This dissertation explores the relationship between remembrance and citizen humanities. Combining the study of three qualitative empirical sources (an explorative comparison of five citizen humanities projects, an autonetnography conducted in one of the projects and the observation and analysis of the interaction of the online community in said project) the epistemic culture in citizen humanities and how remembrance is enacted in this context are addressed. The findings indicate that the participatory epistemic culture inherent to the citizen humanities allows a limited number of participants to transcend the roles that are assigned as mere data collectors, pursuing their own independent research projects. In this context, remembrance takes place in two levels, first by creating cultural mnemonic manifestations in the form of searchable metadata, transcribed data, digitized objects, images and rerecorded stories and second, by the act of creating knowledge and sharing it with the community. Finally, it is suggested that in the context of the citizen humanities, the traditional dichotomy of history vs. memory is challenged by the figure of the citizen historian, as this subject creates historical knowledge but also enacts mnemonic practices exemplified by the creation of cultural mnemonic manifestations and by recalling, recognizing, and localizing memories, both their own and from others.

The main issue of this work concerns the meaning of educational supervisionas a tool for collaborative work-related knowledge formation in preschool. The study is based upon and complements the analysis of the phenomenoneducational supervision in a previous study presented in my previousbook Det mångtydiga mötet – ett försök att förstå komplexiteten i pedagogiskhandledning med yrkesverksamma [The many folded encounter – anattempt to understand the complexity in collaborative educational supervision].Supervision dialogues are in the focus as one of several tools for developingthe content of knowledge in preschool, the knowledgebase of the professionals,and their coping with professional issues within their daily work.These two studies together form my licentiate treatise. For studying the phenomenon,two perspectives have been used: a societal and an inter-subjectiveperspective. Educational supervision, as an epistemic culture, is analysed inrelation to an emerging knowledge society. The implementation of a new curriculum for preschool, with its model forparticipatory goal-steering, has been the basis for the analysis of the supervisionprocess as an activity for knowledge formation. The analysis is relatedto curriculum theory. Issues related to power are crucial in contexts for supervision.These are analysed with regards to the participators in the supervisiondialogue on the one hand, and to institutional actors, e.g. the relationshipbetween university and preschool and between the professionals in a localpreschool and the administrative level of the municipality, on the other. Thefundamental premise of the work has been that supervision is to be conductedon the conditions of those being supervised. The study relies on previous experiences of and reflections on supervisionas well as on consultee-centered case consultation. Further material and methodsused for the study are interviews with supervisors and supervised, andtextual analysis of contemporary educational literature on supervision. Thelatter includes both a close and a distanced re-reading of my above mentionedbook. Educational supervision of professionals seems to have developedinto a specific domain within the field of supervision. As a result of the review,supervision was categorised as three approaches with regards to their respectiveoverarching goal. The potentially positive and negative effects of supervision, as well assome pitfalls, have been identified. The conclusions concern criteria for goodsupervision that contribute to a dialogue for knowledge formation within aninter-subjective perspective. An inter-subjective relation, with an object forsupervision that is negotiated with regards to autonomy as well as reciprocalityis emphasized. A narrative strategy for supervision is seen as a possibilityfor developing a professional language and a domain for further investigations. / <p>With an abstract in English</p>

The general theme of this thesis is the audience's understanding and ideals ofscience and how these, through digital social media, are shaped in relation to moregeneral understandings about the role of science in society. The rationale of thethesis was to study constructions of ideals of science at Flashback Forum during theperiod of April 1, 2021 through April 1, 2022. The theoretical framework wasconstructed using theories taken from the field Science of science communication,Knorr-Cetina's theories of the knowledge society and epistemic cultures, theories ofthe post-truth society and understandings of digital media landscapes as publicnetworks. The material retrieved from Flashback was collected using a structuredselection method and analyzed through a thematic content analysis. The materialwas structured based on the various ideals of science that emerged. A total of ninedifferent ideals of science could be defined. The performative strategies used tosubstantiate the discursive content were then examined. Strategies are mentionedas markers and a total of ten different markers appeared. The analysis of thematerial has shown that science is generally seen as a legitimate source ofknowledge and that science is used as a way of legitimizing, for example, opinionsand positions. The analysis also shows that ideas of science may differ and that theconcept of science, as a producer of knowledge and as practice, varies from thosewith a stronger connection to scientific establishment. All in all, the study points to thetension that can arise when science, with its complexity, on the one hand positionsas an interpreter of truth and democracy and on the other hand as part of ademocratization process increasingly becomes a concern for society as a whole.