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Analyse et géométrie des domaines bornés symétriquesKoufany, Khalid 30 November 2006 (has links) (PDF)
Ce mémoire présente un point de vue basé sur la théorie des algèbres de Jordan pour faire une étude analytique, géométrique et topologique de certains espaces homogènes : espaces hermitiens symétriques, leurs frontières de Shilov et espaces symétriques causaux de type Cayley. <br />En particulier, nous passons en revue des résultats sur l'indice de Maslov, de Souriau et d'Arnold-Leray. Nous étudions aussi certaines propriétés de contractions et de compressions de ces espaces.<br />Le prolongement de la série discrète holomorphe est une partie importante du programme de Gelfand-Gindikin. Dans ce contexte, nous étudions les espaces de Hardy des fonctions holomorphes sur certains domaines Stein. Nous donnons en particulier le lien qui existe entre ces espaces de Hardy et les espaces de Hardy classiques des fonctions holomorphes sur les espaces hermitiens symétriques.<br />En dernier lieu, nous étudions la conjecture de Helgason pour la frontière de Shilov des espaces hermitiens symétriques. Plus précisément, nous caractérisons l'image par de la transformation de Poisson des hyperfonctions et des fonctions $L^p$ sur la frontière de Shilov.
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無錫縣的華氏家族: 一個長時段的探討. / Hua lineage in Wuxi County: a long period study / CUHK electronic theses & dissertations collection / Wuxi Xian de Hua shi jia zu: yi ge chang shi duan de tan tao.January 2011 (has links)
During the Ming and Qing dynasties, many powerful lineages appeared in the Jiangnan area. In this thesis, I take the Hua lineage of Wuxi county as an example, to study the emergence and transformation of these institutions, as well as the change of local society in the period. / In the Hua lineage, the word "lineage" includes two kinds of meanings: one is continued by blood, the other is constructed by special means. The former is implied in the the Hua Zhengu story in early Ming dynasty, which described when the family arrived at the bank of Lake E, reclaimed land, and, in time, became a lineage having many descendants. The latter was performed in ceremonies by many people surnamed Hua who lived in Wuxi county, including Hua Zhengu's descendants, who, through the ceremonies, designated themselves members of a large lineage. The ceremonies were supported by the building of ancestral halls, by compiling genealogies, and recalling stories of their connections to the ancestors. In the middle of the Ming dynasty, people of the Hua surname at Dangkou, where Hua Zhengu had settled, came to be known as a great lineage in Wuxi County. / My focus is not on building a "lineage society" . In the Jiangnan area, lineages were actively built only by a small number of people, while most of their members kept only a loose connection with their lineage. So the lineage exerted little authority on its members. In fact, the importance of the lineage lies in its economic function. Under the process of economic development, by building a charitable estate, lineage became a corporation, which in turn further accelerated the economic development of local society. Through the study of the impact the lineage and the town it settled had on each other, this thesis describes the specificity of the Jiangnan lineage in the Ming and Qing dynasties. / 余艶. / Adviser: David Faure. / Source: Dissertation Abstracts International, Volume: 73-04, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (p. 138-148). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Yu Yan.
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The Rebellious Mirror,Before and after 1984:Community-based theatre in AotearoaMaunder, Paul Allan January 2010 (has links)
In this thesis I outline the contribution Community-based theatre has made to New Zealand theatre. This involves a defining of theatre production as a material practice. Community-based theatre was a tendency from the 1930s, a promise of the left theatre movement and, I argue, was being searched for as a form of practice by the avant-garde, experimental practitioners of the 1970s. At the same time, early Māori theatre began as a Community-based practice before moving into the mainstream.
With the arrival of neo-liberalism to Aotearoa in 1984, community groups and Community-based theatre could become official providers within the political system. This led to a flowering of practices, which I describe, together with the tensions that arise from being a part of that system. However, neo-liberalism introduced managerial practices into state contracting and patronage policy, which effectively denied this flowering the sustenance deserved. At the same time, these policies commodified mainstream theatre production.
In conclusion, I argue that in the current situation of global crisis, Community-based theatre practice has a continuing role to play in giving voice to the multitude and by being a practice of the Common.
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