The subject matter of this dissertation is children’s use and development of emotive expressions. While prior studies have either focused on facial expressions of emotions or on emotions in the social mechanisms of in situ interactions, this thesis opts to merge two traditions by applying an interactional approach to the interpretation of child–child and child–adult encounters. This approach is further supplemented with an interpretational frame stemming from studies on child development, sociology and psychology. In order to depict the multi-leveled process of socialization, a number of sub-areas are investigated such as the emotive expressions per se; how and when these expressions are used in interaction with parents and siblings; the kinds of responses the children get after using an emotive expression; parental acts (verbal or nonverbal) that bear on children’s conduct and their choice of such expressions. Finally, the relation between nonverbal displays and language as expressive means for emotions is analyzed from a developmental perspective. The data consists of video-recordings of five sibling groups in the ages between 1 ½ and 5 ½ who were followed for 2 ½ years in their home environment. In all, 19 recordings (15 h) were transcribed and analyzed. The results from the study lead to several different taxonomies previously not discussed in the pertinent literature: (i) the nonverbal, vocal and verbal emotive expressions used by children; (ii) the different means these expressions were put to in child–parent encounters; (iii) the ways relations to siblings can be seen as creating and shaping certain emotive processes. Furthermore, this work demonstrates that parental responses are of vital importance for the outcome of specific child expressions. As parents reprimand, comfort, praise and mediate in their interaction with their children, they create paths later used by the child as she practices and acquires her own expressive means for handling emotions in interactional contexts. Finally, a developmental frame of language and nonverbal acts is elaborated and suggested as a tool for discovering the paths of linguistic and emotional socialization. / För att köpa boken skicka en beställning till exp@ling.su.se/ To order the book send an e-mail to exp@ling.su.se

The development of sensor-based technologies has opened up avenues for a dialogue between the body and digital spaces, uncovering new possibilities for cross-disciplinary projects and engagements that demand new methods compatible with the ethos of embodied practices, which, in turn, require new approaches and tools. This research seeks to address this need by examining the quantifiability and visual properties of embodied emotion through a multi-layered study of human movement and gesture. It is an elaboration of scientific and artistic research methods, intended to answer the following principal question and related sub-questions: How can emotions, expressed via whole-body movement be visually documented and archived as a reference framework to stimulate the use and studies of expressive gesture in digital environments? As a consequence the following sub-questions become relevant for this research: The first, ontological in its nature; what is expressed emotion? And the second, methodological; how can bodily expressed emotions be visualised and quantified? To answer these questions, the research is divided into three parts. Drawing on phenomenological interpretative inquiry and heuristic methodology, whole-body emotive expressions are documented and analysed from multiple perspectives: body, expressiveness, time, space volume and their correlations. The first part contains information related to video data collection and the database design. The second part describes silhouette extractions of whole body emotive expressions and an online survey where the visual perception of visual data is measured. The third part of the research contains visual and quantitative data analysis providing the basis for visualisation of the four archetypal emotions: anger, fear, joy and sadness and their relationships. In this process, a multi-method approach was adopted combining both qualitative and quantitative methods adopted from sociology and cognitive science. The contextual review, where virtual embodiment and interactivity are explored build on the aesthetics of performance within new technology, highlighting the adaptability of the methods used in performance art to the field of game design. The results of this research and contribution to knowledge reside within both the ontological and methodological approaches used within this study. The ontological resides within the development of two reference frameworks: a correlation table defined as the Periodic Table of Movements (PTM) and a PTM database. The PTM database is a synthesis of embodied emotion data derived from multiple visual representations such as colour, shape, space, volume, time and intensity, whereas the relationship between expressions is visualised in the PTM correlation table. Within the context of an educational framework, the database also provides visual concepts of emotion as epistemic objects for analysis and experimentation. It is a starting point for future cross-disciplinary studies and research on emotions in the context of embodiment and digital technology. The novel methodology of this research contributes to a number of fields with new methods and models of enquiry, grounded within a hermeneutical interpretation driven by artistic development. This exploration opens up a holistic approach to future studies and research grounded in a multimodal attitude to knowledge acquisition.