L’idée de réaliser une étude comparative de deux congrégations charismatiques à Montréal a été conçue vers la fin de l’année 2009, dans le cadre du projet « Pluralisme et ressources symboliques : les nouveaux groupes religieux au Québec ». Ce projet est dirigé par Deirdre Meintel. Les cochercheurs sont Claude Gélinas, Josiane Le Gall, Marie-Nathalie Le Blanc, Géraldine Mossière et Khadiyatoulah Fall. La coordinatrice est Véronique Jourdain. Ce projet a été financé par le FQRSC et le CRSH. / Dans deux congrégations à Montréal, nous nous intéressons aux hybridités religieuses entre le catholicisme et le pentecôtisme. Face aux lacunes de recherche en ce qui concerne l’influence du catholicisme sur le néopentecôtisme, nous avons réalisé des comparaisons entre certaines stratégies d’une Église charismatique néopentecôtiste multiethnique et les stratégies d’une communauté charismatique catholique de Latino-Américains, afin d’expliquer comment ces hybridités et influences se manifestent dans les congrégations. Certaines comparaisons révèlent des hybridités qui se manifestent dans l’adaptation des communautés au contexte québécois et dans l’adaptation de l’Évangile et des pratiques religieuses pour intégrer les immigrants aux congrégations et à la société d’accueil. Les communautés charismatiques deviennent des épicentres de regroupements ethniques dans lesquels on peut constater des continuités, transformations et innovations culturelles. En nous fondant sur l’analyse des enjeux sociaux et politiques, nous avons constaté également l’influence du catholicisme sur le néopentecôtisme et vice versa, ainsi que des interpénétrations syncrétiques. / This thesis concerns the religious hybridities between Catholicism and Pentecostalism in two congregations in Montreal. Faced with the gaps in the research regarding the influence of Catholicism on Neopentecostalism, we have compared certain strategies of a multi-ethnic Charismatic Neopentecostal Church with the strategies of a Latin American Catholic Charismatic community, in order to explain how these hybridities manifest in the congregations. Some hybridities are found in the adaptation of these communities to the Quebec context and in the adaptation of the Gospel and the religious practices that mark the process of integration of immigrants into the congregations and the host society. The charismatic communities become epicenters of ethnic groupings in which we can observe continuities, transformations and cultural innovations. In my field work in these two groups, I have found evidence regarding the influence of Catholicism on the Neopentecostalism and vice versa, as well as syncretic interpenetrations.

Dans deux congrégations à Montréal, nous nous intéressons aux hybridités religieuses entre le catholicisme et le pentecôtisme. Face aux lacunes de recherche en ce qui concerne l’influence du catholicisme sur le néopentecôtisme, nous avons réalisé des comparaisons entre certaines stratégies d’une Église charismatique néopentecôtiste multiethnique et les stratégies d’une communauté charismatique catholique de Latino-Américains, afin d’expliquer comment ces hybridités et influences se manifestent dans les congrégations. Certaines comparaisons révèlent des hybridités qui se manifestent dans l’adaptation des communautés au contexte québécois et dans l’adaptation de l’Évangile et des pratiques religieuses pour intégrer les immigrants aux congrégations et à la société d’accueil. Les communautés charismatiques deviennent des épicentres de regroupements ethniques dans lesquels on peut constater des continuités, transformations et innovations culturelles. En nous fondant sur l’analyse des enjeux sociaux et politiques, nous avons constaté également l’influence du catholicisme sur le néopentecôtisme et vice versa, ainsi que des interpénétrations syncrétiques. / This thesis concerns the religious hybridities between Catholicism and Pentecostalism in two congregations in Montreal. Faced with the gaps in the research regarding the influence of Catholicism on Neopentecostalism, we have compared certain strategies of a multi-ethnic Charismatic Neopentecostal Church with the strategies of a Latin American Catholic Charismatic community, in order to explain how these hybridities manifest in the congregations. Some hybridities are found in the adaptation of these communities to the Quebec context and in the adaptation of the Gospel and the religious practices that mark the process of integration of immigrants into the congregations and the host society. The charismatic communities become epicenters of ethnic groupings in which we can observe continuities, transformations and cultural innovations. In my field work in these two groups, I have found evidence regarding the influence of Catholicism on the Neopentecostalism and vice versa, as well as syncretic interpenetrations. / L’idée de réaliser une étude comparative de deux congrégations charismatiques à Montréal a été conçue vers la fin de l’année 2009, dans le cadre du projet « Pluralisme et ressources symboliques : les nouveaux groupes religieux au Québec ». Ce projet est dirigé par Deirdre Meintel. Les cochercheurs sont Claude Gélinas, Josiane Le Gall, Marie-Nathalie Le Blanc, Géraldine Mossière et Khadiyatoulah Fall. La coordinatrice est Véronique Jourdain. Ce projet a été financé par le FQRSC et le CRSH.

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-16T12:14:02Z No. of bitstreams: 2 Dissertação - Maria Cristina Prado Fleury Magalhães - 2015.pdf: 4193201 bytes, checksum: a14a94d3777d752954b3294408a10aa8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-16T12:14:25Z (GMT) No. of bitstreams: 2 Dissertação - Maria Cristina Prado Fleury Magalhães - 2015.pdf: 4193201 bytes, checksum: a14a94d3777d752954b3294408a10aa8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2016-09-16T12:14:25Z (GMT). No. of bitstreams: 2 Dissertação - Maria Cristina Prado Fleury Magalhães - 2015.pdf: 4193201 bytes, checksum: a14a94d3777d752954b3294408a10aa8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2015-05-07 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This dissertation resulted from a research that aimed to investigate the rap produced in Goiânia, focusing on its hybrid origins in dialogue with regional cultural aspects, aiming to reach identity processes built through this practice. As street culture that includes in its four constitutive elements (DJ, MC, graffiti and break) different forms of expression (music, poetry, visual arts and dance), the hip hop stands as a movement that articulates four fields of artistic production, being able to communicate by different manifestations which are imbricated and share the same ideology. The union of two of the elements from hip hop movement (DJ and MC) compose the rap, musical style chosen as research subject. Since rap shows remaining features from several cultural practices that are imbricated in their configuration as expression that hybridizes, mainly, elements from Caribbean, Africa and North America, this work is supported by the following analisys categories: cutural identity set by Hall (2006), cultural hybridity, developed by García Canclini (2003) and by Burke (2003) and struggles for meaning, approached by Chartier (1990) and Bourdieu (2011). The present dissertation brings up, first, a history of the organization of the ghettos and the US Black movement, highlighting how genres of African-American music like soul and funk relate to this context and with the appearance of rap. Then it approaches the rap in its genesis, cultural matrices and constitutive elements, and its insertion in hip-hop culture. Afterward, it draws a brief history of the spread of rap through the music industry and hybridization processes resulting in different genre styles, including in Brazil. Then it addresses the arrival of rap in Goiânia, its historical trajectory and current scenario. Finally, it investigated (through rap music analysis on phonographic records and freestyle battles) the identity representations found in rap of Goiânia and of Aparecida de Goiânia, from the finding of hybridization of local elements and struggles for meaning in these musical practices. It was found that Goiânia rap groups elected stereotypical elements of the local culture as the viola, the catira dance and the accent to represent the Goiás identity in its compositions. The analysis revealed that the rap battles of Goiânia and Aparecida de Goiânia stand as struggles for meaning in which groups are represented through symbolic disputes. This work also concluded that rap acts as a mediator of power representations experienced by young people living in peripheric regions of Goiânia and Aparecida de Goiânia. The representation elements are used to stake out and enhance the differences and boundaries between two neighbourhoods. However, in a broader view, the groups show similarities expressed by appreciation of the Goiás identity, by the declaration of Black pride and by the feeling of belonging to a marginalized urban territory and a socially excluded group. / A presente dissertação é resultado de pesquisa que tem como objetivo investigar o rap produzido em Goiânia e Aparecida de Goiânia, focando sua natureza originalmente híbrida em diálogo com aspectos culturais regionais, com vistas a elucidar processos identitários construídos através dessa prática. Como cultura de rua que contempla em seus quatro elementos constitutivos (DJ, MC, grafite e break) variadas formas de expressão (música, poesia, artes visuais e dança), o hip-hop firma-se como um movimento articulador de quatro campos de produção artística, conseguindo comunicar-se por meio de diferentes manifestações que se encontram imbricadas e comungam de uma mesma ideologia. A união de dois dos elementos do movimento hip-hop (o DJ e o MC) constitui o rap, gênero musical eleito como objeto desta pesquisa. Dado que o rap apresenta características residuais de diversas práticas culturais que se imbricam em sua configuração enquanto expressão que hibrida, principalmente, elementos de matrizes caribenha, africana e norteamericana, a pesquisa apoia-se nas categorias de análise de identidade cultural definida por Hall (2006), hibridação cultural, trabalhada por García Canclini (2003) e por Burke (2003), e lutas de representação, abordada por Chartier (1990) e Bourdieu (2011), e levanta, primeiramente, um histórico da estruturação dos guetos e do movimento negro estadunidense, ressaltando como gêneros da música afro-americana como o soul e o funk se relacionam com esse contexto e com o surgimento do rap. Em seguida, aborda-se o rap em sua gênese, matrizes culturais e elementos constituintes, bem como sua inserção na cultura hip-hop. Adiante, traça-se uma breve trajetória da disseminação do rap por meio da indústria fonográfica e dos processos de hibridação que resultaram em diversos estilos de gênero, inclusive no Brasil. Em seguida, aborda-se a chegada do rap à capital goiana, sua trajetória histórica e cenário atual. Por fim, são investigadas (por meio de análise musical do rap em gravações fonográficas e batalhas de improviso) as representações identitárias presentes no rap de Goiânia e Aparecida de Goiânia, a partir da verificação da existência de hibridações de elementos locais e de lutas de representação nessas práticas musicais. Verificou-se que grupos de rap de Goiânia elegeram elementos estereotipados da cultura local como a viola, a catira e o sotaque para representarem a identidade goiana em suas composições. As análises mostraram que as batalhas de rap de Goiânia e de Aparecida de Goiânia configuram-se como lutas de representação, em que grupos se fazem representar a partir de disputas simbólicas. Conclui-se ainda que o rap atua como mediador das representações de poder vivenciadas por jovens que habitam regiões periféricas de Goiânia e Aparecida de Goiânia. Os elementos de representação são utilizados para demarcar e reforçar as diferenças e fronteiras existentes entre um bairro e outro. Porém, em uma visão macro, os grupos revelam semelhanças expressas pela valorização da identidade goiana, pela proclamação do orgulho negro e pelo sentimento de pertencimento a um território urbano marginalizado e a um coletivo socialmente excluído.