Submitted by Johnny Rodrigues (johnnyrodrigues@ufcg.edu.br) on 2018-09-27T15:59:37Z No. of bitstreams: 1 FERNANDA KAROLINE MARTINS LIRA ALVES - DISSERTAÇÃO PPGH 2009..pdf: 13869497 bytes, checksum: e1d44fd6a83dd1c3599bdeccb1b6086e (MD5) / Made available in DSpace on 2018-09-27T15:59:37Z (GMT). No. of bitstreams: 1 FERNANDA KAROLINE MARTINS LIRA ALVES - DISSERTAÇÃO PPGH 2009..pdf: 13869497 bytes, checksum: e1d44fd6a83dd1c3599bdeccb1b6086e (MD5) Previous issue date: 2009-04 / Este trabalho busca analisar as formas de moradia dos pobres na cidade de Parahyba do Norte-PB. no período entre 1910 e 1930. para compreender como se deram as intervenções no espaço da cidade, especialmente das habitações, e quais as implicações que as reformas urbanas, realizadas nesse período, tiveram na organização da cidade inclusive na forma de viver e morar nela. Tendo em vista que o processo de urbanização/modernização pelo qual passou a urbe buscou suprir não só as carências materiais, dotando-a com serviços e equipamentos urbanos de uso coletivo, tais como energia elétrica, serviço de abastecimento de água e saneamento, calçamento, alargamento das avenidas, bem como construção de praças e jardins públicos, mas também objetivava modificar os hábitos de seus moradores a partir da normatização dos usos dos espaços públicos e privados, a fim de manter a ordem estabelecida pelas autoridades em conjunto com as elites, os quais banhados pelos ideais de "progresso" e "civilização" procuraram gestar novas formas de habitabilidade bem como de sociabilidade condizentes com os novos padrões burgueses. De modo que, chamamos atenção para o modo de vida dos populares, com suas práticas cotidianas, suas formas de diversão, que em grande medida representaram uma ressignificação do projeto de modernização idealizado pelas elites. / This paper analyzed the forms of dwelling for the poor in the city of North-Parahyba PB. in the period between 1910 and 1930, to understand how interventions are made within the city, especially of the dwelling, and which the implications what the urbane reforms carried out in this period, had the organization of the city including in the form of live and life it. I have in mind that the process of urbanization / modernization over which it passed the city looked to provide not only the material lacks, endowing it with services and urbane equipments of collective use, such as electric energy, water supply and sanitation, paving and enlargement of the avenues, as well as construction of squares and public gardens. But also it was aiming to modify the habits of his residents from standardization of the uses public and private spaces, in order to maintain the order established by the authorities together with the elites, which involved by the ideais of "progress" and "civilization" looked to develop new forms of habitable state as well as sociability according to new bourgeois standards. So that, we attract attention for the way of popular life, with their daily practices, their forms of entertainment, which largely represented a new conception of the modernization project idealized by the elites.

Dans le cadre du projet de « maintenir ou accroître l'habitabilité du monde » (Ezio Manzini, 1991), nous interrogeons la manière de penser l’habiter par le design, qui rencontre de notre point de vue la question des enveloppes de l'homme, artificielles versus biologiques, matérielles versus virtuelles. Le cas de l’habit, hypothétique enveloppe habitable dérivée du vêtement, première architecture selon Gottfried Semper et le « principe du revêtement », retient tout particulièrement notre attention. Le sujet est abordé par une théorisation située à partir d’un projet expérimental personnel de conception et fabrication d’enveloppes textiles, qui attesta d’une rationalité et d’une expansivité tout à fait singulières. Son étude est conduite par une méthode poïétique, au sens de Paul Valéry, qui combine une étude herméneutique des productions, une exégèse de la nature systémique de la démarche (programme et émergences), ainsi qu’une exégèse complémentaire du travail technique en actes (facture et irrégularités). La transdisciplinarité inhérente à la problématique est ainsi envisagée à partir de la pensée de l’art textile de Semper, la pensée poétique et épistémologique de Valéry, et la pensée esthétique complexe issue des sciences du vivant. La construction théorique nous emporte à suggérer, en regard de l’habitabilité, la perspective d’un nouveau paradigme, la textilité. / In context of the project intended to « maintain or increase the habitability of the world » (Ezio Manzini, 1991), we question the way of thinking the dwelling by design, which meets, according to us, the question of human envelopes, artificial versus biological, material versus virtual. The case of the habit, hypothetical inhabitable envelope derived from garment, primary architecture according to Gottfried Semper and the “theory of clothing”, particularly focuses our attention. The subject is approached by a situated theorizing from a personal experimental project of conception and manufacture of textile envelopes, which demonstrated a rationality and expansiveness quite singular. The study is leaded by a poïetic method, as defined by Paul Valéry, combining an hermeneutical study of production, an exegesis of the systemic nature of the process (program and emergences), and an additional exegesis of the technical work through the acts (craft and irregularities). The inherent transversality of the problem is thus considered with means of the thought of textile art of Semper, the poetic and epistemological thought of Valéry, and the complex aesthetic thought outcome from of the life sciences. The theoretical construction takes us to suggest, in comparison with the one of habitability, the way to a new paradigm of textility.