A unique cultural artifact, the bondage club known as Club DOMINION, existed in Muncie, Ind., from 1997 to 2001.This project is a 25,000-word work of literary journalism detailing the four years of DOMINION's existence and the inner lives of its participants. Using techniques of interviews, observation, and immersion journalism inspired by the work of Tom Wolfe, Gay Talese, and John McPhee, it tells the story of the founder of the club, known as Moth, and her close-knit circle of friends.The project also acts as an ethnographic study of a distinctive subculture operating in a conservative Midwestern community. / Department of Journalism

Thesis (M. Phil.)--University of Hong Kong, 1998. / Includes bibliographical references (leaves 249-253).

Rape play is a type of consensual, ritualistic domination and submission, developed and enacted in a sado-masochistic (S/M) sex culture, which involves the appearance of force. There are two feminist theories that can be employed in a feminist analysis of rape play: dominance/radical feminism and libertarian/"sex positive" feminism. Libertarian/"sex positive" feminism holds that S/M, including rape play, is potentially compatible with feminism because the power dynamic between a dominant/"rapist" and submissive/"victim" does not draw on either practitioners' actual social identity and the power it possesses or lacks. Dominance/radical feminism argues that gender, which is socially constructed, can best be understood as a form of sexualized domination and submission, so social identity could not be dissociated from power in S/M. My reading of guidebooks and narratives about rape play suggests that the dominance/radical feminist position is more accurate in the case of rape play, though not necessarily all of S/M culture. / by Megan Halena. / Thesis (M.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.

The purpose of this research was to better understand the situational factors involved in date rape. Following the Inhibition Model of Sexual Aggression, I asked Can we observe disinhibition of sexual arousal to nonconsensual cues in heterosexual sexually nonaggressive men by introducing a strong excitatory cue, that is, female nudity? In the first study, young heterosexual men were presented with aural narratives depicting consenting and nonconsenting sexual interactions and nonsexual interactions while their genital sexual arousal was measured. Participants were also presented with pictures depicting clothed and nude women. A second study used videos depicting clothed and nude women exercising. Results suggest that nudity is an excitatory cue that elicits genital arousal; it might also have a small disinhibitory effect for nonconsenting cues, but only for moving images. A discussion of the research findings, implications for future research, and limitations to the research is presented. / viii, 146 leaves ; 29 cm

Thesis (M.S.W.)--Smith College School for Social Work, Northampton, Mass., 2007 / Thesis submitted in partial fulfillment for the degree of Master of Social Work. Includes bibliographical references (leaves 67-69).

published_or_final_version / Sociology / Master / Master of Philosophy

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The aims of this thesis are twofold: to provide an account of the lived experience of the harm of male-on-female rape in patriarchal societies and, on the basis of this account, to generate suggestions that could be of use in the recovery process for survivors of this type of rape. In order to reach these aims my thesis is divided into three parts. In the first part, I propose a phenomenologically based account of women’s situation as a group under patriarchy, according to which women as a group are subjugated to the hegemonic rule of patriarchal ideology. I argue, further, that the meaning, place and pervasiveness of sexual objectification in the lives of women under patriarchy typically results in women’s alienation from their bodies and creates an atmosphere of threat under which women qua women are especially vulnerable to rape. In the second part, I explore the lived experience of the harm of rape; focusing, first, on the reflexive process whereby a survivor attempts to understand how she has been harmed and, second, on providing explanations based on shared features in the lives of women for two phenomena reported to be experienced by rape victims in the aftermath of the trauma, which I call ‘shattering’ and ‘fragmentation'. My discussion of the lived experience of the harm of rape is meant to supplement existing accounts in the contemporary literature that, I argue, are limited to a thirdperson, objective point of view and so fail to provide a link between the harms they describe and the victim’s actual experience of these harms. Finally, I defend two suggestions for the building up of the survivor’s agency and personhood in the aftermath of rape—the deliberate therapeutic use of feminist consciousness-raising and the use of narrative understanding. / Adobe Acrobat 9.53 Paper Capture Plug-in