abstract: The author explores the influences on the interiors of Hollywood films of the late 1920s and 30s. The Exposition des Arts Décoratifs et Industriels Modernes, Paris 1925 is examined in historical context and its influence on design trends internationally. The Hollywood film industry is examined, in general, and Metro-Goldwyn-Mayer and its longtime art director, Cedric Gibbons, in particular. Eight MGM films are discussed and their interiors analyzed for related influence from the 1925 Paris Exposition. The thesis makes a case for the influence of the 1925 Paris Exposition on Cedric Gibbons and the interiors of the MGM films of the late 1920s and 30s. / Dissertation/Thesis / AnnRishell Art Deco database / Masters Thesis Design 2014

The evolutionary origins of human handedness are not yet fully understood as evidence of lateralized behavior in nonhuman primates is inconclusive. In the present study, lateralized behavior in both spontaneously occurring motor patterns and a tube task was examined in 15 white-handed gibbons (Hylobates lar). Significant side preferences at the individual level were found within all 15 studied motor patterns. However, no population-level side bias was found for any of the spontaneously occurring or task-related motor patterns and none of the gibbons were consistent in their hand preference across all motor patterns. When only considering the individuals with a significant preference, a significant majority was left-preferent for resting foot. Strength of side preference was significantly higher for the tube task than for all spontaneously occurring motor patterns. Side preferences for manipulation and resting position were significantly stronger than those for supporting hand. Additionally, the preferences for manipulation were significantly stronger than those for leading limb. In the bimanual tube task, females displayed a tendency towards a left-side bias, while males tended to display a bias to the right. Furthermore, females had a significantly stronger hand preference for supporting hand than males. No other sex differences were found. Age, posture, and kinship had no significant effect on lateralized behavior for any of the motor patterns. As in other nonhuman primates, the white-handed gibbons were only consistent in their hand preference across tasks that required similar movements. Altogether, these findings support the notion that population-level handedness may be restricted to human subjects.

In this qualitative study we are going to use semi-structured interview, we have investigated four teachers who teach the subject of Spanish as a foreign language- in different parts of Sweden. The purpose is to investigate different methods of the process of writing used by teachers and if they use de circle model as a method or not (Gibbons, 2018). It also aims to evoke if there is any advantage and disadvantage with the methods used by the teachers. The results show that all the teachers use different methods that have both advantages and disadvantages. None of the teachers use the circle model. On the other hand, all the teachers use parts of the circle model.

The endangered white-cheeked crested gibbon (Nomascus leucogenys), native to Laos, Vietnam, and perhaps China, remains little known and highly threatened. I studied seasonal variation in the diet, activity budget, and ranging behavior of three groups of white-cheeked crested gibbons in Nam Kading National Protected Area, Bolikhamxay Province, Laos, over 12 months in wet seasonal evergreen forest. Crested gibbons (Nomascus spp.) are speculated to be more folivorous than other gibbons, but this has never been confirmed because of the paucity of fieldwork on the genus. I studied diet in relation to forest seasonality to determine the contribution of leaves to the diet over an annual cycle. Although leaves were the main dietary item throughout the year (53-85% of monthly diet), gibbons substantially increased their consumption of fruit during periods when it was most abundant in the forest. Because fruit is a calorically rich source of food, gibbons seek fruit when it is abundant and obtained easily. Young leaf consumption increased when they did not have access to fruit, indicating that their diet is flexible but strongly dependent on seasonal availability of resources. In addition, rainfall had a negative association with fruit abundance and fruit in diet. Activity budgets are an important aspect of a species' ecology because they are directly related to home range use, energy allocation, and diet, but they have never before been studied in gibbons (Nomascus spp.) of the rainy, mountainous, forests of Laos. Annually, the three groups that I studied spent nearly equal amounts of time resting (30%), feeding (33%), and traveling (35%), but only a small amount of time singing (2%). However, the proportion of time allocated to different activities showed significant seasonal variation associated with rainfall and diet, and correlated with home range use. Gibbons increased traveling time and decreased feeding time when they ate more fruit, and they decreased traveling time and increased feeding time when they ate more leaves. When the gibbons spent more of their time traveling, they also had longer day range lengths, and used a higher percentage of their total home range. Moreover, when rainfall was high, the gibbons decreased traveling time and increased time resting and feeding. Average home range size was 37.9 hectares and daily average distance over which the gibbons ranged over the 12 month study was 1.48 km per day. Differences existed among the three groups. Overall, white-cheeked crested gibbons have a home range similar in size or larger than frugivorous gibbons, and larger than the folivorous siamang. Ranging was highly seasonal with shorter day ranges during times of low fruit availability and consumption. During times of high fruit availability and low rainfall, the gibbons took on an energy maximizing strategy where they maintained large home ranges, traveled longer distances and consumed larger quantities of fruit. Gibbons and their habitat in Laos have faced continuous threats over the past 10 years because of large scale development projects and subsistence hunting. Given the highly threatened status of the species in Vietnam and China, the Lao population is certainly the world's largest and the best hope for conservation of behavioral, ecological, and genetic diversity. Resources for conserving species in the country are very limited, and wildlife populations are already greatly fragmented. I describe the current conservation issues and based on the dietary and ranging information that I collected, recommend important conservation measures to safeguard the remaining populations of endangered gibbons from extinction.

Thesis (D.A.)--Illinois State University, 1993. / Title from title page screen, viewed March 9, 2006. Dissertation Committee: Walker D. Wyman (chair), Lawrence W. McBride, Edward L. Schapsmeier, John B. Freed, Larry D. Kennedy, Richard J. Soderlund. Includes bibliographical references (leaves 344-353) and abstract. Also available in print.

Magister Commercii - MCom / This study analyses the extent to which stock returns provide forecasts of changes in interest rates and inflation for the South African market. The period under investigation, January 1966 - February 1989, is characterised by structural changes in the South African economy, especially in the financial markets. The earnings yield on shares is used as a measure of the return on stocks. Stock returns of 10 specific industries are used in addition to the overall market return. Monthly inflation series were constructed by employing both the Consumer Price Index (CPI) and the Producer Price Index (PPI). Before examining that relationship, tests were done to examine the relationship between nominal stock returns and expected inflation. The relation between the stock market and expected inflation is estimated by using three measures of expected inflation. The results appear to suggest that the stock market reacted positively to expected inflation during the 1966 - 1982 period. Two proxies of expected inflation. Best results inflation are used to were obtained with measure future the Fama-Gibbons measure. In addition, the results suggest that stock returns provide additional information of future inflation to that contained in the Fama-Gibbons and interest rate models. Returns for specific industries, used in this study, appear to provide marginally better forecasts of inflation than the overall market return. The results also suggest that stock returns provide forecasts of changes in interest rates and inflation. There is no evidence that the specific industries used, provide consistent better forecasts of interest rate changes than the overall market.

This thesis investigates a neglected sub-genre of women’s writing, which I have termed the literature of the boarding house. Focusing on unmarried women, this is a study of the alternative rooms ‘of one’s own’ that existed in the nineteen thirties: from the boarding house and hotel, to the bed-sitting room or single room as a paying guest in another family’s house. The 1930s is defined by the conflict between women’s emerging social and economic independence and a dominant ideology that placed increased importance on domesticity, the idea of ‘home’ and women’s place within the familial structure. My research highlights the incompatibility between the idealised images of domestic life that dominated the period and the reality for the single woman living in temporary accommodation. The boarding house existed outside conventional notions of female domestic space with its connotations of stability and family life. Women within the boarding house were not only living outside traditional domestic structures; they were placing themselves outside socially and culturally defined domestic roles. The boarding house was both a new space of modernity, symbolising women’s independence, and a continued imitation of the bourgeois home modelled on rituals of middle-class behaviour. Through an examination of novels by Elizabeth Bowen, Lettice Cooper, Stella Gibbons, Storm Jameson, Rosamond Lehmann, Dorothy Richardson, Jean Rhys, Virginia Woolf, and E. H. Young, this study privileges the literary as a way in which to understand the space of the boarding house. Not only does the boarding house blur the boundaries between public and private space, it also challenges the traditional conceptions of the family home as the sole location of private domestic space. I argue that by placing their characters in the in-between space of the boarding house, the authors can reflect on the liminal spaces that existed for women both socially and sexually. In the literature of the boarding house, the novel becomes a site for representing women’s experiences that were usually on the periphery of traditional narratives, as well as a literary medium for articulating the wider social and economic issues affecting the lives of unmarried women.

This thesis is an investigation of how spiritual ideas have contributed to West Australian academic and artist Tom Gibbons’s approach to Modernism. Against the backdrop of the local context I show how Gibbons’s 1950s undergraduate and 1960s post-graduate studies in the area of the occult and esoteric influences on Early Modernism provided him with an atypical perspective on Modernism itself but that this perspective resulted in his development of a Modernist sensibility particularly suitable for the type of questions asked about art in the later part of last century. My thesis traces Gibbons’s development of an integrated aesthetic “theory” that bridged for him the gap between a host of contrary sources. For Gibbons the bridge between divergent views on art, from the Modern period to the Renaissance period, is an ahistorical perspective based on Christian Immanence. He thus adopted a perspective that redefined the metaphysical aspects of Modernist abstraction through a particular approach to realism which celebrates the everyday world because of the Christian structures that for him condition it. I argue that his sensibility, which combines the stylistic features of a Modernist literature witty juxtaposition, irony and paradox with the concept of Christian Immanence, resulted in an oeuvre which can be read as a particular example of what Ken Wilber in the late 1990s termed Integral Studies. I argue that underlying Gibbons’s use of Christian Immanence is the Integralist’s understanding that the world’s great philosophical and spiritual traditions approach consciousness and experience through similar ideas. The argument presented, in agreement with writers such as Wilber, is that Gibbons’s capacity to develop a sense of life’s irony and metaphor, and to then use this as a capacity to embrace the beauty and outrageousness of the whole, is a mature spirituality that provides an integrated perspective filled with joy for the ordinary. I conclude that his art provides a particular example of how the loss of meaning felt by Modernists may be addressed.

This thesis explores Alan Moore and Dave Gibbons' 1986-87 comic book series Watchmen according to its network structure, paying particular attention to page layout and the establishment of or deviation from the nine-panel "waffle iron" grid. This reading aims to better understand the comic book form, connecting the work of comics theorist Theirry Groensteen to certain elements of actor-network theory and Ian Bogost's notion of the ontograph--a map of being that emphasizes the interobjectivity of networked nodes. This thesis explores the ontographic nature of the comic book form more generally before tracing the meta-textual ontograph in Watchmen. The thesis then examines the network within the single panel, the multi-panel page layout, and the collaborative network of artist and author. Finally, this thesis explores how Watchmen as an ontograph exploits the affordances of the comic book form in order to construct creative temporalities.

This thesis develops an analytical approach to the instrumental music of Orlando Gibbons (1583-1625) based on close readings of historical theory sources, primarily by Thomas Morley, John Coprario and Thomas Campion. Music of the early seventeenth century can be difficult to analyse, since it falls between the more extensively studied and theorised practices of classic vocal polyphony and common-practice tonality. Although English music theory of this period is recognised as strikingly modern in many respects, innovative aspects of English compositions from the same period receive little attention in standard accounts of the seventeenth century. I argue that concepts taken from this body of historical theory provide the basic terms of a technical vocabulary for analysis, which should be further refined through application to real compositions. Successive chapters deal with common counterpoint models or patterns, imitative invention and disposition, cadential progressions, and overall tonal structure. I argue that these analyses show Gibbons's music to be a contribution to new ways of conceiving of instrumental polyphony and tonal structure, which deserves re-evaluation in the context of broader seventeenth-century trends. In particular, Gibbons's use of extended cadential expectations as an expressive element, fascination with sequential progressions, and sectional structuring by harmonic area have clear parallels with later practices. At the same time, early seventeenth century style allows the composer considerably more freedom of harmonic procedures and implications than the musical styles which immediately followed it. Analysis grounded in historical theory provides the best approach to understanding and appreciating this unique musical language.