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The print artifact in the age of the digital : the writings of Mark Z. Danielewski and Steve TomasulaAardse, Kent Alexander, University of Lethbridge. Faculty of Arts and Science January 2011 (has links)
The primacy of the print novel as the main mode for knowledge dissemination
and communication is being challenged today by the vast influx and pervasiveness of
digital media. Print literature, then, is at potential risk for obsolescence, as digital
technology creates new modes of narrative distribution. The novel, therefore, is in the
midst of a metamorphosis, having to adapt in order to properly situate itself within the
new media ecology.
Somewhat paradoxically, the same digital technology that challenges print
literature’s primacy is responsible for the novel’s adaption. The changing face of the page
creates new novels that reflect the digital in print, through changes in typography, layout,
and design. These changes illuminate the need for a material-specific methodology in
literary theory, and brings about the death of postmodernism in the new, digital
environment.
iv / vi, 91 leaves ; 29 cm
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Blend it Like Beckett: Samuel Beckett and Experimental Contemporary Creative WritingCampbell, Sam Nicole 01 May 2020 (has links)
Samuel Beckett penned novels, short stories, poetry, stage plays, radio plays, and scripts—and he did each in a way that blended genre, challenged the norms of creative writing, and surprised audiences around the globe. His experimental approach to creative writing included the use of absurdism, genre-hybridization, and ergodicism, which led to Beckett fundamentally changing the approach to creative writing. His aesthetics have trickled down through the years and can be seen in contemporary works, including Aimee Bender’s short story collection The Girl in the Flammable Skirt and Mark Z. Danielewski’s novel House of Leaves[1]. By examining these works in comparison to Beckett, this project hopes to illuminate the effects of Beckett’s experimentation in form and genre on contemporary creative writing.
[1] The word ‘house’ appears in blue to honor Danielewski’s decision to have the word printed in that color each time it appears in his novel.
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The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital AgeKazur, Bogna 04 March 2019 (has links)
No description available.
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Interpreting The Multimodal Novel: A New Method for Textual ScholarshipWagoner, Elizabeth A. 20 November 2014 (has links)
No description available.
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