Thesis (M.A.)--University of North Texas, Dec., 2009. / Title from title page display. Includes bibliographical references.

Thesis (Ph. D.)--Catholic University of America, 1943. / "Select bibliography": p. 95-99.

Thesis (Ph. D.)--Catholic University of America, 1943. / "Select bibliography": p. 95-99.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1974. / Typescript. Vita. Includes bibliographical references.

No description available.

Orientador: Etienne Ghislain Samain / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-16T23:43:36Z (GMT). No. of bitstreams: 1 Maretti_MarialbaRita_M.pdf: 29293205 bytes, checksum: e3f1c64c49d3df3b4426e6eb47c10b81 (MD5) Previous issue date: 2010 / Resumo: O objetivo desta dissertação é investigar o lugar ocupado pelas imagens fotográficas na obra Naven de Gregory Bateson. A obra - recentemente traduzida para o português - trata do estudo de uma cerimônia homônima ao título praticada pelos Iatmul, tribo da Nova Guiné, em meados dos anos 1930, destinada a congratular o filho de uma irmã por um feito considerado adulto. Em Naven, após trezentas páginas com uma analise tripla do ritual (etológica, sociológica e estrutural), Bateson apresenta 28 pranchas fotográficas totalizando 49 fotografias. Pretendemos, através de uma perspectiva heurística, trazer a tona esta obra pouco estuda nos meios acadêmicos brasileiros, realizando uma reflexão sobre o trabalho fotográfico de Bateson contido em Naven. Valendo-me de um olhar antropológico, mas não deixando de lado o artístico, analisamos as pranchas fotográficas realizadas pelo autor. O intuito é o de trazer uma colaboração à história da Antropologia Visual, a fim que se possa no futuro fazer avanços metodológicos, além de diversificados, neste campo de investigação. / Abstract: The objective of this dissertation is to investigate the role played by câmera images in the Gregory Bateson's work Naven. The work - recently translated into Portuguese - deals with the study of a ceremony homonymous to the title practiced by the Iatmul, tribe in New Guinea, in mid 1930, intended to welcome the son of a sister for an accomplishment considered adult. In Naven, after three hundred pages with a triple review of the ritual (ethological, sociological and structural), Bateson presents 28 photographic plates totaling 49 photographs. We intend, through a heuristic perspective, to bring forward this book little studied in academic circles in Brazil, performing a reflection on the photographic work contained in Bateson's Naven. Availing myself of an anthropological view, but without leaving aside the artistic, we analyze the photographic plates taken by the author. The aim is to bring a contribution to the history of Visual Anthropology, in order to be able to do in the future methodological advances, and diverse in this field of research. / Mestrado / Mestre em Multimeios

Orientador: Etienne Ghislain Samain / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-15T17:38:18Z (GMT). No. of bitstreams: 1 Scansani_AndreaCarla_M.pdf: 932997 bytes, checksum: 68b69c9d9c97658201ccaf7023df78ab (MD5) Previous issue date: 2010 / Conteúdo: DVD-R1. Ensaio do filme "Dois ou um" - DVD-R2. Integra das entrevistas (arquivos sonoro.wav) / Resumo: Dois ou um (documentario e dissertação) propõe uma reflexão sobre a natureza plural da percepção humana, inspirada na epistemologia de Gregory Bateson, no encontro da autora com a lagoa do Macacu, em Garopaba, Santa Catarina. Com ênfase na feminilidade, como uma das maneiras de abarcar as multiplas versões do mundo, a pesquisa caminha entre conversas com moradoras do bairro que narram histórias pessoais e contos fantásticos e, observações fotográficas da natureza e detalhes das moradas nesse espaço compartilhado. A partir dessas camadas, um retrato multifacetado é composto na montagem cinematográfica, colocando em visibilidade o que está entre as relações, no intuito de romper com a polaridade e amplificar o eco criado na soma dos diferentes modos de ver e expressar / Abstract: Two or One (documentary and dissertation) proposes a reflection on the plural nature of human perception inspired by Gregory Bateson's epistemology and trough the contact of the author with Macacu's lagoon, in Garopaba, Santa Catarina. Emphasizing on feminility, as one way of approaching the multiples versions of the world, the research moves from talks with women who narrate their personal stories and fantastic tales, and, photographic observations of the nature an details of their homes in this shared space. From those layers a multifaced portrait is compounded in the cinematographic editing, giving visibility to what is between the relationships, with the purpose of breaking up the polarity and amplifying the eco created in the sum of different ways of expression / Mestrado / Mestre em Multimeios

My thesis explores the role of religion and spirituality in the work of the Beat Generation, a mid-twentieth century American literary movement. I focus on four major Beat authors: William S. Burroughs, Allen Ginsberg, Jack Kerouac, and Gregory Corso. Through a close reading of their work, I identify the major religious and spiritual attitudes that shape their texts. All four authors’ religious and spiritual beliefs form a challenge to the Modern Western worldview of rationality, embracing systems of belief which allow for experiences that cannot be empirically explained. They also assert the primacy of the individual—a major American value—in a society which the authors believed to encroach upon individual agency. Ginsberg, Kerouac, and Corso are also strongly influenced by established religious traditions: an aspect of their work that is currently overlooked in Beat criticism. Burroughs’ belief in a magical universe shapes his work. Ginsberg is heavily influenced by the Jewish exegetical tradition. Kerouac and Corso’s work contains Catholic themes. My study rectifies some tendencies in current criticism which I find problematic: a dismissal of the Beats as a countercultural phenomenon rather than a literary movement, a tendency to frame Beat religion and spirituality in vague language, and a tendency to focus solely on Buddhism within the movement. My study illustrates that the Beat authors’ work contains serious religious and spiritual content, that they take part in American religious and literary traditions, and that the authors engage with major social issues of the post-war period.

Objective: To determine the prevalence of the lower third molar position according to the classification of Winter and the classification of Pell and Gregory in patients between 18-35 years of age of the Universidad Peruana de Ciencias Aplicadas Dental Clinic during the period from February 2011 to December 2012. Material and methods: This is an observational, descriptive, transversal and retrospective study in which 582 panoramic x-rays were selected of the clinical record of patients that were found in the range of age required and in the establish period of time. Results: 1067 lower third molars were evaluated. According to the study it was observed that the most prevalent positions, according to the classification of Winter were vertical (42, 3 %) and mesioangular (31, 4 %), for both male and female and in both sides for patients between 18 and 35 years. According to the classification of Pell and Gregory, the most prevalent position was IA (39 %) for both genders and in both sides for patients between 18 and 35 years too. Conclusions: According to the classification of Winter the most prevalent positions were the vertical and mesioangular. According to the classification of Pell and Gregory, it was IA. It was also found that those positions were the most frequent in both genders and in both sides for patients between 18 and 35 years. / Objetivo: Determinar la prevalencia de la posición de las terceras molares mandibulares según la clasificación de Winter y según la clasificación de Pell y Gregory en pacientes de 18 a 35 años de la clínica odontológica docente de la Universidad Peruana de Ciencias Aplicadas durante el periodo febrero 2011-diciembre 2012. Materiales y métodos: Se trata de un estudio observacional, descriptivo, transversal y retrospectivo en el cual se seleccionaron 582 radiografías panorámicas de las historias clínicas de los pacientes de la clínica docente que se encontraban en el rango de edad requerido y en el periodo establecido. Resultados: Se evaluaron en total 1067 terceras molares mandibulares. De acuerdo al análisis, se observó que las posiciones más prevalentes según la clasificación de Winter fueron vertical (42,3 %) y mesioangulada (31,4 %), ambas posiciones para ambos géneros y lados entre los 18 y 35 años. Según la clasificación de Pell y Gregory, la posición más prevalente fue la IA (39 %) también la posición más frecuente para ambos géneros y lados, entre los 18 y 35 años. Conclusiones: De acuerdo a la clasificación de Winter, las posiciones más prevalentes fueron la vertical y la mesioangulada y, según la clasificación de Pell y Gregory fue la IA. Además, en ambas clasificaciones se determinó que dichas posiciones fueron las más frecuentes en ambos géneros y lados, entre los 18 y 35 años. Palabras clave: Terceras molares, impactación, inclusión, retención, clasificación de Winter, clasificación de Pell y Gregory

In this dissertation, Wallace Stevens' imagination-reality problem as depicted in his poetry is discussed in terms of an eco-critical map-territory divide. Stevens's metaphor of "the necessary angel" acts to mediate human necessity, the map, with natural necessity, the territory, in order to retain contact with changing cultural and environmental conditions. At stake in this mediation are individual freedom and the pertinence of the imagination to the experience of reality. In Chapter 2, the attempt at reconciliation of these two necessities will be described in terms of surrealism. Stevens's particular approach to surrealism emphasizes separating and delineating natural necessity from human necessity so that through the poem the reader can experience the miracle of their reconciliation. In Chapter 3, this delineation of the two necessities, map and territory, will be examined against Modernist "decreation," which is the stripping bare of human perception for the purpose of regaining glimpses of the first idea of the external world. And in Chapter 4, Stevens's approach to the problem of the map-territory divide will be considered against his alienation or internal exile: balancing nature and identity through mediating fictions results in a compromised approach to the marriage of mind and culture in a historically situated place.