Thesis (Ph. D.)--Universität zu München, 1971. / Vita. Summary in French. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 219-233).

Focusing on the entire literary works of Fernand Ouellette, that is to say all the writings published in collections from 1953 to 2000, the present thesis studies the evolution of his poetical writing in comparison with his writing of the essay, from a perspective both philosophical (development and evolution of concepts) and rhetorical (poetics and the form of thought). A chronological approach allows to draw three stages within the evolution of his works: (1) the period of lightning (1955--1973), which is linked to the poetics of revelation; (2) the period of wandering (1974--1986), when the poetics of relation is developed; (3) the mask of the augur (1987--2000), when occurs the meeting of the poetics of revelation and relation. / Fernand Ouellette is one of the most important writers of his generation (the so-called generation of l'Hexagone) as well as of Quebec's literary history. Owing to romanticism and existentialism, he belongs to a humanistic and idealistic movement which advocates the total commitment of the artist. Alternately poet, essayist, autobiographer, biographer, literary critic and novelist, his production is remarkable not only because of its literary quality but also because of its intellectual and spiritual requirements. His works foster a filiation relationship with many artists and philosophers, mostly European. / Centered between the desire of unity which sees an absolute in poetry, and the need of uniqueness which commands to take part in history, Ouellette's literary production, from the very first titles, is articulated on a dynamics, initially dual and then dialogical, establishing a relation between the lyrical subject, literally poetic, and the dialectical subject, corresponding to the figure of the essayist. By his commitment to fiction and self-portrait, two forms that are both privileged not only in autobiography but also within the novel and literary criticism, a dialectic is gradually developed, putting side by side poetry and essay without confusing them; it is through this dialectic that the figure of the subject is allowed to take shape. The result is an open literary production in which the function of the essay is essential to the poetical drive forward, while writing, based on movement, is both present to the World and oriented towards a mystical quest.

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Texte remanié de: Diss.--Philosophische Fakultät--Bonn--Rheinische Friedrich-Wilhelms-Universität, 1998. Titre de soutenance : Wege und Irrwege im Dienst einer Verständigung. Fernand de Brinon in den deutsch-französischen Beziehungen von 1918 bis 1945. / Bibliogr. p. 377-408. Index.

Cette thèse aborde le rapport particulier qu’entretiennent activité intellectuelle et engagement nationaliste chez le sociologue québécois Fernand Dumont. À partir de la théorie dumontienne de la culture, cette thèse démontre que malgré les modalités qui leur sont propres, engagement politique et travail intellectuel se rejoignent chez Fernand Dumont, car tous deux sont des efforts de réflexivité relativement similaires. Tous deux sont, pour reprendre ses propres termes, des cultures secondes dont la finalité est d’agir sur la culture première, c’est-à-dire les pratiques vécues en société. Le travail intellectuel de Dumont, plus particulièrement ses travaux sur la question nationale, rejoint ainsi son engagement nationaliste notamment parce qu’ils affichent une seule et même interprétation du devenir de la société québécoise.

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Thèse (M.A.)--Université Laval, 2003. / Bibliogr.: f. 265-274. Publié aussi en version électronique.

Made available in DSpace on 2014-06-11T19:26:35Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-08-31Bitstream added on 2014-06-13T19:54:42Z : No. of bitstreams: 1 cracco_rb_me_assis.pdf: 480258 bytes, checksum: 6e8471ea07c622acf12df674d2f31c64 (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Fernand Braudel defende a pesquisa histórica que prioriza a longa duração. Os próprios fundadores da revista dos Annales já pensavam a história a partir de longos períodos, contrapondo-se à história política dos séculos XVIII e XIX, ainda que Fernand Braudel afirme que a história política não é exclusivamente factual, nem condenada a sê-lo. Para entendermos como Fernand Braudel chega a esta posição é necessário refletir sobre as influências que o levaram a tal, dentre as quais e, principalmente, a tradição dos Annales. Portanto, buscaremos analisar as considerações sobre o tempo histórico em Lucien Febvre e Marc Bloch e como estas considerações incidem na nova grade do tempo proposta por Fernand Braudel. Analisaremos o tempo histórico em suas dimensões de “temporalidade” e “duração”, a “dialética da duração” e a forma como Fernand Braudel trabalha com o conceito de “estrutura”. O estudo das perspectivas metodológicas do grupo dos Annales, onde se situa nosso projeto, figura como pré-requisito para a compreensão dos métodos da historiografia contemporânea, em especial os ligados à Nova História. Devido à sistematização da nova proposta temporal para as pesquisas históricas realizada por Fernand Braudel e, principalmente, ao seu mérito de articular o meio, cultura e sociedade em trabalhos balizados pela “dialética das durações”, somos levados a tomar a sua obra como base para o atual trabalho. / Fernand Braudel argues about the historical research which gives priority to long term. Even the founders of the Journal of Annales already thought history from long periods of time, contrasting to the political history of the eighteenth and nineteenth centuries, while Fernand Braudel has said that the political history is not only factual, or ordered to do so. To understand how Fernand Braudel reaches this position, we must reflect on the influences that led him to this, among them, and mainly from the tradition of the Annales. Therefore, we’ll examine the comments about the historical time in Marc Bloch and Lucien Febvre and how these considerations relate to the new grade of time proposed by Fernand Braudel. We’ll review the historical time in its dimensions of temporality and duration, the dialectic of duration and how Fernand Braudel works with the concept of structure. The study of the methodological perspectives from Annales group, which is our project, is a prerequisite to understanding the methods of contemporary historiography, in particular those linked to the New History. Due to the systematization of the new proposal about time for historical research conducted by the Fernand Braudel and, especially, the merit of articulating the environment, culture and society on works marked by the dialectics of the time, we have to take his work as a basis for the current research.

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