1 |
O home studio como ferramenta para o ensino da performance musical / The home studio as a tool for teaching musical performanceVIEIRA, Gabriel da Silva 31 March 2010 (has links)
Made available in DSpace on 2014-07-29T16:25:16Z (GMT). No. of bitstreams: 1
Gabriel da silva.pdf: 2740848 bytes, checksum: e34d0fbd5b2ce6b0fcbb7b730dc1d720 (MD5)
Previous issue date: 2010-03-31 / The use of studios of recording of simple (or home-made) composition, the
calls home studios, it has been growing significantly in Brazil due to the
reduction in price of certain technological devices used in its context. For
example, sound cards, microphones, monitors, mixes and hardware. The
home studio is a music production environment that uses different
technologies to design a music product, educational or sound. Its use has
converged to the development of musical productions that have helped to
promote different artists, or even tools used in its context. This work has the
use of home-made composition in the teaching of musical performance as
main point. It shows literature review, the structure of the home studio and
the development of computer software to point suggestions to use homemade
composition in the teaching of musical performance. This work
converges to the musician (performer/teacher/student) to promote a
discussion about the teaching of music with a computer and it indicates
ways to use technological devices in teaching music. It concludes that the
use of home studio in the teaching of music performance tends to be very
productive and its environment can serve as a workstation that allows the
music s teachers to try it on different forms of interaction with new
technologies, and indeed have in hands an effective and inexpensive
structure that could achieve teaching objectives. We hope that this work can
contribute to optimize teaching resources applied to the teaching of music
performance and expand the literature on teaching music in Brazil. / A utilização de estúdios de gravação de composição simples (ou caseira), os
chamados home studios, tem crescido significativamente no Brasil devido
ao barateamento de certos aparatos tecnológicos empregados em seu
contexto. A exemplo, placas de som, microfones, monitores, mesas e
componentes de hardware. O home studio, ou estúdio caseiro, é um
ambiente de produção musical que utiliza de diferentes tecnologias para
conceber um determinado produto musical, pedagógico ou sonoro. Sua
utilização tem convergido para o desenvolvimento de produções musicais
que tem ajudado a divulgar diferentes artistas, ou mesmo ferramentas
empregadas em seu contexto. Esta pesquisa por sua vez, tem por objetivo
principal discutir a utilização do home studio no ensino da performance
musical. Para tanto, parte da revisão da literatura, da estrutura do home
studio e do desenvolvimento de aplicativos computacionais para apontar
sugestões de uso de estúdios caseiros no ensino da performance musical.
Cada atividade apontada é discutida e contextualizada, sendo algumas
exemplificadas. A pesquisa ora apresentada converge para o músico
(performer/professor/estudante) no sentido de promover uma discussão
sobre a relação ensino da música com a informática e por indicar caminhos
de uso de aparatos tecnológicos no ensino de música. Conclui-se que a
utilização do home studio no ensino da performance musical tende a ser
bastante proveitosa e que este ambiente pode servir como uma estação de
trabalho que permita ao professor de música experimentar diferentes formas
de interação com novas tecnologias, e de fato, ter em mãos uma estrutura
eficaz e barata que permita atingir objetivos de ensino. Espera-se que este
trabalho possa contribuir para otimizar os recursos pedagógicos aplicados ao
ensino da performance musical, bem como expandir a literatura sobre
ensino de música no Brasil.
|
2 |
Estudo e avaliação da acústica de home studios /Carvalho, Vinícius Paggioli de. January 2019 (has links)
Orientador: João Antonio Pereira / Resumo: A indústria fonográfica com o advento dos equipamentos digitais de gravação sofreu grandes transformações nos últimos anos. A mudança mais marcante é a migração dos músicos que antes trabalhavam com grandes gravadoras e hoje trabalham de forma independente, com estúdios construídos ou adaptados em suas residências, os chamados home studios. Seja em um grande estúdio profissional de gravação, ou em um home studio, o estudo da acústica do local é imprescindível para se obter boa qualidade nas gravações. Uma das áreas aplicadas da acústica é a avaliação e desenvolvimento de ambientes utilizados para gravações de áudio. Essa área contempla diversas avaliações de grande valia, quando se trata da garantia da qualidade acústica das salas em um home studio. Reverberações, isolamento sonoro, entre outras variáveis de projeto definem parâmetros acústicos do ambiente. A obtenção destes parâmetros e adaptações do local para diferentes usos, entre outras características utilizadas para avaliação da qualidade sonora dos ambientes, podem ser dadas através do estudo e avaliação do modelo acústico do estúdio, visto que esses parâmetros estão diretamente relacionados com os materiais construtivos, dimensões e arquitetura do ambiente. Este trabalho teve como objetivo o estudo do efeito desses parâmetros na acústica dos ambientes e a criação de modelos numéricos representativos de predição acústica, a partir da análise e avaliação em dois estúdios diferentes. Assim, provendo embasamento teórico-... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: The phonographic industry, with the advent of digital recording equipments, su ered great transformations in the last few years. The most remarcable change is the migration of musicians that used to work with great record labels before and nowadays work in an independent way, with studios constructed in their residences, the so called home studios. Whether in a large professional recording studio, or at an home studio, the study of local acoustics is imprescindible for obtaining good recording quality. One of the applied areas of acoustics is the valuation and development of enviroments used for audio recordings. This front of study includes many evaluations of great worth when it comes to guaranteeing the acoustic quality in a home studio. Reverberations, sound insulation, between other variables de ne the acoustic quality of the enviroment. The obtention of these parameters and adptations of the room for di erent kind of usage, along with other characteristics utilized for the valuation of acoustic quality of enviroments, may be given through study and valuation of an acoustic model of the studio, since these parameters are directly related to the building materials, dimensions and architecture of the environment. The objective of this work was to study the e ect of these parameters on the acoustics of the environments and the creation of representative numerical models of acoustic prediction, from the analysis and evaluation in two di erent studios, so that it is possible ... (Complete abstract click electronic access below) / Mestre
|
3 |
Home Studio Owners' Strategies to Compete in the Recording IndustryPolk, Darrel Maurice 01 January 2019 (has links)
The purpose of this multiple case study was to explore strategies that well-established home recording studio owners in a city in the southeastern United States have used to compete in the recording industry. Four home recording studio owners served as participants. Each participant owned and operated a home studio business in the target area for longer than 10 years. Porter's 5 competitive forces model and Christensen's disruptive innovation theory were the conceptual lenses for this study. Interviews, direct observations, and website documents were the 3 data collection sources used to achieve methodological triangulation. The data were analyzed using Yin's 5-step thematic approach to qualitative data analysis: compiling, disassembling, reassembling, interpreting, and concluding. Four themes emerged from the analysis of the data: doing business and making money with friends, keeping the family safe and the studio secure, decoupling the clock from the creative process, and linking strategy to personal goals. The findings of this study may contribute to positive social change by economically empowering aspiring entrepreneurs to become small business owners and create new jobs that help strengthen their local economies.
|
4 |
How do bass enhancement algorithms impact mixing decisions when monitoring on headphones?Enlund, Anders January 2018 (has links)
As music production moves from the big professional studios into small bedroom studios, Headphones become more commonly used for monitoring. This brings a new set of problems based on the limitations of headphones compared to loudspeakers. This research explores how a bass enhancement algorithm impacts the results when mixing low frequency audio on headphones. This is done through a simple mixing experiment where subjects are tasked with balancing the amplitude of a low frequency element in a song, both with and without a bass enhancement algorithm enhancing the headphone monitoring. It is shown that while subjects do not perceive a difference in difficulty with this task, the results differ as subjects overall mix the bass frequencies lower in amplitude when aided by the bass enhancement algorithm. It is concluded that the bass enhancement algorithm is useful in this manner.
|
Page generated in 0.0692 seconds