This study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine rhetorical style. Using feminine rhetorical style, Barbara Bush successfully dissipates some of the tension she faced prior to the graduation ceremony at Wellesley College. Therefore, this study reveals that feminine rhetorical style is an attractive alternative for speakers seeking to build identification in hostile situations when identification is, or appears to be, lacking. / by Bethany Lynne Doran. / Thesis (M.A.)--Florida Atlantic University, 2010. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2010. Mode of access: World Wide Web.

Thesis advisor: Lisa Sowle Cahill / The existence of moral and tragic dilemmas is highly debated within philosophy. Tragic dilemmas are a special kind of moral dilemma that involve great tragedy. Traditionally, philosophy tends to deny dilemmas because obligations cannot truly conflict and an ethical system must always guide agents in deliberation. For the most part, Christian theology dismisses the possibility of moral dilemmas. A highly influential theological rejection comes from Aquinas. Philosopher Bernard Williams famously challenged traditional ideas, worrying that a focus on reason to the exclusion of feelings has prevented ethicists from recognizing important aspects of the moral life, including the existence of moral and tragic dilemmas. This omission renders ethics unable to capture moral experience, and what good is ethics if it doesn’t speak to the moral life as we experience it? This presents a challenge for theology as well. This dissertation takes seriously Williams’s concerns and investigates the possibility of tragic dilemmas within a Christian context. I develop a defense of tragic dilemmas within a Christian virtue framework using feminist insights. I argue that in a tragic dilemma an agent deliberates on, with sufficient knowledge, an issue that involves non-negotiable moral requirements in line with Christian obligations to protect human life and the vulnerable. A tragic dilemma causes great harm and can “mar” the agent’s life. The agent is morally responsible for the harm caused and/or the obligation not acted upon. However, culpability is mitigated due to the constraints of the situation as long as the agent acts with “repugnance of the will.” When involvement in a tragic dilemma produces emotional harm this has the power to undermine character because, as I argue, passions and the moral life are inextricably related. In turn, the agent’s life is “marred.” In light of this, Christian healing is necessary after involvement in a tragic dilemma. In the first half of this dissertation, I investigate moral dilemmas in general. In Chapter 1, I layout the major philosophical debates surrounding moral dilemmas and I highlight touchstones, questions, ambiguities, and problems to bring to theology—issues around logic, autonomy, the nature of moral requirements, blame, restitution, and what constitutes a tragic dilemma. In Chapter 2, I assess the theological response to moral dilemmas vis-à-vis Aquinas. Although Aquinas explicitly denies the possibility for moral dilemmas that are not the agent’s fault, I find new points of contact between Aquinas and moral dilemma theorists. In light of this, there is space for the possibility of moral dilemmas in a Christian virtue context, but this understanding is beyond the boundaries set-up by Aquinas. In the second half of the dissertation, I move to discuss tragic dilemmas, specifically. In Chapter 3, I use Christian thought and feminist insights to develop my definition of tragic dilemmas. As real-life cases of moral injury from war show, tragic dilemmas can cause emotional harm. In Chapter 4, I offer Christian strategies for healing from tragic dilemmas. Because we are social beings and because society often bears some blame for the occurrence of tragic dilemmas, healing must also happen in, with, and among the community member. / Thesis (PhD) — Boston College, 2018. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Theology.

This dissertation examines humor as a situated practice of reappropriation and transformation undertaken by a subject within a social world. I bring together insights from humor studies, philosophy of humor, and feminist philosophy (especially feminist continental philosophy) to introduce the concept of humorwork as an unstable political practice of reappropriating and transforming existing images, speech, and situations. I argue that humorwork is an unstable politics because the practice of reappropriation and transformation often exceeds the intentions of the subject practicing humor, taking on a continued life beyond the humorist’s intentions. By focusing on the practice of humor, the subject who produces it, their social and political world, the affects circulated through political humor, and the politics of popular and scholarly discourse about humor, I push against a reductive, depoliticized concept of humor and the trivializing gesture of “it’s just a joke.” Instead, I argue that humorists are responsible and connected to (if not always blameable) for the social and political life of their humorwork, despite the unstable and unpredictable uptake of humor against a humorist’s intentions.

In 2008, Women’s Studies in Communication released a special issue entitled “Conversations and Commentary on Redefining the Professor(iate): Valuing Commitments to Care and Career in Academe” where the authors discussed how a lack of support for multiple and competing roles related to care and career responsibilities negatively impacted the careers of women faculty members. Today, women faculty members still experience more challenges associated with advancement, tenure, and promotion compared to their male counterparts and are also more likely to leave academia as leaks in the pipeline. Previous research has demonstrated that these challenges are due to organizational barriers rather than individual choices and abilities (McMurtrie, 2013; Slaughter, 2012). As such, this study employs two theoretical frameworks to explore career challenges in more detail: structuration theory (Giddens 1979; 1984) and feminist intersectional theory (Crenshaw, 1988; 1989/1993; 1991). Coupled together, structuration theory and feminist intersectional theory enable the researcher to understand what structures enable and constrain tenure/promotion and care needs/responsibilities and to be critical of those structures and who they privilege along the way. Semi-structured interviews (n=49), in combination with document collection (n=433) and logging, were used to assess the organizational structure and the movement of participants through the structure. Analysis of the documents and interviews illustrate rules and resources that both enable and constrain tenure, promotion, and care work for female faculty.

This dissertation draws on feminist theory and ecofeminist philosophy to examine the connections between understandings of women and nature and the construction of pervasive conceptualizations and practices of childbirth. It also examines the relationship between conceptualizations of men and masculinity, culture and nature, and childbirth. In order to conduct such an examination, this study explores the dominant Western discourse around gender and childbirth. Specifically, the work aims to identify prominent characteristics and themes related to childbirth in both popular culture, such as Hollywood films (Knocked Up, The Backup Plan), documentaries (The Business of Being Born), birth guides, magazines, news articles, websites, and scholarly, medical and alternative healthcare discourse. This work seeks to consider how various conceptualizations of childbirth are used to legitimate, or, alternately, to undermine, patriarchal gender norms such as emphasized femininity and patriarchal (hegemonic) masculinity and, more generally, what ecofeminist philosopher Val Plumwood calls "master consciousness" (Val Plumwood 1993), a way of understanding the world that is reliant on an unjustifiably dualistic thinking and that is responsible for fostering social practices of domination. In particular, this work seeks to determine to what extent is our conceptualization of childbirth, and subsequent practice, based on potentially erroneous presumptions about the hierarchical division between the realms of culture and nature and masculinity and femininity? Perhaps most importantly, this dissertation sets out to consider the implications of alternative conceptualizations of childbirth emerging in the context of the natural birth movement. Specifically, I aim to determine whether or not these alternatives interpretations of childbirth counteract patriarchal gender categories and the culture/nature dualism. / Jeff Nall. / Thesis (Ph.D.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.

Wiccan witchcraft, a contemporary religion, frequently suffers from misunderstandings; the worst of which, arguably, being that it thrives in a postfeminist society. Although it remains unclear why witches, despite their specific traditions, would not immediately embrace feminism, this study claims that whether practitioners agree or disagree, they are performing feminism. In this study, I argue that Wiccan rhetoric (both discursive and non-discursive) functions epistemically to encourage feminist values. The thesis analyzes three typical forms of Wiccan rhetoric using Sonja K. Foss and Cindy L. Griffin’s approach of invitational rhetoric and the values of equality, immanent value, and self-determination. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection

This project examines the modern perception of ancient women, specifically through the creative (and often anachronistic) lens of film. All three women examined, Cleopatra VII, Livia Augusta, and Servilia Caepionis, all exemplify the modern influence on interpreting historical sources, resulting in all three becoming agents of feminism in their own times. Each woman did not culminate the probable influence they had in Roman society, but they are instead reflective of the patriarchal paradigms understood by 20th and 21st century audiences. The burgeoning feminist ideologies of the 20th century would influence the depictions of each character in an anachronistic fashion, distorting the actual control such figures had in history. While Elizabeth Taylor’s Cleopatra capitalized on youth and sexuality as tools of powers, Siân Phillips’ Livia emphasized age and experience to advance in patriarchal Rome. Servilia, however, was an older matron who had both the experience and the sexuality to control those around her. Whileeach figure approached it in very distinct methods, their common goal of changing Roman politics was reflective of the continued (and relatively unchanged) perception of ancient Roman women: as intelligent, yet dangerous, figures that served to derail patriarchal Roman politics. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection

Rape play is a type of consensual, ritualistic domination and submission, developed and enacted in a sado-masochistic (S/M) sex culture, which involves the appearance of force. There are two feminist theories that can be employed in a feminist analysis of rape play: dominance/radical feminism and libertarian/"sex positive" feminism. Libertarian/"sex positive" feminism holds that S/M, including rape play, is potentially compatible with feminism because the power dynamic between a dominant/"rapist" and submissive/"victim" does not draw on either practitioners' actual social identity and the power it possesses or lacks. Dominance/radical feminism argues that gender, which is socially constructed, can best be understood as a form of sexualized domination and submission, so social identity could not be dissociated from power in S/M. My reading of guidebooks and narratives about rape play suggests that the dominance/radical feminist position is more accurate in the case of rape play, though not necessarily all of S/M culture. / by Megan Halena. / Thesis (M.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.

This thesis analyzes Pamela Swynford De Beaufort and Jessica Hamby from the provocative HBO series, True Blood, in order to determine what hegemonic ideologies are reinforced through their sexual representation in the series. Through analysis based on concepts of the "vagina dentata" and "monstrous feminine," and in determining whether they fall victim to the Madonna/wore dichotomy, the question of Pam and Jessica's autonomous existence falls under scrutiny - particularly in regards to their sexuality. Feminist scholarship is vital to this research in order to examine the often fetishized and marginalized sexuality of women who dare to exhibit transgressive behaviors. This thesis concentrates on Seasons One through Four of the series, and also utilizes meta-text from the official website related to each character in order to help answer the posed research questions. / by Ashley Anderson. / Thesis (M.A.)--Florida Atlantic University, 2012. / Includes bibliography. / Mode of access: World Wide Web. / System requirements: Adobe Reader.

Chelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a mythic analysis as I look for Handler's manifestation of mythic types, including archetypal Goddess representations. I analyze her treatment of violence against women, exploring how Handler approaches these themes in ways that allow her into the "old boys club." I use textual and audience analysis to assess Handler's ability to be a transformative and empowering figure for women in comedy and beyond. / by Lauren Walleser. / Thesis (M.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.