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"Rural Sports: The Poetry of Fishing, Fowling, and Hunting, 1650-1800" traces the evolution of poetry on the field sports over a 150-year span, with a view toward considering these poems in the first instance as sporting texts. This thesis analyzes sportsmen's attitudes toward their activities, noting the larger social implications of their sporting performances. The thesis also seeks to classify and understand the poems as distinct literary sub-genres. Current sociological insights into angling and hunting help to illustrate the poems' resemblances to one another, particularly Hobson Bryan's concept of "recreational specialization" and Norbert Elias's concept of "tension equilibrium." In providing a systematic survey of the rural sports poetry, this thesis argues that during successive stages of the period, poetry on certain sports came into vogue and then receded from fashion. This followed from historical and political developments but also from literary ones. The poetry on fishing after Izaak Walton's Compleat Angler (1653) maintained a dialogue between pastoral and georgic elements, as the two modes offered scope for the experience of angling. In the eighteenth century, the writers of hunting verse balanced a passion for sport with social and political awareness; hence, they tended to employ the techniques of the prospect view and topographical poetry, intermixing descriptive elements with didactic ones in the georgic mould. As the century progressed, hunting and shooting were either reproved in an increasing number of sentimental poems representing hunters as uncaring and pitiless toward animals or they were celebrated for their gentlemanly values and virtues in the manner of William Somervile's influential poem The Chace (1735) and George Markland's Pteryplegia (1727).

Much women's writing in the late eighteenth and early nineteenth centuries attempts to depict other women visually through textual description, use of optical devices, and discussion of bodies and appearances. This thesis argues that they were trying to see and show other women as a way of understanding themselves and each other by examining intersections between visual culture and text through mirrors, miniatures, and portraits. This thesis demonstrates how these works reflect larger shifts in the optical unconscious of the eighteenth century. I focus on works by Joanna Baillie and Louisa Stuart Costello, who theorize the viewing process in their prose and manipulate the viewing process in their drama and poetry, respectively. By manipulating the gaze these authors show readers new ways of seeing women, and subsequently, themselves, and seek to make them conscious of their optical unconscious; their works become the optical devices that allow this to happen. / McAnulty College and Graduate School of Liberal Arts / English / MA / Thesis

This regional study examines the character and pace of change in landed society in the eighteenth century and the impact of change on social stability. It offers new perspectives on why the landed gentry, the 'untitled aristocracy', retained their estates and their influence throughout the period. Members of this distinct social group had to make more careful, strategic choices than the wealthier peerage, and their behaviour served as a barometer of the effects of socio-economic and cultural developments on society as a whole. In spite of this, there have been few regional studies of eighteenth-century landed gentry in recent years. The study's in situ holistic approach builds on the earlier historiography of landed elites but also on more recent scholarship on culture, performance, and polite behaviour. It uses archival records to study the fifty-two landed-gentry families in the New Forest and the Isle of Wight. It shows that the landed gentry of this region was open to newcomers, who added to the numbers rather than displacing established families. Furthermore, there was no evidence of elite withdrawal or of a separation into so-called 'old and local' and 'new and national' groups. This thesis adds an important new dimension by identifying two characteristics of successful families. They were social and cultural amphibians, able not only to move between their estates and London but also to adapt to the polite norms of behaviour of different groups. In addition, they used 'social power', which stemmed principally from their behaviour, to achieve their aims in spite of the greater wealth and status of the peerage. As a group, the landed gentry presented a picture of social continuity and stability in 1800, but they had achieved this through a process of gradual social accommodation. They had changed in order to preserve their place and their power.

To be placed above the Reach of Deceit is to be placed above the Rank of a human Being - Henry Fielding, A Clear State of the Case of Elizabeth Canning, 1753. Throughout his literary and legal careers, Fielding was concerned with the difficulties of reading and judging character accurately. He saw society as being rife with deceptive and duplicitous individuals and articulated his concerns in his writing, offering various advices to his readers. This thesis examines Fielding’s changing approaches to characterization and his proposed methods for judging character. There is a strong tradition within Fielding criticism, particularly prevalent in the mid-twentieth century, of seeing Fielding’s characters as ‘essential’, that is to say, innate and unchanging: the product of his theory of ‘Conservation of Character’. As such, his characters are often deemed easy-to-read and lacking fully-determined internal lives. Since the mid-1990s, however, critics have begun to argue that his characters are more dynamic than first supposed. While critics have noted the role of judgement in Fielding’s novels, it has not yet been explored in depth in his plays. With some notable exceptions, few studies have explored the interrelation between his novels and plays in a sustained way. I argue that Fielding examines questions of discerning character in both his plays and his novels, and that the early plays are essential for understanding the concepts which are central to his theory of judgement. This thesis contributes to studies of Fielding in three ways: by intervening in long-standing discussions of Fielding’s characterization; by analysing themes of good nature, perception and gossip which develop from his early dramatic work into the better-known novels; and by exploring its relationship to wider ideas about character in the eighteenth-century theatre and novel. Beginning with his plays, I consider Fielding’s presentation of the judgement of character in a range of his works from 1728-1753. I suggest that the early plays gave Fielding the space in which to experiment with the presentation of character and his relationship to his audience. His novels build upon concepts first introduced in the plays, such as good nature, perception and gossip, which he suggests are key to perceiving character. Fielding encourages his audiences and readers to engage with character as a process of discovery (as it is in life), but does not punish or mock them when they make mistakes. In doing so, he gives his audiences and readers indulgences he could ill afford in his magisterial career: time for judgement and the luxury of occasionally being proved wrong.

This project analyzes discourses of social legibility in eighteenth-century self-writing to argue that status-based conceptions of identity continued to influence perceptions of the self in society. Studies of the eighteenth century have been dominated by a "rise of the middle class" narrative that tends to underestimate the resilience and continued relevance of conceptions of rank as an essentialized or innate quality. However, social legibility--the idea that status was encoded on the body through clothing, manners, beauty, grace, and countenance--continue to function, particularly in the self-writing of this period. By examining these epistolary novels, fictional memoirs, diaries, autobiographies, and letters, this project clarifies how people imagined social hierarchy operating at the level of the body. The ways people recognize, enact, theorize, and represent status help us better understand how identity was reconceived between the Restoration in 1600 and the end of the Napoleonic Wars in 1815.

This study examines the development of theories of civil religion in Hanoverian Britain. In the aftermath of the seventeenth-century wars of religion, theorists of civil religion sought to render Protestant Christianity a faith whose ecclesiology was compatible with the civil state and whose practice encouraged civilised society. It presents lay thinkers including Anthony Ashley Cooper, third earl of Shaftesbury, John Trenchard, Thomas Gordon, Henry St John, Viscount Bolingbroke, Edward Gibbon, and David Hume, alongside clergymen such as Edmund Gibson, bishop of London, William Warburton, bishop of Gloucester, and Conyers Middleton. It considers such Dissenters as Joseph Priestley and Richard Price, who refashioned civil religion variously along Unitarian and congregational lines. In contrast to the usual scholarly preoccupation with the argument of Jean-Jacques Rousseau that Christianity could never become a civil religion, this study demonstrates how Hanoverian intellectuals constructed a Christian civil religion. They sought to purge the civil state and society of superstition, priestcraft, and enthusiasm by creating a religion of virtue, sociability, and happiness. They drew on the church-state relationship generated during the ‘long Reformation’ in England and Scotland by which the secular civil magistrate governed the national church and regulated its priests, who were to preach the simple morality of the gospel. Hanoverian theorists of civil religion synthesised primitive Christianity with the ancient civil religions, relying above all on Cicero. Irrespective of their inward views about the normative truths of the articles of faith of the churches of England and Scotland, civil religionists sought to reconcile them with civil ends. They believed that outward observance of the Reformed religion was a criterion for belonging within the Christian commonwealth of Hanoverian Britain.

"Rural Sports: The Poetry of Fishing, Fowling, and Hunting, 1650-1800" traces the evolution of poetry on the field sports over a 150-year span, with a view toward considering these poems in the first instance as sporting texts. This thesis analyzes sportsmen's attitudes toward their activities, noting the larger social implications of their sporting performances. The thesis also seeks to classify and understand the poems as distinct literary sub-genres. Current sociological insights into angling and hunting help to illustrate the poems' resemblances to one another, particularly Hobson Bryan's concept of "recreational specialization" and Norbert Elias's concept of "tension equilibrium." In providing a systematic survey of the rural sports poetry, this thesis argues that during successive stages of the period, poetry on certain sports came into vogue and then receded from fashion. This followed from historical and political developments but also from literary ones. The poetry on fishing after Izaak Walton's Compleat Angler (1653) maintained a dialogue between pastoral and georgic elements, as the two modes offered scope for the experience of angling. In the eighteenth century, the writers of hunting verse balanced a passion for sport with social and political awareness; hence, they tended to employ the techniques of the prospect view and topographical poetry, intermixing descriptive elements with didactic ones in the georgic mould. As the century progressed, hunting and shooting were either reproved in an increasing number of sentimental poems representing hunters as uncaring and pitiless toward animals or they were celebrated for their gentlemanly values and virtues in the manner of William Somervile's influential poem The Chace (1735) and George Markland's Pteryplegia (1727).