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"Allt går igen" : Upprepningens effekter i August Strindbergs drömspel, Till Damaskus I, Ett drömspel och Spöksonaten.Olsson, Vera Maria January 2017 (has links)
August Strindbergs dramer Till Damaskus I, Ett drömspel och Spöksonaten har många likheter och brukar ofta refereras till som ”drömspel” på grund av deras drömlika stämning. Vad skapar denna stämning? Den här uppsatsen undersöker hur olika typer av upprepning utgör grepp med vilka Strindberg bygger sin speciella värld, som står mitt emellan drömmen och verkligheten. Det är en närläsning som både ser till makro- och mikroperspektiv; undersökningen gäller både retoriska språkfigurer i dialogen och större strukturella upprepningar i dramat. Upprepningens betydelse för skapandet av drömstämningen i Till Damaskus I, Ett drömspel och Spöksonaten kan i en bredare bemärkelse inte överdrivas. Trots dess mycket olika former i dramerna spelar den i alla tre pjäserna en stor roll. I Till Damaskus I är den strukturella och materiella upprepningen avgörande grepp i dramat. I Ett drömspel är återkommande scener och inte minst upprepningen i replikerna påtagligt och skapar effektivt en känsla hos läsaren av att befinna sig i en dröm. I Spöksonaten är det upprepningen av tidigare händelser innan dramats början i form av traumatiska minnen i olika konkretiserade former, som spelar störst roll och som man skulle kunna hävda utgör dramats mest bärande komponent. Trots dramernas många olikheter, förenas de av många likheter – så många och grundläggande att det inte skulle vara omöjligt att kalla dem för en drömspelstrilogi.
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Interpreting Dreams: Directing an Immersive Adaptation of Strindberg's A Dream PlayMiller, Mary-Corinne 25 October 2018 (has links)
This written portion of my thesis documents how I, as director, conceptualized, devised and staged an immersive adaptation of August Strindberg’s A Dream Play, with the support of a large team of collaborators including: assistant directors, dramaturgs, designers, stage managers, and actors. In this document I attempt to synthesize the discoveries I made in this process regarding the challenges and experience of directing immersive theater, including the importance of giving up directorial control and relying on my collaborators as partners in the creation of the production.
I begin with an introduction to the research I conducted into the field of immersive theater as well as my research on the work of August Strindberg, with a specific emphasis on the themes and context of A Dream Play. I then describe how I led my creative team through the process of designing a devised immersive theater production by encouraging open communication and fostering an atmosphere of trust. I also discuss the casting process and my efforts to establish an autonomous ensemble by allowing the actors to choose their own parts, write their own scripts, and devise their own scenes. I reflect on how I navigated the unpredictable nature of immersive theater, through a careful balance between detailed planning and free exploration, all the while embracing the possibility of failure as an expected part of the process. Finally, I attempt to assess the success of the production through examination of the impact it had on its audiences based on my own personal observations, as well as feedback collected through formal methods of survey.
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Koherensproblemet i August Strindbergs Ett drömspel : En studie i litteraturvetenskaplig argumentation / On the Issue of Coherence in August Strindberg's A Dream Play : A Study in Argumentative Practices of Literary CriticismBleckberg, Hampus January 2024 (has links)
This thesis is a ”meta-analysis” that investigates the apparent lack of coherence in August Strindberg’s A Dream Play and how this has been dealt with by scholars in literary and theatre studies. The primary material consists of a selection of research publications dated from the 1920’s up until the present day. The analysis concludes that there are four major groups of analyses that, in this regard, provide different solutions on how to counter this seeming deficiency. On the back of this, four general arguments are examined in detail: early attempts to classify this enigmatic drama with regard to genre, psychological analysis, analysis of philosophical ideas and contents, and analysis of the visual aspects of the play. By arguing along these lines of inquiry, scholars wish to substantiate the validity of various elements that harmonize the apparent disparity of the play and exhibit a coherent sequence of events and an interpretable meaning. Moreover, the ways in which these ”solutions” are substantiated and conveyed, that is, the argumentative practices, are examined and critically evaluated. Finally, based on the previous analysis, suggestions pertaining to further areas of research are offered and briefly discussed.
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