This thesis is a hermeneutic phenomenological investigation of the phenomenon of addiction, particularly alcohol addiction. My thesis draws heavily from the phenomenological school of hermeneutic phenomenology, in particular Max Van Manen’s (2006) text, Researching Lived Experience: Human Science for an Action Sensitive Pedagogy as a frame of reference for my inquiry into and analysis of the lived experience of addiction and recovery. The Van Manen text is used as a research handbook, guiding my approach, my analysis, and the project more generally. My thesis found that, using the existential of lived time, temporality, in recovery the present is essentially different than the past, and that recovering addicts necessarily rethink and reorient themselves to the past to heal.

This thesis is a hermeneutic phenomenological investigation of the phenomenon of addiction, particularly alcohol addiction. My thesis draws heavily from the phenomenological school of hermeneutic phenomenology, in particular Max Van Manen’s (2006) text, Researching Lived Experience: Human Science for an Action Sensitive Pedagogy as a frame of reference for my inquiry into and analysis of the lived experience of addiction and recovery. The Van Manen text is used as a research handbook, guiding my approach, my analysis, and the project more generally. My thesis found that, using the existential of lived time, temporality, in recovery the present is essentially different than the past, and that recovering addicts necessarily rethink and reorient themselves to the past to heal.

This qualitative research study explored the perceived experiences of doing science with an artistic spirit through the voices of living scientists who also engage in the arts. The purpose was to understand how accomplished scientists who engage in the arts make sense out of their experience of doing science and to gain the scientists’ perspectives on the context of their experience. Four highly able scientists (ages 31-61) with expertise in their field who also self-identified as actively engaged in the fine arts were given a voice on the following issues: 1) What are your perceived experiences of doing science? As such, what can we infer about the role of the arts in doing science? 2) Based on personal experiences, are there implications for the integration of the arts and sciences in education? Through hermeneutic phenomenological methodology using thematic analysis, four major themes emerged: 1) Risking Success in a Scientific Vocation; 2) Feeling Healthy through the Arts (Satisfying an Inner Drive; Coping in a Stressful World); 3) Gaining and Giving Different Perspectives through the Arts (Complementary Tools of Perception; Complementary Processes of Perception); 4) Feeling Connected to Something More through the Arts. Each theme alluded to some aspect of aesthetic experience or extracognition, emphasizing the role of the arts in attaining such experiences. Educational implications are discussed in light of aesthetic experience, extracognition, and also interdisciplinary education in today’s context of science education.

Subscribing to Hans-Georg Gadamer's belief that human beings are called to be insightful and discerning, this dissertation explores Gadamer's idea and practice of listening to language in order to understand the relationship between a constitutive theory of language and a life of wisdom. As Gadamer's texts reveal, the hermeneutic practice of listening to language is a reflective engagement of language that is theoretically grounded in a constitutive view of language. First, we need to listen to language because language, not consciousness, is the critical element in understanding. Second, the ontological priority of language over subjectivity comes with the nature of our primary relationship to language--we belong to it. Language is the medium in which we think and live, which makes us human. This means that our primary and most consequential relationship to language is as hearers, not users, of language. Third, the nature of language is both binding and expansive; hence the problems that come with its binding nature can be attended to from within language itself, by engaging its expansive nature. In other words, Gadamer does not believe in linguistic determinism. <br>The first chapter explores the conversation between Gadamer and communication studies by surveying what communication scholars have found significant for communication theory and practice in Gadamer's thought. The next three chapters examine Gadamer's idea and practice of listening to language through a close interpretive reading of Gadamer's texts. This reading reveals three key relationships that define the hermeneutic practice of listening to language: the relationship between ordinary language and conceptual thought (chapter two); the relationship between hearing and understanding (chapter three); and the relationship between language and reason (chapter four). The last chapter takes the conversation between Gadamer and communication studies further by considering some ways in which the hermeneutic practice of listening to language can assist communication scholars and practitioners in becoming discerning and insightful. / McAnulty College and Graduate School of Liberal Arts / Communication and Rhetorical Studies / PhD / Dissertation

This qualitative research study explored the perceived experiences of doing science with an artistic spirit through the voices of living scientists who also engage in the arts. The purpose was to understand how accomplished scientists who engage in the arts make sense out of their experience of doing science and to gain the scientists’ perspectives on the context of their experience. Four highly able scientists (ages 31-61) with expertise in their field who also self-identified as actively engaged in the fine arts were given a voice on the following issues: 1) What are your perceived experiences of doing science? As such, what can we infer about the role of the arts in doing science? 2) Based on personal experiences, are there implications for the integration of the arts and sciences in education? Through hermeneutic phenomenological methodology using thematic analysis, four major themes emerged: 1) Risking Success in a Scientific Vocation; 2) Feeling Healthy through the Arts (Satisfying an Inner Drive; Coping in a Stressful World); 3) Gaining and Giving Different Perspectives through the Arts (Complementary Tools of Perception; Complementary Processes of Perception); 4) Feeling Connected to Something More through the Arts. Each theme alluded to some aspect of aesthetic experience or extracognition, emphasizing the role of the arts in attaining such experiences. Educational implications are discussed in light of aesthetic experience, extracognition, and also interdisciplinary education in today’s context of science education.

The relationship between teacher and student has always been a central interest of the educational process. While the nature of this relationship can be understood from various theoretical frameworks, research that seeks to understand the “lived experience” of this relationship is less prevalent. This research explores the phenomenological nature of the teacher-student relationship in the context of teacher education. Stories of the lived experience of this relationship were hermeneutically interpreted against the philosophical writings of Heidegger, Gadamer, and Buber. The research answers the question: what is the meaning of the teacher-student relationship? Relationships are essential to the educational experience whether this is recognised or not, and whether we are consciously aware of this or not. Once established, relationships continue to exist beyond the time and space of the individuals influencing future relational experiences. In addition, a teacher’s comportment has been found to have a communicative aspect that is felt and sensed by others. A further essential understanding opens the play of relating. That is, the teacher and student experience their relationship as a play that is unscripted, uncertain, and lived beyond the rules of engagement. In this play, teachers who are attuned to relationship show a phronesis, or practical wisdom, as they relate moment by moment. The outcomes of this research call into question technicist and instrumental models of teacher education which are presently underpinned by the dominant neoliberal ideology. Consistent with critical and humanistic approaches to education, this research calls for the humanising of the educational experience through the educating and re-educating of teacher educators and teachers towards essential understandings of relationship.

This qualitative research study explored the perceived experiences of doing science with an artistic spirit through the voices of living scientists who also engage in the arts. The purpose was to understand how accomplished scientists who engage in the arts make sense out of their experience of doing science and to gain the scientists’ perspectives on the context of their experience. Four highly able scientists (ages 31-61) with expertise in their field who also self-identified as actively engaged in the fine arts were given a voice on the following issues: 1) What are your perceived experiences of doing science? As such, what can we infer about the role of the arts in doing science? 2) Based on personal experiences, are there implications for the integration of the arts and sciences in education? Through hermeneutic phenomenological methodology using thematic analysis, four major themes emerged: 1) Risking Success in a Scientific Vocation; 2) Feeling Healthy through the Arts (Satisfying an Inner Drive; Coping in a Stressful World); 3) Gaining and Giving Different Perspectives through the Arts (Complementary Tools of Perception; Complementary Processes of Perception); 4) Feeling Connected to Something More through the Arts. Each theme alluded to some aspect of aesthetic experience or extracognition, emphasizing the role of the arts in attaining such experiences. Educational implications are discussed in light of aesthetic experience, extracognition, and also interdisciplinary education in today’s context of science education. / Education, Faculty of / Educational and Counselling Psychology, and Special Education (ECPS), Department of / Graduate

Several positive student academic outcomes are associated with women's college attendance, yet little is known about how women's college students make meaning of classroom practices, experiences, and interactions. The purpose of this study, a qualitative research endeavor in the hermeneutic phenomenological tradition, was to achieve a better understanding of the nature of the lived classroom experience at a women's college and the meaning women's college students made from their everyday lived classroom experiences. The sample consisted of 10 participants at a single women's college in the southern region of the United States who had completed at least 60 credit hours at the institution and were enrolled as full-time residential students. Data were collected through a series of three interviews conducted with participants and reflection essays authored by participants. Study participants described the women's college classroom environment as a place where professors encouraged student participation in classroom discussions and where students could voice ideas, experiences, and uncertainties in an accepting space. The women's college students in this study indicated they received individual reaffirmation and intellectual validation from professors and peers, and over time became more likely to take risks with their thinking, aloud, in the classroom environment. Study participants made meaning from their classroom experience by actively reflecting on how these experiences fostered personal growth, comparing lived experiences to preconceptions, and imagining how their undergraduate experience would have been different had they chosen to attend a coeducational college. / Ph. D.

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Children are rarely asked about their experiences in the aftermath of war. Each child if given an opportunity has a unique and precious story to share. It is most likely that embedded within their experiential stories are essences of resilience. The purpose of this study was (1) to understand the phenomenon of resilience in an exploratory way with regard to how Afghan refugee children adapt despite facing adversities in the aftermath of war, and (2) to contribute to the knowledge of nursing science and practice for healthy childhood development. The core research question was: What are the experiences of Afghan refugee children currently living in Canada in the aftermath of war? The sub question was: How do Afghan refugee children describe their experiences of day-to- day life? Gadamers (1960/1989) hermeneutic philosophy was used to understand the experiences of Afghan children in the aftermath of war. In addition, hermeneutic photography, which is based on the methodology of hermeneutic (interpretive) inquiry, was used as the methodological approach as well as method. Data were collected with the aid of photographs of the childrens own choice. Two to three photo conversations were done with seven children residing in Edmonton, Alberta. The participants ranged between the ages of 13 to 17; five were females and two were males.They were all born in Afghanistan and had two parent families and belonged to the Shia sect of Islam specifically,the Shia Imami Ismaili Muslims. Gadamers approach to data analysis was adopted throughout the study. Four themes emerged that described the day-to-day life experiences of the Afghan refugee children: (a) cherishing the family; (b) treasuring the Afghan culture; (c) creating opportune spaces to dwell; and (d) building and sustaining resilience. Recommendations were drawn as a useful guide from the findings of this study for education, practice, policy development, and future research to benefit Afghan refugee children and their families to dwell in a new country.