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1	La grande nouvelle des bergers de La Salette : le plus grand amour, les plus fortes expressions / Corteville, Michel. January 2001 (has links) Texte remanié des deux premières parties de: Th.--Théologie--Rome--Université pontificale Saint-Thomas-d'Aquin, 2000. / La couv. porte en plus : "I, L'apparition et ses secrets", mais les deux dernières parties de la thèse de l'auteur restent inédites ("Mélanie" et "La Règle de vie des Fils et filles de la Mère de Dieu"). Contient un choix de textes de Mélanie Calvat et de Maximin Giraud, ainsi que d'autres auteurs (XIXe et XXe siècles). Bibliogr. p. 2-6. Suppl. de "L'impartial", n ° 178 (2001).
2	Jag vet inte hur jag ska börja... : Instudering av modernistisk konstmusik med utgångspunkt i Arnold Schönbergs Pierrot Lunaire Poignant, Eleonora January 2021 (has links) Ämnet för denna kandidatuppsats är Arnold Schönbergs verk Pierrot Lunaire. Det komponerades under sommaren 1912 och är än idag ett av de mest fascinerande modernistiska verk som finns, ofta framfört och ständigt aktuellt. Jag har i uppsatsen, förutom att ha gett en redogörelse för uppkomsten av Pierrot Lunaire och dess betydelse, undersökt min egen inlärningsprocess när jag som sångerska instuderat fyra satser ur verket, och utifrån resultatet dragit slutsatser om hur den här typen av musik bäst instuderas. Syftet med studien var alltså en utforskning av olika metoder för instudering, specifikt inom området svårinlärd vokalmusik. Metodiskt består denna undersökning av några olika komponenter. Själva studien i inlärning genomfördes på min loggbok över övningstimmar ägnade åt Arnold Schönbergs Pierrot Lunaire, vilken jag strukturerat efter tre sinsemellan olika instuderingsmetoder, som sedan i retrospektiv vägs mot varandra för att påvisa vilken som ger störst effektivitet. Utöver detta har jag läst en rad vetenskapliga artiklar i akt och mening att få begrepp om Pierrot Lunaire’s upphovspersoner samt deras levnadsförlopp, och därtill om själva verkets natur. Vidare har jag tillsammans med en pianist navigerat mig igenom musiken och spelat in ett klingande exempel som bifogas till denna uppsats. Resultatet av studien har varit relativt entydigt men vägen till den slutsats jag kunde dra har inte varit helt rak – det har visat sig att olika inlärningsprocesser kan ge olika resultat beroende på om man vill lära sig materialet på lång eller kort sikt. Man kan dra slutsatsen att en grundlig och systematisk instudering av de olika musikaliska aspekterna var för sig, påvisat med instuderingsmetod nr. 2 har det mest långsiktiga resultatet i fråga om precision och säkerhet, vilket i sin tur leder till större konstnärlig frihet. Detta resultat innebär insikt om hur jag, och förhoppningsvis andra, bör förhålla oss till instudering av modernistisk konstmusik. / <p>Bilaga 1 – Partitur på fyra satser ur <em>Pierrot Lunaire (</em>Arnold Schönberg, Op. 21 komponerad år 1912),<em> </em>se nedan. </p><p>Bilaga 2 - MP3-fil innhehållandes framförandet av fyra satser ur <em>Pierrot Lunaire.</em> </p><p>Sopran: Eleonora Poignant </p><p>Piano: Anonymiserad student vid KMH</p><p>1. Mondestrunken</p><p>4. Eine blasse Wäscherin</p><p>6. Madonna</p><p>7. Der kranke Mond </p> Albert Giraud Arnold Schoenberg Atonality Op. 21 Pierrot Lunaire Vocal music Albert Giraud Arnold Schoenberg Arnold Schönberg Atonalitet Instudering Op. 21 Pierrot Lunaire Vokalmusik Music Musik
3	Perforated Hollow Core Waveguides for Alkali Vapor-cells and Slow Light Devices Giraud Carrier, Matthieu C 01 February 2016 (has links) (PDF) The focus of this work is the integration of alkali vapor atomic vapor cells into common silicon wafer microfabrication processes. Such integrated platforms enable the study of quantum coherence effects such as electromagnetically induced transparency, which can in turn be used to demonstrate slow light. Slow and stopped light devices have applications in the optical communications and quantum computing fields. This project uses hollow core anti-resonant reflecting optical waveguides (ARROWs) to build such slow light devices. An explanation of light-matter interactions and the physics of slow light is first provided, as well as a detailed overview of the fabrication process. Following the discovery of a vapor transport issue, a custom capillary-based testing platform is developed to quantify the effect of confinement, temperature, and wall coatings on rubidium transport. A mathematical model is derived from the experimental results and predicts long transport times. A new design methodology is presented that addresses the transport problem by increasing the number of rubidium entry points. This design also improves chip durability and decreases environmental susceptibility through the use of a single copper reservoir and buried channel waveguides (BCWs). New chips are successfully fabricated, loaded, and monitored for rubidium spectra. Absorption is observed in several chips and absorption peaks depths in excess of 10% are reported. The chip lifetime remains comparable to previous designs. This new design can be expanded to a multi-core platform suitable for slow and stopped light experimentation. Matthieu Giraud-Carrier Aaron Hawkins microfabrication spectroscopy slow light stopped light EIT rubidium diffusion vapor transport microfabrication ARROW light-matter interactions waveguide Electrical and Computer Engineering Engineering
4	Les Prétentions du Violoncelle: The Cello as a Solo Instrument in France in the pre-Duport Era (1700-1760) Yapp, Francis Anthony January 2012 (has links) When Hubert Le Blanc published his Défence de la basse de viole in 1741, the cello had already established itself as a solo instrument in Parisian musical life. Several cellists, both French and foreign, had performed to acclaim at the Concert Spirituel, and the instrument had a rapidly expanding repertoire of published solo sonatas by French composers. Among the most significant of the early French cellist-composers were Jean Barrière (1707-47), François Martin (c. 1727-c. 1757), Jean-Baptiste Masse (c. 1700-1757), and Martin Berteau (1708/9-1771). Their cello sonatas are innovative, experimental, often highly virtuosic, and, in spite of unashamedly Italianate traits, tinged with a uniquely French hue. Yet notwithstanding its repertoire and the skill of its performers, this generation of French cellist-composers has remained undervalued and underexplored. To a large extent, this neglect has arisen because a succeeding generation of French cellists of the late eighteenth century - the Duport brothers, Jean-Pierre (1741-1818) and Jean-Louis (1749-1819), the Janson brothers, Jean-Baptiste-Aimé (1742-1823) and Louis-Auguste-Joseph (1749-1815), and Jean-Baptiste Bréval (1753-1823) - are widely acknowledged as the creators of the modern school of cello playing. This dissertation focuses exclusively on the early French cello school. It seeks to examine the rise of the solo cello in France within its socio- cultural and historical context; to provide biographies of those com- prising the early French cello school; to explore the repertoire with particular emphasis on the growth of technique and idiom, detailing features that may be described as uniquely French, and to assert the importance of and gain recognition for this school, not as a forerunner of the so-called Duport school but as an entity in itself. basse de violon violoncello violoncelle cello cellists eighteenth century concert spirituel salons opéra vingt-quatre violons du roi french france paris louis xv orleans angers stanislas leszczynski stück l'abbé barrière berteau patouart giraud spourny françois martin boismortier corrette masse bowing double stopping double stops thumb position boivin leclerc sonata sonatas baroque

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