The thesis analyzes the changes of the party system in Venezuela after 1945. It focuses especially on the important years 1993 and 1999, when the party system changed significantly and tries to find answers on questions: why these changes happened.

This thesis analyzes the political, economic and social changes during the presidency of Evo Morales in Bolivia and Hugo Chávez in Venezuela. Its main goal is to find out whether Evo Morales follows Hugo Chávez directions and to compare the recent results of the applied reforms.

Submitted by Caroline Falcao (caroline.rfalcao@ufpe.br) on 2017-06-14T17:51:22Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) 2011-Dissertacao-Paulo-Anchieta-Cunha.pdf: 8721001 bytes, checksum: cb3e8c716c036d9600bbe8a57511c9c7 (MD5) / Made available in DSpace on 2017-06-14T17:51:22Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) 2011-Dissertacao-Paulo-Anchieta-Cunha.pdf: 8721001 bytes, checksum: cb3e8c716c036d9600bbe8a57511c9c7 (MD5) Previous issue date: 2011-06-20 / A trajetória intelectual e institucional do professor Francisco Hugo Almeida de Lima e Mouraé considerada nesta dissertação como chave de compreensão das ações empreendidas peloMovimento Folclórico Brasileiro na Paraíba. Inicialmente apresentamos como a história dosestudos de folclore no Brasil vem sendo escrita, tanto pelos agentes do próprio movimentocomo pelos cientistas sociais. O tenso debate travado entre Florestan Fernandes e EdisonCarneiro é exemplar para situar a compreensão deste campo de estudos no Brasil. A partir dedocumentos, artigos publicados, correspondências e entrevistas com familiares e colegasdescrevo e analiso a trajetória de Hugo Moura. Procedendo assim observamos que no períodoentre 1960 e 1978 a atuação do então Secretário­Geral da Comissão Paraibana de Folclore esua carreira docente se complementam. Desta forma, ações vinculadas a pesquisa e estudo,divulgação e articulação do folclore paraibano foram realizadas pelo movimento folclóricocom apoio da universidade. É a partir desta inusitada parceria entre mundo universitário emovimento folclórico que a trajetória de Hugo Moura será aqui considerada. / The intellectual and institutional trajectory of the professor Francisco Hugo Almeida de Limae Moura is considered in this dissertation as a key to understanding the actions undertaken bythe Brazilian Folkloric Movement in Paraíba. Originally presented as the history of folklorestudies in Brazil has been written both by agents of the movement itself as social scientists.The tense debate between Florestan Fernandes and Edison Carneiro is exemplary to place theunderstanding of this field of study in Brazil. From documents, published articles,correspondence and interviews with relatives and colleagues describe and analyze thetrajectory of Hugo Moura. In doing so, we observe that in the period between 1960 and 1978to the then acting Secretary General of the Commission Paraibana Folklore and complementhis teaching career. Thus, actions related to research and study articulation and disseminationof folklore Paraiba were performed by the folk movement with support from the university. Itis from this unusual partnership between academia and the folklore movement trajectory HugoMora will be described here.

The following pages are the result of investigations in the field of Medieval Politics.

No description available.

No description available.

No description available.

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

The scholarly debate on Venezuela's democratic character has become tremendously polarized since the election of Hugo Chavez in 1998. This starkly divided debate has demonstrable impact on the policy realm, as well as the scholarly literature on democratic theory. This debate has run along ideological lines and has focused on differing conceptualizations of normative democracy, namely representative and participatory avenues of democratic engagement. Beyond providing an impactful analysis of this academic debate, this thesis works to supply an Arendtian defense of participation as a potential lense to assess Venezuela's democratic character. I will effectively argue that scholars should return to traditional conceptualizations of democratic theory, such as Arendt's, in order to provide richer and more substantial empirical assessments of democratic performance in light of the multitude of recent experimentations in democratic praxis that has swept the world. This project is relevant to both the scholarly community, as well as the policy realm. / Master of Arts

Hugo Wolf drew the strands of form, rhythm, and other elements together to form tightly woven songs, each element of which can be traced to the text as its original inspiration. Truly this was a genius of romantic expression, who took the tools developed by his predecessors in song, tempered them with his own sensitive personality, and used them to the fullest in setting the meaning and the mood, as well as the words, of the poems he had chosen.