Orientador : Mariza Correa / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-13T22:24:20Z (GMT). No. of bitstreams: 1 Ribas_JoaoBaptistaCintra_M.pdf: 4493530 bytes, checksum: b896e2c4812b3b27b7e271ad8e116eac (MD5) Previous issue date: 1990 / Resumo: Não informado / Abstract: Not informed / Mestrado / Mestre em Antropologia Social

Esta dissertação apresenta o resultado da pesquisa que buscou realizar o levantamento exaustivo de documentação vinculada à trajetória intelectual do escritor paulista Edgard Cavalheiro (1911-1958), autor de Monteiro Lobato: vida e obra (1955) e criador do prêmio literário Jabuti. O escritor deixou uma ampla produção bibliográfica, composta de livros, traduções, separatas e de artigos dispersos em periódicos. Buscou-se também reunir a correspondência ativa e passiva do autor e elencar manuscritos conservados em seu arquivo, sob a guarda de herdeiros. Tendo Edgard Cavalheiro se notabilizado pela produção de biografias, a dissertação congrega uma seleta de seus artigos e textos em livro problematizando o assunto. / This dissertation presents the result of an exhaustive search for documents attached to the intellectual trajectory of Edgard Cavalheiro (1911-1958), brazilian writer who published Monteiro Lobato: vida e obra (1955) and created the Jabuti literary prize. Edgard Cavalheiro left an extensive bibliographic production in books, separate offprints and spread periodic articles. It was tried, too, to reunite author\'s active and passive correspondence and to index preserved manuscripts in his archive, guarded by his inheritors. Having Edgard Cavalheiro a remarkable biographic production, the dissertation brings an assembly of his thinking production about the theme.

Esta dissertação apresenta o resultado da pesquisa que buscou realizar o levantamento exaustivo de documentação vinculada à trajetória intelectual do escritor paulista Edgard Cavalheiro (1911-1958), autor de Monteiro Lobato: vida e obra (1955) e criador do prêmio literário Jabuti. O escritor deixou uma ampla produção bibliográfica, composta de livros, traduções, separatas e de artigos dispersos em periódicos. Buscou-se também reunir a correspondência ativa e passiva do autor e elencar manuscritos conservados em seu arquivo, sob a guarda de herdeiros. Tendo Edgard Cavalheiro se notabilizado pela produção de biografias, a dissertação congrega uma seleta de seus artigos e textos em livro problematizando o assunto. / This dissertation presents the result of an exhaustive search for documents attached to the intellectual trajectory of Edgard Cavalheiro (1911-1958), brazilian writer who published Monteiro Lobato: vida e obra (1955) and created the Jabuti literary prize. Edgard Cavalheiro left an extensive bibliographic production in books, separate offprints and spread periodic articles. It was tried, too, to reunite author\'s active and passive correspondence and to index preserved manuscripts in his archive, guarded by his inheritors. Having Edgard Cavalheiro a remarkable biographic production, the dissertation brings an assembly of his thinking production about the theme.

Thesis (M.A.) - Carleton University, 2008. / Includes bibliographical references (p. 114-123). Also available in electronic format on the Internet.

Thesis--University of Michigan. / Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1979. -- 21 cm. Includes bibliographical references (leaves 211-215).

The purpose of this study is to organize the musical philosophies of Edgard Varese and to develop an approach for stylistic analysis of his works. Many concepts which Varèse translated into musical thought were not solely musical. They were also represented in twentieth century painting, architecture, poetry, science, mathematics, and technology. An understanding of Varèse's works required a redefined approach for listening. The pursuit of this study is, therefore, relevant and justified. This document is organized in four chapters. The first chapter will examine Varèse's personal development through an overview of important influences in his life, and his aesthetic philosophies. Chapter 2 will demonstrate how Varèse's own statements helped determine the approach for the author's analyzations. Chapters 3 and 4 deal directly with the analyzations of Intégrales and Déserts. Great music of any historical period has distinguished itself by individuality and not by complacency. Composers of innovation have risen to prominence because of the uniqueness and quality of their work. The music of Edgard Varése must also be included in this category because of its uncontestable originality and merit.

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O trabalho tem como objetivo central a análise de filmes feitos em Super-8 durante a década de 1970, pensando as suas inserções e vínculos com a grande vaga libertária da contracultura, o Tropicalismo, a poesia, o teatro, o happening e o desbunde, no quadro da ditadura civil-militar no Brasil: Terror da Vermelha (1972), de Torquato Neto; Céu sobre Água (1978), de José Agrippino de Paula e Maria Esther Stockler; O Rei do Cagaço (1977) e Exposed (1978), de Edgard Navarro. Priorizou-se o agenciamento do corpo na relação da câmera superoitista com o entorno imediato, em vista da compreensão de como foram tecidas as poéticas desses filmes. Procurou-se mostrar o modo particular e radical com que os realizadores tomaram esse \"brinquedo\" num âmbito de não separação entre vida e obra, que impregnava suas trajetórias tanto estéticas como existenciais. A contracultura deixou marcas indeléveis na subjetividade e no comportamento daqueles que souberam experimentar novas formas de vida. Micropoliticamente, ela inoculou a ideia de um corpo coletivo na sexualidade, na sociabilidade, influenciando as artes, a literatura, a poesia e o cinema, e teve na possibilidade da portabilidade da câmera superoitista um dos grandes exemplos de que o corpo era o centro dessa profunda transformação que se processava no sentido de uma recusa dos padrões socioculturais pré-estabelecidos. Se o AI-5 bloqueou o desejo brasileiro de transformação social e macropolítica, podia-se agora, em contrapartida, dar vazão ao corpo e à loucura antes que o lobo chegasse. / The main objective of this work is the analysis of films made in Super-8 during the 1970s, thinking about their insertions and links with the great libertarian wave of the counterculture, tropicalism, poetry, theater, happening and fading, in the framework of the civil-military dictatorship in Brazil: Terror of the Red (1972), Torquato Neto, Sky over Water (1978), José Agrippino de Paula and Maria Esther Stockler, The King of Cagaço (1977) and Exposed (1978) scored by Edgard Navarro. The agency of the body was prioritized in the relation of the superoitist camera to the immediate surroundings, in view of the understanding of how the poetics of these films were woven. It sought to show the particular and radical way in which the filmmakers took this \"toy\" in a framework of non-separation between life and work, which permeated both their aesthetic and existential trajectories. The counterculture left indelible marks on the subjectivity and behavior of those who knew how to try new ways of life. Micropolitically, she inoculated the idea of a collective body in sexuality, in sociability, influencing the arts, literature, poetry and cinema had in the portability possibility of the superoitist camera one of the great examples that the body was the center of this deep transformation which was proceeding towards a refusal of pre-established socio-cultural standards. If AI-5 definitively blocked the desire for social and macro-political transformation, one could now, on the other hand, give vent to body and madness before the wolf arrived.