyzed on the same levels, on the lexical, morphological and syntactic level. The tabloid press in the First Czechoslovak Republic is compared to contemporary tabloid press and some tendencies of the development of the tabloid press are outlined.

This diploma thesis - The image of Italian films in Czechoslovak film journals in years 1965- 1975 is devoted to the manner of display, presentation and evaluation of Italian cinematography in the magazines Kino and Film a doba. The first part of this work describes the social and political environment in Czechoslovakia and in Italy, with an emphasis on culture, film and print media. The attention is focused on the end of the 1960's, when in Czechoslovakia the totalitarian political development was strengthened after an effort to democratize society, whilst in Italy the democratic development of the capitalist society was maintained, despite the pressures of the left-wing forces. The analytical part of the thesis uses qualitative methods and examines the contents of articles in the chosen periodicals. It follows the arguments of film publicists and critics and reveals how the social atmosphere and movements was portrayed by Italian filmmakers. The work focuses on analyzing the articles about Italian movies of different genres and styles, to which film themes was given more space, how was reviewed the work of filmmakers and actors and how was characterized the Italian cinema in general. The conclusion of the thesis summarizes the results of the analysis in the context of the political situation in...

The dissertation is about Rudolf Slánský, an important figure in the history of the Communist Party of Czechoslovakia. The first part of the text is based on a reconstruction of Slánský's political activities. It looks at his leaning towards left-wing ideas when he became interested in social democracy at the beginning of the 1920s and subsequently became a member of the Czechoslovak Communist Party where he was involved in the internal struggles of that time. An important part of the text consists of Slánský's activities as regional secretary in Moravská Ostrava. Two basic camps clashed in the Ostrava region (although the disputes were more of a personal nature than ideological) and in Slánský's subsequent rise (he became regional secretary) the efforts of the Prague Communist Party leadership to calm the situation and to put a "compromise" candidate in charge (or one that was not personally involved in either of the camps) can partly be seen. By transferring him, the aim of the Prague leadership was to "calm down/bring into line" the young radical, but also eventually to give him the opportunity (in an important region) to show his abilities (especially his organisational abilities). Upon his return from Ostrava, Rudolf Slánský began to get involved in the power struggles within the Communist...

The goal of this dissertation is to document and present exhibition concepts of new or re- established galleries and exhibition halls united in the Union of Czechoslovak Visual Artists in Prague in 1964-1969. A partial goal is to find and clarify principal legal, political and cultural events in the background of which such exhibition and artistic life unfolded. The thesis covers the period between two conventions of the Union of Czechoslovak Visual Artists, i.e. the period from December 1964 until the end of 1969 with certain intermissions. In terms of the selection, it deals with "smaller" galleries that influenced the most the level of presentation of visual arts at exhibitions in Prague in the period under consideration. For this reason, attention is paid to the Václav Špála Gallery, Nová síň Gallery, Galerie Na Karlově náměstí, and the Vincenc Kramář Gallery. The basic topics of the dissertation are concentrated in two spheres that pervade one another. The first sphere is dedicated to fundamental social and political prerequisites for the establishment of "smaller" galleries as well as, in brief, the history of the formation of the Union of Czechoslovak Visual Artists. In particular, it deals with the then applicable legislation concerning the given field of cultural life of society. It takes...

Ziel dieser Untersuchung ist es, feuilletonistische Entwürfe von „Amerika“ in der Zeit von 1918 bis 1938 zu analysieren. Der Amerika-Diskurs in der deutschen Presse diente mir dabei als Folie für eine weitere Untersuchung im Kontext der Ersten Tschechoslowakischen Republik. Der Hauptbeitrag der vorliegenden Arbeit liegt daher in einer gänzlich neuen Perspektive auf die Perzeption der USA sowie im Vergleich dieser tschechoslowakischen Sicht mit der deutschen. In den 1920er- und 1930er-Jahren vermochte insbesondere das Feuilleton als modernes urbanes Genre die aktuellen zeitgenössischen Diskurse einerseits aufzunehmen, andererseits mitzugestalten. Deshalb diente es mir als Quelle. In der vorliegenden Arbeit wurde die Modernisierung als komplexes Phänomen untersucht, das alle Bereiche des Alltags erfasste. Anhand ausgewählter Themenbereiche – Amerika, Stadt, Frau – wurde herausgearbeitet, wie sich die Zeitgenossen mit diesem Prozess auseinandersetzten. Da die Modernisierung mit Amerikanisierung gleichgesetzt wurde, ist der so genannte Amerikanisierungsdiskurs zentraler Bestandteil der Untersuchung. Amerika diente sowohl in der Weimarer Republik wie in der ČSR als Projektionsfläche für Wunschvorstellungen sowie für Probleme im Umgang mit der Modernisierung. Das Zentrum der Moderne war der urbane Raum. Daher konzentriert sich meine Arbeit auf die Großstädte Berlin und Prag. Als deren Bezugsgröße diente New York. Analysiert wurden die Selbst- und im Falle Berlins auch die Fremddarstellungen der Metropolen im Hinblick auf ihre voranschreitende Urbanisierung. Der gesellschaftliche Wandel manifestierte sich in den 1920er-Jahren am deutlichsten an der gesellschaftlichen Aufwertung der Frau; sie profitierte am meisten vom Prozess der Modernisierung. Die Weiblichkeitskonstruktionen widerspiegeln daher wichtige Aspekte der Auseinandersetzung mit der Modernisierung / Amerikanisierung. / The goal of this research is the analysis of perceptions about the American model of modernity in the period between 1918 and 1938. The debate about America in Germany serves as the template for its examination in the context of the first Czechoslovak Republic, which will present an entirely new perspective. The main contribution of this thesis is the removal of the one-sided approach to German perceptions of America by means of comparison and perspective from Czechoslovakia. In the ‘20s and ‘30s played in particular the feuilleton a crucial role in creating popular perceptions of society. As a modern urban genre it enabled both the depiction and the formation of contemporary discourse. The subject of this thesis is a study of modernization, a complex phenomenon that has touched upon all aspects of everyday life. The analysis of selected topics – the USA, the city, and the woman – shows how people responded to this process. Due to the fact that modernization became equated with Americanization, a discourse about the latter is central to this analysis. Both in the German Weimar Republic as well as in Czechoslovakia America was used as a backdrop for projecting; both the visions and challenges that occurred while dealing with modernization. The center of modernism was the urban environment. This fact has led the focus of this examination to the cities of Prague and Berlin, with the reference point for both being New York. This thesis analyzes the way these cities presented themselves from the point of view of urbanization – in the case of Berlin it also includes perception of the city by outsiders. In the ‘20s social change was predominantly manifest in the empowerment of women and it was also women who profited most from modernization of the social sphere. The evolution of the notion of femininity is thus reflected in important aspects of this confrontation with modernization / Americanization.

Religious and existential issues by Viktor E. Frankl. Its reception in theological thinking with special regard to Czechoslovak Hussite Church. Marie Jandová (roz. Trtíková) Viktor E. Frankl is considered as one of the most important person of 20th century in the area of medicine, namely in the branch of neurosurgery and psychiatry. He was Professor of Neurology and Psychiatry at the University of Vienna Medical School. He was also the founder of the Third Viennese school of Psychotherapy (after Freud's psychoanalysis and Adler's individual psychology) - the school of logotherapy. Frankl's life and work influenced millions of people all around the world. He published thirty-two books, which have been translated into more than twenty-three languages, including Japanese and Chinese. During my scientific stay in Vienna, I have visited many places, which are connected with Frankl's life. I have also made a lot of pictures. Some of them can be seen in the attachment at the end of this work. The initial part of this thesis describes Frankl's life story from his birth in 1905 to his death in 1997, with main emphasis to experiences which led to his discovery of logotherapy. Frankl's entire family, excepting for his sister, perished during World War II in camps (or were sent to the gas ovens). In the Nazi...

This paper describes nationalism as a phenomenon that has become an integral part of Czech society in the 19th century and its manifestations. It describes the main motives Czech nationalist ideology created by T. G. Masaryk. It also described the political situation during the First World War and the circumstances of the independent Czechoslovak state and its share in breaking the Austro - Hungarian monarchy. The work deals with the problem of modernism in the Catholic Church, whose adherents later became the founder of the Church of Czechoslovakia. Briefly describes the lives of the founders of the church and their relationship to nationalist political movements. The core of the work is the analysis of texts relating to the reform movement of the Czech Catholic clergy and the Czechoslovak church, from the period between 1906 - 1931, which is determined by the definition of nationalism seeks to assess its impact on the formation and other life Czechoslovak Church.

Jan Lomíček Doctoral thesis External and internal factors of Soviet Union image creation in interwar Czechoslovakia Abstract The doctoral thesis uses both Czechoslovak and foreign archival sources and period sovietica to analyse the most relevant inner and outer factors influencing the creation of a positive image of the Soviet Union in the eyes of interwar Czechoslovak public. On one hand, there were various mechanisms used by the Soviet propaganda. Here we can mention propagandist image of the USSR which was created according to Czechoslovak sympathizers' needs - pictorial periodicals, foreign broadcasting meeting listeners' demands etc. At the same time, the Czechoslovak public adopted the identical categories that were used by the Soviet side to describe the reality, such as work - education - equality - emancipation - freedom - new versus old - civilization - development - growth. Besides common propagandist means the USSR used also the foreigners' visits to confirm its idealized image. The approach to Czechoslovak citizens was improved after the Soviet travel agency Inturist had been launched. This agency should take care of the foreign visitors. However, the interwar travels to the USSR were not too common and frequent, which was caused both by the Soviet byrocracy and costs of such trips. The...

The diploma thesis "Sequel novel in selected volumes of two magazines for women published in the first Czechoslovak Republic - List paní a dívek and Hvězda československých paní a dívek" deals with sequel novels, which were published in favorite women's magazines. These novels belongs to genre "červená knihovna" and genre of teen female novels. Term "červená knihovna" (similar to harlequin) is typical for Czech literary background. Theoretical part consists historical context of sequel novel and his development and also history of popular women's literature. This part also refers to fundamental elements of sequel novels. Mainly it is stereotypization of main protagonist, patterns and plot. The end of the sequel novel for women is traditionally closed with happy ending. The practical part is focused on analyzed novels in two magazines - List paní a dívek and Hvězda československých paní a dívek. At first there are described basic data about magazines, their establishments and summary of content they consisted. Research part contains list of all sequel novels which were published and analyzed. The aim of this part was to describe main pattern, genre and plot. Part of description was focused on nationality of authors and number of sequels. The result contains the most important analyzed data and...

This work addresses the history, development and conservation of the Werkbund exhibition estates in Europe. Specifically, these are six housing estates built between 1927-1932 in Stuttgart, Brno, Wroclaw, Zurich, Vienna and Prague as part of exhibitions of modern living. The aim is to compare the development in individual cities and above all their preservation and the way of conservation and restoration. The first chapter deals with the formation of colonies and their differences. In the next part we deal with the fate and the structural changes during the war and the first post-war years until the first colony was declared a monument. The third chapter explains the developments in the 1960s and early 1980s, the beginnings of monument conservation and the first comprehensive renovation of the housing estates. The last chapter focuses on today's housing estates, today's approach to the restoration of functionalist architecture and its pitfalls. In all chapters, we managed to compare the development and to show the specifics of the individual files, which made it possible to specify why the colonies need to be protected, the extent to which they are preserved today, how much they are preserved, and what problems the building regeneration brings. Due to the different status and approach in individual...