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Die Ästhetik der Leerstelle : Raymond Federmans Roman "La fourrure de ma tante Rachel" vor dem Hintergrund des Gesamtwerks /Reif, Danielle. January 2005 (has links)
Zugl.: Diss.
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Die Ästhetik der Leerstelle : Raymond Federmans Roman "La fourrure de ma tante Rachel" vor dem Hintergrund des Gesamtwerks /Reif, Danielle. January 2005 (has links)
Dissertation--Freiburg, 2003. / Bibliogr. p. 175-193.
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Die Ästhetik der Leerstelle Raymond Federmans Roman "La Fourrure de ma tante Rachel" vor dem Hintergrund des GesamtwerksReif, Danielle January 2003 (has links)
Zugl.: Freiburg (Breisgau), Univ., Diss., 2003 u.d.T.: Reif, Danielle: Die Ästhetik der Leerstelle in Raymond Federmans Roman La Fourrure de ma tante Rachel
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Question slash periodWashington, David Christopher. January 2004 (has links)
Thesis (M.A.)--Marshall University, 2004. / Title from document title page. Includes abstract. Document formatted into pages; contains iv, 74 p. Includes bibliographical references (p. 72-73).
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An Analysis Of Metafictional Self-reflexivity In Laurence SterneOkuroglu, Sule 01 September 2005 (has links) (PDF)
This thesis evaluates metafictional self-reflexivity, and presents it within the scope of certain structuralist and post-structuralist approaches especially by referring to William Gass&rsquo / definition of metafiction and Raymond Federman&rsquo / s theories on the devices of metafiction. Then aspects of the works of William Gass&rsquo / Willie Master&rsquo / s Lonesome Wife and Laurence Sterne&rsquo / s The Life and Opinions of Tristram Shandy are discussed within this framework.
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Un groviglio di mondi. Studio sul pluralismo fisico, metafisico e letterario postmodernoGraziani, Lorenzo 15 May 2020 (has links)
The main goal of this PhD dissertation is to explore the relation between postmodern poetics and some features of other theories developed at the same time in various areas of knowledge – mainly metaphysics, physics and sociology. If we can say that the modern paradigm was born with the question of how a multiplicity of different points of view could coexist, the postmodern paradigm seems to arise with the awareness that a systematic legitimation of differences cannot be based on a sole foundation that leads to a complete inclusion. For this reason, we argue that the concept of possible world is not only a useful heuristic metaphor adopted in different areas of the artistic and scientific postmodern culture, but it can put in constructive conversation different areas of knowledge which are usually thought to be more isolated and refractory to mutual influence than they actually are. Precisely because of the diverse usages and meanings that the term ‘world’ acquires in different contexts, the ontological commitment toward possible worlds varies significantly. They can be godly concepts, fictional scenarios, real sums of individuals that are isolated from each other, or ideal set of objects that are associated with different and mutually exclusive frames of reference and cultural coordinates. To shed a light on these matters is the main goal of the first book, entitled "What is a possible world?". The second book, entitled "Entangled worlds: the postmodernist literature", is committed to explore the topology of the possible worlds projected by postmodernist texts; in fact, the paradoxical topology that emerges from these texts appears to be inherently connected with a vast range of issues concerning our world.
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