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Henna, Uses of it in the Middle East and North AfricaHumphrey-Newell, Diane M. 01 January 1981 (has links)
Since gradually replacing red ochre as a dye in ancient Egypt, henna has been cultivated throughout the Middle East and North Africa Traditional uses dealing with body art and medicine were associated with traits commonly connected with the color red, the dichotomies of life and death, good and evil. Today, these traits have all but disappeared while henna's use as a cosmetic dye, an embellishment, has remained prevalent in some regions. There can be no doubt that many uses and symbolisms attached to uses have gone unrecorded, been forgotten, and are irretrievable. The purpose of this research was to preserve that knowledge which still exists concerning previous uses and current practices in the Middle East and North Africa.
Data gathered from publications indicates that the once traditional belief that the ability to purify and protect from evil was emanate in henna was acknowledged as recently as twenty years ago. Personal interviews conducted with fifty informants revealed that, with the exception of the Zar Cult in Egypt, present day users of henna make no association between henna and purification or protection from evil.
During the Middle Ages, henna was a common ingredient in medicines believed to be beneficial in the curing of various skin diseases and internal discomforts. Knowledge of medicinal uses today is confined to a few regions where external application is still practiced, but internal use is rare.
Henna's association with the rite s of passage and other occasions was once common. Staining the hands and feet of participants in ceremonies with henna was a tradition . Today the Night of Henna, a ritual dyeing of the bride-to-be's hands and feet, is the only widely recognized traditional use of henna.
Henna as a cosmetic dye for hair may be gaining in popularity in the Middle East and North Africa due to it s use in modern products. Women in Morocco, Pakistan and the Arabian Peninsula continue to use henna as a cosmetic stain on feet, hands and nails. This continued use may be attributed to pride in tradition and modern methods of application.
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The Geographies of the Black Henna Meme Organism and the Epidemic of Para-phenylenediamine Sensitization: A Qualitative HistoryCartwright-Jones, Catherine Jane 30 March 2015 (has links)
No description available.
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Mirrors And VanitiesSalas, Leslie 01 January 2013 (has links)
Mirrors and Vanities is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay. Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife’s miscarriage. A girl visits her fiancé in purgatory. A boy crosses a line and loses his best friend. Meanwhile, the nonfiction centers on self-discovery and gender roles associated with power struggles. A schizophrenic threatens to ruin my mother’s wedding. I rediscover my relationship with my father through food writing. Sword-work teaches me to fail and succeed at making martial art. The title work of the thesis is a collaged story highlighting the tribulations of a physicist fixated on recovering his lost love by manipulating the multiverse. The multi-modal format implicates the nebulosity of physics theories and how different aspects of the narrative can be presented in various formats to best suit the nature of the storytelling. Through the interactions of characters in mundane and extraordinary circumstances, the works in this thesis examine the consequences of choice, the contrast between reality and expectation, coming of age, and the Truth of narrative.
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