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Vägen till en färdig textil / The journey to a finished textileLandestorp, Erika January 2004 (has links)
This work describes the process from sketch to functional textile. Starting points are thoughts about the transition from sketch to fabric, and the possibility to sketch before decisions are made about the quality of the final fabric. The first result of this study is the final product, a hand weaved clothing in thin wool that fulfils set demands. The second result is the knowledge that it is possible to make a purposeful sketch without knowing the final product. / Uppsatsnivå: C
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Heterarchy, Weaving and SkateboardersBessel, Claire January 2009 (has links)
The aim of this project is to design and craft sustainable fabrics according to slow fashion principles. Furthermore the intention is to develop these fabrics, to make them exciting and congenial for use as trouser fabric for skateboarders.
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Salvage the selvedge! : Upcycling selvedge waste from industrial weaving, using handweaving techniquesArolin, Ellen January 2019 (has links)
Waste is a big problem in the textile industry; one area of waste is cut off selvedges from the weaving industry. This degree work in textile design questions the need and motivation to produce fully new textiles, choosing instead to use waste material in order to create sustainable design. The work aims to apply waste selvedges in a textile design context by using it in handweaving, as both warp and weft. This project also explores food waste as dyestuff, dyeing selvedge waste with it, achieving a large variety of colours. Using selvedge waste in both warp and weft, along with dyeing using food waste, brought many possibilities in both technique and aestethics, as well as expanding the sustainable perspective in textile design by challenging the use of waste from textile and food production. The result is three handwoven examples with varying expressions, created to bring inspiration for others to use waste selvedges as a material.
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Mind, Body, and Handwoven ClothDonnelly, Andrea 29 April 2010 (has links)
My work explores the nature of individual perception, and the side of our lives lived entirely within our minds. I do this through the lens of self-reflection, examining the images of my own mental life and translating them into delicately handwoven cloth. These images and their structures become sensory experiences of the intangible, and a meeting place for my internal life and that of my viewer. The cloth I weave is simultaneously familiar and strange. Through woven surface and imbedded imagery, I attempt to illuminate the deep emotions that necessarily isolate us from each other, and the shared experiences of our physical beings, which connect us. The quiet, ritualistic act of weaving expresses an overlapping of mental and physical space: the resulting cloth bears within each line of warp and weft the metaphor of that process.
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Textil och glas : ett universum / Textiles and glass : a universeEdling, Susanna January 2007 (has links)
This work is about presenting the weave in a new and different context, by bringing textile and glass together. The work is characterized by material and shape experiments with silver and copper weave and hand blown glass. From experiments and sketches, the work has resulted in four sculptures, symbolizing four selected stages in a lifecycle; the birth, the development, the maturity and the death. One important part of the work has been to combine different materials and techniques. Studies of literature, sketching, handweaving and integration of silver and copper weave in the glass have been important methods in the working process. Inspired by the flower, the human being and the universe, a story about the life cycle has taken shape. The paper describes the working process with choices and analyses. It describes the experiments and the making of the sculptures. / <p>Uppsatsnivå: C</p>
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