Mémoire d'étude diplôme de conservateur des bibliothèques : bibliothéconomie : Villeurbanne, ENSSIB : 2008. / Texte intégral. Résumé en français et en anglais. Bibliogr. f. 73-77.

Thesis (M.A.)--West Virginia University, 1999. / Title from document title page. Document formatted into pages; contains vi, 45 p. : ill. (some col.), maps (some col.). Includes abstract. Includes bibliographical references (p. 30).

The purpose of this study is to investigate Harley's activities in the years from 1710 to 1713, a short but extremely important period of Harley's life. Emphasis will be placed on Harley as a parliamentary and party leader and on the personal and political connections that made him successful as both.

Thesis (Ph.D.)--Boston University / Although Harley Granville-Barker has been considered one of the most significant figures in the modern English theatre ever since the early twentieth century, no comprehensive account of his varied achievements has heretofore been written. It is the purpose of this study to provide such an account--to describe and evaluate his contributions to the theatre as actor, producer, dramatists, and critic. Incorporated inna biographical sketch in this dissertation is an account of Barker's work as an actor. After appearing in various contemporary plays and revivals of Shakespeare, Barker made his greatest success as an actor at the Court Theatre from 1904 to 1907, playing the heroes of many of Shaw's plays and of his own. Judging by contemporary accounts, he excelled in realistic portrayals of men of charm and intellectual passion, and his voice was very effective in lyrical moods as well as in repartee. [Truncated]

Este trabalho é uma etnografia das práticas sociais que tornam visíveis os processos de criação de sentidos e vínculos com a marca Harley-Davidson pelos pilotos que frequentaram os encontros do H.O.G. Harley Owners Group na cidade de São Paulo, entre maio de 2009 a fevereiro de 2011. Por meio da combinação das técnicas de observação participante, entrevistas e análise de imagens, busco entender quais as dimensões do envolvimento com a marca. A tese apresenta uma análise da organização do H.O.G. na capital paulista e acompanha o movimento dos pilotos para identificar as relações que se formam entre eles, e entre eles e a marca. A partir de imagens cinematográficas é possível identificar a constituição de um quadro de referências que inspiram a performance dos pilotos que participam das viagens semanais. A importância das imagens neste universo é reforçada pela fotografia, prática comum nos encontros e que auxiliou na identificação do que é entendido por Estilo Harley e a categoria daí decorrente o harleiro. O pertencimento ao grupo é resultado da articulação de vários elementos que envolvem a estetização da motocicleta e do piloto. Alguns aspectos escolhidos e compartilhados pelo grupo caracterizam uma masculinidade hegemônica que orienta comportamento, discurso e a experiência de consumo da marca. Finalizo o trabalho fazendo uma reflexão sobre o conceito de marca e os vínculos criados com ela. / This paper is an ethnographic study of the social practices that make the creation processes of meanings and links with the Harley-Davidson brand visible by the riders that attended the rides of the H.O.G - Harley Owners Group - in São Paulo city between May 2009 and February 2011. I try to understand the dimensions of brand involvement by combining the participant observation techniques, interviews and image analysis. This thesis presents an analysis of the H.O.G. organization in São Paulo city and follows the movement of the riders in order to identify the relations that are formed among them and between the riders and the brand. Through the use of film images it is possible to identify the constitution of a frame of reference which inspires the performance of the riders who participate in weekly rides. In this universe the importance of the images is reinforced by the photographs, a common practice in the events and that helped to identify what is understood as Harley Style and the deriving category the harleyro. Belonging to the group is the result of the articulation of several elements that involve the aestheticization of the motorcycle and the rider. Some aspects chosen and shared by the group characterize a hegemonic masculinity that guides the behavior, discourse and the brand consumption experience. I finish this paper reflecting on the concept of brand and the links created with it.

Este trabalho é uma etnografia das práticas sociais que tornam visíveis os processos de criação de sentidos e vínculos com a marca Harley-Davidson pelos pilotos que frequentaram os encontros do H.O.G. Harley Owners Group na cidade de São Paulo, entre maio de 2009 a fevereiro de 2011. Por meio da combinação das técnicas de observação participante, entrevistas e análise de imagens, busco entender quais as dimensões do envolvimento com a marca. A tese apresenta uma análise da organização do H.O.G. na capital paulista e acompanha o movimento dos pilotos para identificar as relações que se formam entre eles, e entre eles e a marca. A partir de imagens cinematográficas é possível identificar a constituição de um quadro de referências que inspiram a performance dos pilotos que participam das viagens semanais. A importância das imagens neste universo é reforçada pela fotografia, prática comum nos encontros e que auxiliou na identificação do que é entendido por Estilo Harley e a categoria daí decorrente o harleiro. O pertencimento ao grupo é resultado da articulação de vários elementos que envolvem a estetização da motocicleta e do piloto. Alguns aspectos escolhidos e compartilhados pelo grupo caracterizam uma masculinidade hegemônica que orienta comportamento, discurso e a experiência de consumo da marca. Finalizo o trabalho fazendo uma reflexão sobre o conceito de marca e os vínculos criados com ela. / This paper is an ethnographic study of the social practices that make the creation processes of meanings and links with the Harley-Davidson brand visible by the riders that attended the rides of the H.O.G - Harley Owners Group - in São Paulo city between May 2009 and February 2011. I try to understand the dimensions of brand involvement by combining the participant observation techniques, interviews and image analysis. This thesis presents an analysis of the H.O.G. organization in São Paulo city and follows the movement of the riders in order to identify the relations that are formed among them and between the riders and the brand. Through the use of film images it is possible to identify the constitution of a frame of reference which inspires the performance of the riders who participate in weekly rides. In this universe the importance of the images is reinforced by the photographs, a common practice in the events and that helped to identify what is understood as Harley Style and the deriving category the harleyro. Belonging to the group is the result of the articulation of several elements that involve the aestheticization of the motorcycle and the rider. Some aspects chosen and shared by the group characterize a hegemonic masculinity that guides the behavior, discourse and the brand consumption experience. I finish this paper reflecting on the concept of brand and the links created with it.

Thesis (M.A.)--Ohio State University, 1967. / Includes bibliographical references (leaves 73-74). Available online via OhioLINK's ETD Center

British Library MS Harley 2253 is a unique fourteenth-century miscellany consisting of 140 folios and containing 116 different texts, including lyrics, political poems, fabliaux and other secular and religious texts in verse and prose, Latin, Middle English and Anglo-Norman. While the so-called “Harley Lyrics” popularized by Brook’s edition may have registered widely on scholarly radar, many of the non-English texts in the collection have failed to elicit critical attention. However, these texts are vital points in the narrative of English literary history. In particular, the four Anglo-Norman fabliaux included in Harley 2253 constitute a majority of the extant pre-Chaucerian fabliaux produced on the English isles, and of these, Le Dit de la Gageure and Du Chevalier a La Corbeille have no Old French analogues. This report explores the Anglo-Norman fabliaux in this manuscript, their relationship to the continental French tradition and to the subsequent English (ie. Chaucerian) fabliaux incarnations. Specifically, I argue that representations of female desire – figured as an opposition between “stillness” and doing one’s “will” – surface in these obscene misogynist stories that simultaneously objectify and colonize the female body. “De Clerico et Puella”, Le Dit de la Gageure and Le Chevalier qui fist Les Cuns Parler all include an unmarried female who articulates her sexual desire freely, a sharp contrast to the traditional cuckoldry plot of Old French fabliaux which revolves around a married woman’s illicit affairs. Indeed, the grotesque images of sexual violence and the pornographic images of sexual fulfillment in these pre-Chaucerian fabliaux are not contained by the ecclesiastic context from which these texts originate, but rather they linger and are transformed by the female characters, patrons, readers and hearers of the medieval manuscripts in their domestic contexts. / text

Thesis (M.A.)--West Virginia University, 2007. / Title from document title page. Document formatted into pages; contains iv, 93 p. : ill. Includes abstract. Includes bibliographical references (p. 91-93).

Thesis (M.A.)--University of Wisconsin--Madison, 1967. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.